Headshot of La Cieca

Cher Public

  • YigeLi: Not the one discussed with you sometime ago, I think all the recordings of that performance came from... 8:51 PM
  • YigeLi: Regarding the Schwarzkopf-VLL issue: I remember reading it somewhere that ES said her voice was a bit... 8:42 PM
  • armerjacquino: La V: Horne most certainly did do the VLL- the evidence is right there on YouTube. I... 8:34 PM
  • Quanto Painy Fakor: When Gobbi made the sign of the cross at the end of the Te Deum, he did it with a closed... 8:33 PM
  • Quanto Painy Fakor: If that’s the way Frizza conducts Puccini, you can keep him. 8:28 PM
  • zinka: httpv://www.youtub e.com/watch?v=6xzn 5xpLazA Courtesy of the GREAT Coloratura fan..My idol…&#... 7:59 PM
  • zinka: What is that about????????????? ??????Galvany was great!!! 7:45 PM
  • Dabrowski: I have listened to Flagstad, Norman, and Jane Eaglen in both cycles, and to Schwarzkopf in the... 7:43 PM
  • manou: Will Jagde have the edge? 7:40 PM
  • Flora del Rio Grande: I am somewhat in sympathy with Hippolyte. Jagde is well-enough trained, thus far, and... 7:36 PM

Hysterical blondeness

With its worrisome labor troubles behind it, the Met really did have something to celebrate this fall at its ultra-swanky Opening Night gala. Unfortunately the Peter Gelb tradition of premiering a new production came a cropper with Le Nozze di Figaro in Sir Richard Eyre’s lackluster ersatz-Spanish 1930s staging. The next night’s Bohème was reportedly a bit of a mess and its erratic soprano has already been replaced. However, Wednesday brought the “real” season opener, an indelible, indispensable night at the opera: a starry revival of Verdi’s Macbeth crowned by Anna Netrebko’s demented Lady.   Read more »

Goodness had everything to do with it

Although Rossini and his librettist Ferretti endeavored to cleanse their Cinderella of all things supernatural—no fairy godmother, no pumpkin transformed into a coach, no glass slipper, the Met stage was still filled with considerable magic Monday night when its dizzily effervescent revival of La Cenerentola starring Joyce DiDonato and Javier Camarena stirred a bewitched audience to some of the most ecstatic ovations heard this season.   Read more »

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb, detailed after the jump. Read more »

saucy

Teen spirit

La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.

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jenufa

Out of the cradle endlessly rocking

No, not a Regie quiz—though that feature will return soon enough now that the season is up and running—but rather an image from the new Dmitri Tcherniakov production of Jenufa for the Opernhaus Zürich.

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about_a_boy

Kid stuff

Ring mania continues tonight at 9 pm with Siegfried on PBS.

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reciprocity

When you’re good to Fabio

Among conductors on the roster whom Luisi personally invited to be part of his first Zurich season are…

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topo_luisi

The maestro trap

Il maestro Fabio Luisi dirige correttamente e talora anche con qualche eleganza; ma sta così male sul podio!

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Successor

Now that the retirement of James Levine is basically just a matter of patiently waiting out 18 months of inaction, it’s about time you, the cher public, were heard on the subject of the appointment of a new music director for the Met. A couple of polls for you after the jump.  

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Das Ende

James Levine will not conduct this spring or in the entire 2012-2013 season, says a press release from the Met.  The most apparent result of this decision is that Fabio Luisi is now officially on the podium for all three of this spring’s Ring cycles.  The complete press release follows the jump.

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