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  • armerjacquino: Actually, that’s not true about Vickers- I have the Solti AIDA somewhere. 10:14 AM
  • armerjacquino: I don’t have any Crespin (just an accident) or any Vickers (who I consciously avoid). 10:13 AM
  • Clita del Toro: Dumb, off-topic topic: Singers whose recordings you have never, ever bought. Mine are: Domingo,... 9:07 AM
  • Cocky Kurwenal: They did it in Seattle after Vancouver and before the recording, so it looks like they’ve... 8:50 AM
  • Cocky Kurwenal: Quite surprised the Vicar hasn’t chimed in with your enthusiasm for Carolyn Sampson. Come... 8:42 AM
  • phoenix: On this inaugural festive weekend: very best wishes to Bobensane (and all parterrianensane comrades) for... 8:18 AM
  • rysanekfreak: In addition to our regular features at Parterre (Guess the Regie and Intermission and Criticize the... 7:43 AM
  • Feldmarschallin: sz first I thought this was a joke until I went on the website and saw it myself. She is also... 7:25 AM

She said, he said

So Placido Domingo was all like, “Oh, that Anne Midgette is just a mean girl and she is SO JELLUS,” and then Anne was like, “Actually, nuh-uh, maestro, I’m so not.”

or as we used to call it, “tuesday”

From Franco Corelli: Prince of Tenors:

The battle between tenor and conductor reached a climax when Cillario denied Franco his ovation at the end of “E lucevan le stelle.” An infuriated Corelli flipped his overlong thumb to his teeth in disgust and ran offstage. The audience was left stunned, the orchestra still playing the ascending scale leading to Tosca’s entrance, and Tosca herself bursting on stage to find it empty and the audience buzzing around in a mini uproar. Backstage, Chapin saw Corelli screaming at Charlie Riecker, teeth clenched, eyes bulging. There was no time for discussion. Chapin grabbed Corelli and pushed him back on the stage, where he resumed his role.

Ah! Franchigia a Floria Tosca