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  • armerjacquino: Actually, that’s not true about Vickers- I have the Solti AIDA somewhere. 10:14 AM
  • armerjacquino: I don’t have any Crespin (just an accident) or any Vickers (who I consciously avoid). 10:13 AM
  • Clita del Toro: Dumb, off-topic topic: Singers whose recordings you have never, ever bought. Mine are: Domingo,... 9:07 AM
  • Cocky Kurwenal: They did it in Seattle after Vancouver and before the recording, so it looks like they’ve... 8:50 AM
  • Cocky Kurwenal: Quite surprised the Vicar hasn’t chimed in with your enthusiasm for Carolyn Sampson. Come... 8:42 AM
  • phoenix: On this inaugural festive weekend: very best wishes to Bobensane (and all parterrianensane comrades) for... 8:18 AM
  • rysanekfreak: In addition to our regular features at Parterre (Guess the Regie and Intermission and Criticize the... 7:43 AM
  • Feldmarschallin: sz first I thought this was a joke until I went on the website and saw it myself. She is also... 7:25 AM

Expect opera, pay less

You may remember, gentle readers, that last year about this time Peter Gelb decided to enter into an unholy alliance with Target to benefit their mountainous number of opera loving customers by pre-releasing two Met performances exclusively in their fine emporiums. A couple weeks ago, by sheer accident, I caught a posting on Facebook by the Met Gift Shop on a new release topic that was then withdrawn an hour later. When I asked for clarification I was pointed to my (not so local) Target for these performances of La fanciulla del West and Il trovatore.   Read more »

Wholly Grail

Certain opera productions become the stuff of legend as much for the circumstances surrounding the performance as for the musical results. Harry Kupfer’s 1992 Parsifal for the Berlin Staatsoper came at an epochal time, following the fall of the Berlin Wall and just after Daniel Barenboim was appointed the company’s music director. Putting an especially strong cast of under Kupfer’s direction was thought to portend a Renaissance for a house that had languished in the communist East, and hint at broader artistic possibilities for the reunified German republic.   Read more »

Czech mate

At first glance, Ivor Bolton, Chief Conductor of the Mozarteum Orchestra Salzburg, would seem an odd choice to lead Jenufa, Janacek’s grim tale of infanticide and oppressive village morality.  Remember the actor Tony Azito?  Bolton’s conducting persona reminds me of Azito’s amazingly flexible movement skills.  Bolton, he of the stiff trunk, sweetly doughy face, and arms and hands expressively rubbery, brings a marvelous ability to find the exquisite, emotional beauty in Janacek’s verismo score.

More than anything on this interesting DVD, I will remember the heart-wrenching violins.  From the tremolos that begin Act II to the fragile solo that emerges from the sturm und drang of Kostelnicka’s exit to murder the baby, Bolton uses these moments of surpassing delicacy and beauty to a deeply touching effect.  Perhaps it is actually due to his Mozart and baroque mainstays that he is able to find so much depth, variety, and moments of revelatory surprise in this rich music. Read more »

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Under water

Rusalka and her sisters are huddled in the flooded basement.

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Hier bleibt Elektra

The Met has finally released the contents of the James Levine 40th Anniversary box sets separately for those of us who didn’t have $500 lying around.

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There will have been blood

There’s nothing like a good performance of Verdi’s Macbeth and here is proof positive because this dvd is (almost) nothing like a good performance.

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I’ll plant my own tree

Nicholas Hytner’s much-travelled and well received 1985 production of George Frideric Handel’s 1738 opera Xerxes has been released on DVD from Arthaus Musik, in a performance recorded live from the English National Opera in 1988.

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Sunday in the park with Tannhäuser

Certain contemporary opera directors have taken to portraying Wagner protagonists as visual artists to better illuminate the characters’ moral and aesthetic struggles.

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