The Met’s cobranding efforts are really beginning to pay off. Read more »
This season’s Met Donizetti Tudor Trilogy concluded with Roberto Devereux, given its penultimate performance by HD transmission Saturday, April 16. It is good to see these works finally given here; they are too important, too crucial a part of the operatic repertory to have been ignored for as long as they have. Read more »
The celebration of 50 years of the Mostly Mozart Festival at Lincoln Center includes “The Illuminated Heart,” a theatrical fantasy of Mozart operas and ensembles featuring Christine Goerke, Ana María Martínez, Matthew Polenzani and Peter Mattei; plus staged concerts of Così fan tutte and Idomeneo. Tickets and more information are at MostlyMozart.org. Read more »
During its first-ever Roberto Devereux Thursday evening one felt transported back to the Volpe years: four of the Met’s biggest stars shining in an opulent (if occasionally perverse) but reassuringly non-challenging production paid for by Sybil B. Harrington. Unfortunately, Sondra Radvanovsky, Elina Garanca, Matthew Polenzani and Mariusz Kwiecien were consistently undermined by the shockingly aimless conducting of Maurizio Benini, and so the gala premiere turned out to be less than the sum of its impressive parts. Read more »
Friday’s season premiere at the Met of Donizetti’s opera about the doomed Scottish queen proved surprisingly satisfying and a genuine success for Sondra Radvanovsky.
La Cieca is sure that Meyerbeer fanatics will be delighted to hear that the Royal Opera House Covent Garden is preparing a new staging of Les Huguenots.
La Cieca hears that the Met’s opening night of the 2018-2019 season will be a new production of Samson et Dalila featuring Bryan Hymel and Elina Garanca.
Wonder no more! Says the Met press office, “Elina Garanca has withdrawn from her 2013-14 Met engagements because she is pregnant with her second child, who is due this winter.”
La Cieca hears a rumor, currently unconfirmed, that Elina Garanca is pregnant and will cancel her participation in the Met’s new production of Werther this season.
“I’m analytical, not wild,” Ms. Garanca told an interviewer in 2009.