In another one of those ideas that might go brilliant or bonehead, “English National Opera is staging a modern-day version of La bohème in which the lead female character is a heroin user rather than a consumptive.” (Though of course, in reality the situation is hardly either/or.)
“Glenn Close‘s Norma Desmond is back. The actress will reprise her Tony-winning role as a faded silent movie star in London next year in Andrew Lloyd Webber’s Sunset Boulevard, the second musical theatre production in the English National Opera’s partnership with the GradeLinnit Company.” [Hollywood Reporter]
Don’t miss the Encores! production of The Golden Apple, a whimsical and wildly ambitious show that introduced the classic torch song “Lazy Afternoon” and was hailed as a theatrical milestone in 1954. Inspired by the myths of The Iliad and The Odyssey, Jerome Moross and John Latouche’s musical conjures up the bygone days when pie-baking contests were cutthroat and lovers eloped in hot air balloons. Encores! is delighted to present The Golden Apple to a new generation. May 10-14 only! Read more »
John Berry, artistic director of the English National Opera, has announced he intends to step down from his role after 20 years with the Company.
Our Own JJ (pictured) joins in the debate over the Düsseldorf Tannhäuser with Anne Midgette and John Berry.
Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.
I have a confession to make about Britten’s opera Billy Budd: I don’t like it very much.”
The repertory for the upcoming season of the English National Opera (also known as “Peter Gelb‘s shopping list”) boasts the world premiere of a new opera by Philip Glass, The Perfect American, which imagines the last days of Walt Disney.
The ENO was filled with ghosts last week. Spectral, possibly illusory figures fleetingly materialized in the Internet chatrooms that provide the setting for much of Nico Muhly’s new opera Two Boys, and brutal boarding school memories came back to troubled life in director Christopher Alden’s dark take on Benjamin Britten’s A Midsummer Night’s Dream.
A few spoilsport commentators have complained that the clever marketing video for Nico Muhly‘s Two Boys at the English National Opera doesn’t accurately represent the somewhat dark subject matter of the new opera. La Cieca won’t take sides on this matter of vital import, but she will reveal to you, the cher public, that a few moments of the hush-hush score and production of the opera have been leaked on video, and you can sample the piece after the jump.