Cher Public

  • LT: Can someone explain Beczala’s French pronunciation? Contempler becomes contempli, eclarte’ becomes eclarti. Sounds bad! 11:53 PM
  • antikitschychick: sorry last season’s new production of Figaro. 10:31 PM
  • antikitschychick: finished watching this year’s Tucker gala online. Kudos to aulus agerius for pointing out it was up on the Live... 10:30 PM
  • CwbyLA: I love her voice. So beautiful and distinctive! 9:50 PM
  • la vociaccia: I agree about the dodgy Cenerentola but that Gioconda duet was not without approximate pitches either. 9:38 PM
  • rapt: Thanks so much for the report, Manou. You’ve made my burden of responsibility much lighter to bear. (And of course I meant... 9:04 PM
  • manou: Gabouri is still loud and does have undeniable stage presence. She was pretty terrific all told. My husband thought she was one of... 8:40 PM
  • rapt: Manou, I’m curious how Gabouri did. I have that proprietory feeling towards her that comes of having heard her years ago in a... 8:15 PM

OONY way the wind blows

Continuing in its long and proud tradition of mystery and intrigue, Maestro Eve Queler‘s Opera Orchestra of New York has announced a concert or some other sort of music-related event for May 4, 2016.   Read more »

La regina d’Inghilterra ho veduto cantar

“At Carnegie Hall last Thursday, a capacity crowd witnessed what might be the final official act of a monarch who has reigned for more than four decades.” [New York Observer]

Half full

Opera Orchestra of New York has announced their 2012-2013 season of only two performances. Andrea Chenier will be performed Sunday, January 6 at 4:00 pm with Roberto Alagna, George Petean, Renata (“The Forbidden Diva”) Lamanda, Rosalind Elias, Ronald Naldi and David Petershal Pershall; Alberto Veronesi conducts.   Read more »

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Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.  

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