Headshot of La Cieca

Cher Public

  • "A suitable opera about brave resistance to the American Imperialist Dogs. (In case..." - m. croche
  • "I was at the premiere and thought it was not only wearisome and unpleasant but..." - gironabalie
  • "What you’re looking for is more operas that mindlessly attack the United..." - La Cieca
  • "And a hungry guy in a dog suit showing up in a future world isn’t my idea of..." - la vociaccia
  • "Thank you for the Richard van Allan clip — I love that DVD performance of..." - tatiana
  • "You’re right, you can’t tell. And yet that didn’t stop you..." - armerjacquino
  • "How can I tell except what I can understand by what you write here. BTW the new opera..." - redbear
  • "Amber Wagner sang Ariadne here back in 2011 in a production which also included..." - chicagoing

The dark side of the moon

One of my favorite terms to use to describe productions nowadays is “regie lite.” Regie lite productions dominate Glyndebourne, Salzburg, and increasingly, the Metropolitan Opera. Traditional stage directions are tweaked, periods are reset, but not in a way that radically deconstructs the work. If hardcore “regie” directors do a Michael Jackson total-deconstruction makeover on the opera, regie lite productions do a, well, Nancy Pelosi botox session. After viewing a new DVD of Stefan Herheim’s production of Rusalka, I’ve got a new category: “regie slick.” Read more »

Speer pressure

One of the things that made François Girard’s 2013 production of Parsifal at the Met so compelling was the way he tried to make the tale of suffering and temptation relevant to a contemporary audience. The French-Canadian director set the looming devastation of Montsalvat in a bleak, desiccated landscape populated by characters in modern dress who emerged from behind a mirrored curtain that reflected the auditorium. Stylized gestures and dramatic lighting evoked an abstract reality that heightened one’s awareness of the way nature and society work.   Read more »

Bomb scare

The appeal of Ariadne auf Naxos (for me anyway) is the acknowledgment that underneath it all, opera (and all other forms of “high art”) is really show business. Richard Strauss was a practical man of the theater and he cared very much about maintaining his expensive lifestyle. There’s an evergreen tongue-in-cheek quality to Ariadne that I love. Of course, irony and humor are one of the first casualties in opera productions. The latest video from Glyndebourne is no exception. Read more »

elektra_amazon

Final chapter

None of my previous Elektra experiences prepared me for this stunning, overwhelming performance from the Festival d’Aix-en-Provence.

Read more »

italiana_amazon

Rich man’s frug

A good performance of a Rossini opera buffa usually bubbles along merrily.

Read more »

cash

Shopping season

After a long summer drought, suddenly new Blu-ray and DVD releases are falling, as it were, from the sky.

Read more »

traviata_amazon

Lost in space

It’s rare to encounter a video of an opera that has zero redeeming qualities, but I think I might have found it: the latest Arena di Verona La Traviata.

Read more »

sonnambula_amazon

We have always slept in the castle

For those of you still queasy after Mary Zimmerman’s sophomoric snarknado attack on Bellini’s La Sonnambula, the new DVD of the Stuttgart Opera production should provide a bracing restorative.

Read more »

doncarlo_amazon

Auto-da-fair

The Salzburg Festival has long had the image of this place where for a little over a month, the very best singers are brought together with the very best conductors and the very best directors to create the very best productions the opera world has to offer.

Read more »

serail_amazon

Project runway

Some ideas are so absurd that the only way to describe them is to simply use the liner notes.

Read more »