Headshot of La Cieca

Cher Public

  • kashania: I’m saving Winterreise for my old age but I do love many of his lieder. His instrumental... 10:54 AM
  • NPW-Paris: “Anyone who has seen Hallenberg on stage cannot but wonder in what kind of a topsy-turvy... 10:28 AM
  • NPW-Paris: I didn’t see Alcina: it wasn’t in my old-folks’ Sunday matinee subscription.... 10:19 AM
  • Cicciabella: Oops. The Alcina matinee is sold out. 10:16 AM
  • Cicciabella: @ NPW-Paris: I enjoyed reading your Tamerlano review and, having seen the same production and... 10:13 AM
  • NPW-Paris: Whn I learnt Poppea was a team effort, I wasn’t surprised. Until then I’d just been... 10:11 AM
  • Macbeths Honor: He was sublime as Ezio in SFO’s Attila few seasons back. 9:28 AM
  • Belfagor: Thank you Camille! The thought of the organ toned Nathalie Stutzmann as Penelope is a thrilling... 9:25 AM
  • Lady Abbado: Michael Fabiano: A new breed of opera star The star of this year’s Glyndebourne Festival tells... 9:24 AM
  • NPW-Paris: That makes it a very large fragment. People seem to love “Pur ti miro”, for example,... 8:25 AM

Durch Mitleid wissend

“An article on Feb. 10 about a new Parsifal at the Metropolitan Opera misstated what happens at the end of a Parsifal performance at Bayreuth. There is applause at the end of the opera, not none at all.” [New York Times]