Headshot of La Cieca

Cher Public

  • Poison Ivy: Also useful to find reviews of his performances in Boheme. Reviewer was pretty clear that he... 8:28 AM
  • Poison Ivy: I actually think the early recording process was more cruelly exposing of what a singer could or... 8:22 AM
  • Cocky Kurwenal: Which of the 4 Devia performances comes the most highly recommended, for somebody who keeps... 8:15 AM
  • Cocky Kurwenal: Maybe they have to be seen in order for one to be able to fully appreciate absolutely... 8:01 AM
  • Grane: Is anyone else having trouble opening Parterre from an iPhone? I get a pop up ad which redirects... 8:01 AM
  • Cocky Kurwenal: I have seen Dame Gwyneth live twice, but my virtually boundless love for her stems entirely... 7:55 AM
  • Cocky Kurwenal: I’d be really cautious of making assertions such as the one that McCormack had the same... 7:46 AM
  • Often admonished: Same here. What a find! great cast Visconti directing and Giulini in the pit. 7:13 AM
  • Orlando Furioso: It should be noted that the unexpectedly “heavy” ; repertory is pretty much what... 6:57 AM
  • Cicciabella: When it gets overheated, the Henry Higgins robot screams: AR-TIC-U-LATE! AR-TIC-U-LATE! 6:19 AM

The world on a string: talking to Jamie Barton

American mezzo Jamie Barton, who has steadily been winning fans in the US over the past few years for her rich and nuanced singing, took the international opera world by storm last weekend by winning both the Song Prize as well as the overall prize in the BBC Cardiff Singer of the World competition. Watching her final program of arias from Adriana Lecouvreur, Hansel und Gretel, and Berlioz’s Les Troyens, along with a song by Sibelius, it’s hard to imagine how the international jury that included Dame Kiri Te Kanawa, Dame Felicity Palmer, Neil Shicoff and Håkan Hagegård could have chosen anyone else.  Read more »

Snark hope

fleming_fall_thumbWhat could be more exclusive than this? La Cieca offers you a sneak preview of Renée Fleming‘s MTV-style video for “Endlessly!”