Cher Public

Drunk history

Publish or perish? Why not both?

Last night was my fourth or fifth wade into the slough of Bartlett Sher’s production of Offenbach’s Les Contes d’Hoffmann at the Met since its premiere in 2009. While the show remains random and confusing, the evening had many memorable compensations, among them Johannes Debus’s stylish conducting, a no-holds-barred hero in Vittorio Grigolo and outstanding portrayals of two of the four women in his chaotic life by Erin Morley and Anita HartigRead more »

Morley marvelous

Erin MorleyToo rarely does a moment arrive during an opera or a concert when a great piece of music meets an inspired artist: time stands still and you experience Nirvana. Sunday afternoon at Carnegie Hall two remarkable slices of soprano-heaven were served up, first by Carolyn Sampson and then by Erin Morley, during the second act of Handel’s Orlando. Their transcendent pair of arias elevated an uneven performance of one of Handel’s most challenging operas by The English Concert.  Read more »