When Francesca Zambello’s production of Das Rheingold opened in DC a decade ago I was not a fan. Glibly described as an “American” or “environmental” Ring, it seemed poised to buckle under the weight of its own self-importance. If the actual production offered more than the elevator pitch implied, it still felt overly invested in shoehorning the Ring into some bigger scheme for dubious purposes, an exercise which would quickly grew tedious in practice. Read more »
Gala this; gala that; who knew rich people wore clothes so badly? Freed’s Law (formulated long ago) states that every tenor you meet is going to think he’s the smart one, but there must be some corollary about every opening night opera gala sending out a bat-signal to the one socialite who thinks she’s going to Bring Back the Tiara. Friday night was the occasion not only of a gala, but also an opera by Mr. Verdi, in which people sang. Read more »
Pyrotechnics abound when Angela Meade stars in Opera Orchestra of New York’s production of Donizetti’s tragic love story, Parisina d’Este, conducted by OONY founder Eve Queler on May 4, 2016 at the Frederick P. Rose Hall at Jazz at Lincoln Center. OONY last performed this opera in 1974 starring Montserrat Caballé. The remaining cast features a group of young international artists including American tenor Aaron Blake in the role of Ugo, Chinese baritone Yunpeng Wang in the role of Duke Azzo, Serbian bass Sava Vemic in the role of Ernesto, and American Soprano Mia Pafumi in the role of Imelda. Don’t miss this thrilling, rare Donizetti gem.! Remaining tickets are on sale at the Jazz at Lincoln Center box office. Read more »
The Art House in Provincetown, MA, headed by Mark Cortale, will present Metropolitan Opera Star Deborah Voigt in ‘Voigt Lessons’ created by Terrence McNally, Francesca Zambello and Deborah Voigt, for one night only on August 2 at 6:30 PM.
Just when you though it was impossible to have any less respect for Francesca Zambello…
Three blocks from the opera house is a terrible time to realize there was homework.
Christine Goerke is the Prima Donna in this scene from Francesca Zambello‘s Glimmerglass production of Ariadne auf Upstate New York, and Did I Mention That the Komponist is a Dyke?
“Superstar soprano Deborah Voigt and powerhouse opera and theater director Francesca Zambello, friends for over 25 years, came to 92Y to talk opera, inspiration, artistry and friendship.”
What, you might ask, could a middle-of-the-road middlebrow stage director add to this monumental chef-d’oeuvre?
June Anderson will make the transition into the “Anne Revere” segment of her career next summer when she sings the role of Elvira Griffiths in Tobias Picker‘s An American Tragedy at the Glimmerglass Festival.