The Art House in Provincetown, MA, headed by Mark Cortale, will present Metropolitan Opera Star Deborah Voigt in ‘Voigt Lessons’ created by Terrence McNally, Francesca Zambello and Deborah Voigt, for one night only on August 2 at 6:30 PM.
Just when you thought it was impossible to lose any further respect for Francesca Zambello, the director (and, so rumor has it, instigator of beefing up the rapey content) of the fiasco opera Two Women has now announced, “I would not stage a rape scene in an opera ever again…. It makes too much of the audience too uncomfortable. As directors we can convey the atrocities of the world, past and present, by using images and dramatic situations, but we must use nuance.” Read more »
Three blocks from the opera house is a terrible time to realize there was homework. And yet, there I was at Larkin Street or so when I remembered that Two Women was based not only on a movie (or rather, on the same novel as that movie) but on one that is apparently beloved of Italians, featuring the most glamorous star of the Italian cinema. Indeed, in her interview with David J. Baker, Anna Caterina Antonacci goes so far as to say that every Italian of her generation has seen La Ciociara “at least three times.” Ah well, I thought. I’ll wing it. Read more »
Christine Goerke is the Prima Donna in this scene from Francesca Zambello‘s Glimmerglass production of Ariadne auf Upstate New York, and Did I Mention That the Komponist is a Dyke?
“Superstar soprano Deborah Voigt and powerhouse opera and theater director Francesca Zambello, friends for over 25 years, came to 92Y to talk opera, inspiration, artistry and friendship.”
On Wednesday, April 23rd at 8:15 PM, renowned soprano Deborah Voigt and opera and theater director Francesca Zambello, friends for over twenty-five years, join to discuss opera, inspiration, artistry and friendship.
What, you might ask, could a middle-of-the-road middlebrow stage director add to this monumental chef-d’oeuvre?
June Anderson will make the transition into the “Anne Revere” segment of her career next summer when she sings the role of Elvira Griffiths in Tobias Picker‘s An American Tragedy at the Glimmerglass Festival.
It was dear Oscar Wilde, wasn’t it, who devised that early mot du jour “Good writers borrow; great writers steal”…