Hey, look, everybody! The garbage production of Aida that stunk up San Francisco Opera’s most recent season is now on its way to DC! Isn’t it inspiring how deeply Francesca Zambello has sunk her tentacles into the heart of American opera?
So, according to recent season announcements, two “major” US companies will present in 2017-2018 what La Cieca cannot help but regard as the worst possible combination of director and material, Francesca Zambello‘s production of Candide. Read more »
Washington National Opera followed up Monday’s lavishly praised Die Walküre with a Siegfried that, if not quite rising to the summit of the previous installment, delivered a musically committed and eminently watchable version of this complicated work. Read more »
Happily, this Rheingold, which returned to the Kennedy Center Saturday night to open the first of three complete cycles, has been shorn of its clumsier gestures.
Gala this; gala that; who knew rich people wore clothes so badly?
“The Art House in Provincetown, MA, headed by Mark Cortale, will present Metropolitan Opera Star Deborah Voigt in ‘Voigt Lessons’ created by Terrence McNally, Francesca Zambello and Deborah Voigt, for one night only on August 2 at 6:30 PM.”
Just when you though it was impossible to have any less respect for Francesca Zambello…
Three blocks from the opera house is a terrible time to realize there was homework.
Christine Goerke is the Prima Donna in this scene from Francesca Zambello‘s Glimmerglass production of Ariadne auf Upstate New York, and Did I Mention That the Komponist is a Dyke?