Headshot of La Cieca

Cher Public

  • Rudolf: @ Poison Ivy Thanks for this posting of a younger Borodina Amneris. Warts and all. Do you know who... 12:38 AM
  • Porgy Amor: Well, this is an opera singer quip that goes back some ways, isn’t it? “The most... 12:36 AM
  • basso profundo: I may be late to this party but I just noticed that Elina Garanca has apparently written a... 12:26 AM
  • Poison Ivy: Poor taste, but … Entertaining to watch, no? 12:23 AM
  • Guestoria Unpopularenka: That’s beside the point. She’s had a history of attention-hogging. She... 12:19 AM
  • antikitschychick: ROFLMAO OMG Clita you are sooooo bad!! This made me laugh so hard…poor Mr. Giordani.... 12:11 AM
  • Poison Ivy: Yes but when you can sing like this, I say, carry on! httpv://www.youtub e.com/watch?v=G... 12:05 AM
  • Guestoria Unpopularenka: This basically sums up her whole existence. 11:54 PM
  • Rudolf: @ Gualtier M Mr. Massi IS young and good-looking but I hope he sounded better in the house. From... 11:40 PM
  • Rackon: JEEZ I hate this effing phone sometimes. *Swedish* LOL! 11:24 PM

Talking headspace

Our Own JJ (pictured) joins in the debate over the Düsseldorf Tannhäuser with Anne Midgette and John Berry on WQXR’s Conducting Business podcast. Read more »

“Where was Liam Joshua?”

“Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.” [The Telegraph]

Provocative ad provokes, surprisingly

“But not everyone is amused. On Twitter, SarahDuggers asked: ‘Is it really po-faced and prudish to find these billboards really vulgar and not very nice?’ …. Vivienne Pattison, director of Mediawatch-UK, said the ad was clever in itself but contributed to the hyper-sexualisation of society.” [Evening Standard]

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Closet drama

I have a confession to make about Britten’s opera Billy Budd: I don’t like it very much.”

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ENO is enough

The repertory for the upcoming season of the English National Opera (also known as “Peter Gelb‘s shopping list”) boasts the world premiere of a new opera by Philip Glass, The Perfect American, which imagines the last days of Walt Disney.

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Two ghosts

The ENO was filled with ghosts last week. Spectral, possibly illusory figures fleetingly materialized in the Internet chatrooms that provide the setting for much of Nico Muhly’s new opera Two Boys, and brutal boarding school memories came back to troubled life in director Christopher Alden’s dark take on Benjamin Britten’s A Midsummer Night’s Dream. 

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Muhly marvelous

A few spoilsport commentators have complained that the clever marketing video for Nico Muhly‘s Two Boys at the English National Opera doesn’t accurately represent the somewhat dark subject matter of the new opera. La Cieca won’t take sides on this matter of vital import, but she will reveal to you, the cher public, that a few moments of the hush-hush score and production of the opera have been leaked on video, and you can sample the piece after the jump.  

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It’s complicated

The ever-alert PR people at the English National Opera (why can’t we have a company like this?) have assembled a “what if?” video to promote Nico Muhly‘s impending Two Boys, and thrown in an admirably scruffy “reality” actor to boot.

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