Cher Public

  • Jungfer Marianne Leitmetzerin: Cami, the complete “Wuthering Heights” is on my Mixcloud page at https://www.mix... 10:34 PM
  • Sempre liberal: Excellent review. I went this weekend to Don Carlo and Jenufa. Mattila was superb, and she dominated Act II like that... 10:06 PM
  • Operngasse: In the Heeresgeschichtlic hes Museum (military history museum) in Vienna there is an exhibit devoted to Sarajevo. Of prime... 10:05 PM
  • Porgy Amor: +1. Fanciulla and the short operas of Il trittico, especially Schicchi, are the best of Puccini to me. 7:44 PM
  • Will: No, not to all of us. There are marvelous things in Fanciulla; many critics and musicologists have commented on its merits and a... 7:39 PM
  • gustave of montreal: « greatest of all Puccini scores » is a surprise to all of us. 7:21 PM
  • Camille: All the Bernard Herrmann one could ever ask for or want: httpv://youtube.co m/watch?v=9uIEIelz _SM About halfway through you may... 6:52 PM
  • Camille: Oh, I just notice Le Mage! That one is a fave of Mr Belfagor and we have had a little discussion at some point in time. I... 5:52 PM

Winter afternoon’s dream

Netrebko in recitalStandard fare threatened to dominate the final weekend of February at the Met: a routinely-cast revival of Cav & Pag plus two recent productions by the house’s favorite Eyre-head. But then there were also two extraordinary opportunities to indulge in divadienst of the “An(n)a-in-excelsis” genus—Saturday offered another chance, announced only 24 hours earlier, to sample Ana Maria Martinez’s unexpected Butterfly, then Sunday afternoon brought Anna Netrebko’s exceptional, sold-out sui generis all-Russian recital.  Read more »

Wrecking ball

Sir Richard Eyre’s new Manon Lescaut last night—his third production at the Met in as many seasons—demonstrated once again no particular aptitude for opera and more often hindered rather than helped his stars Kristine Opolais and Roberto Alagna as they struggled—only sometimes successfully—with Puccini’s demanding opera.  Read more »

Not nobody, not nohow!

“Mr. Luisi won praise replacing Mr. Levine time after time, particularly in a costly version of Wagner’s Ring cycle—though, perhaps in a sign of the situation’s delicacy, the two conductors have never met in person.” [New York Times]

luisi_amazon

“Less filling”

“Disciplined and intelligent.”

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Norma Wilson

Night and dreams

At the Opernhaus Zürich, the coat check is not optional.

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rigoletto_amazon

Table bodied

Newton’s Third Law of Motion states that for every action there is an equal and opposite reaction.

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Macbeth

Hysterical blondeness

Wednesday brought the Met’s “real” season opener, an indelible, indispensable night at the opera: a starry revival of Verdi’s Macbeth crowned by Anna Netrebko’s demented Lady.

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cenerentola_2

Goodness had everything to do with it

The Met stage was filled with considerable magic Monday night when its dizzily effervescent revival of La Cenerentola starring Joyce DiDonato and Javier Camarena stirred a bewitched audience to some of the most ecstatic ovations heard this season.

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captain_future

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

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saucy

Teen spirit

La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.

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