Cher Public

You can’t hide your lion eyes

untitled-5The UK’s first-ever production of Poliuto, now available from Opus Arte on DVD, set the lions of Rome among the lambs of Glyndebourne. Donizetti’s dramatic opera (or tragedica lirica) was completed in the summer of 1838, a year following Roberto Devereux and two years before La fille du regiment and La favorite, closer to the end of the composer’s career than to the beginning.

The opera dramatizes conflicts of romantic and religious natures. In the third century A.D., Armenia’s Roman conquerors, the worshippers of Jupiter, seek to eradicate Christianity. Paolina (soprano), daughter of Mitilene governor Felice (tenor), has heeded her father’s urging to marry the principal magistrate, Poliuto (tenor).  Read more »

Better call Saul

saul-amazonHandel’s dramatic oratorios are very difficult to stage—many clutch their pearls while bemoaning “…but they were never meant to be staged”—and require a vivid theatrical imagination to bring them to life. Director Barrie Kosky’s Glyndebourne 2015 production of Handel’s 1739 oratorio Saul (released on Opus Arte DVD) shows just such an imagination as well as a strong cast and design team. The familiar Biblical tale begins with the aftermath of David’s slaying of Goliath, and Kosky eschews any attempt at realism, leading us through the story in an almost dreamlike state.

Kosky calls himself an “extravagant minimalist” and here, the costumes are extravagant and the scenic elements minimal, both created with great style by designer Katrin Lea Tag. At the beginning, we see only the severed head of Goliath; after the prelude, we have decorated banquet tables reflecting the Israelites’ celebration of the victory of David. Read more »

Park and bark

elektra-amazonLike Orest, I return to this house. Six months after the Met’s acclaimed new production had parterre preoccupied with all things Elektra, we have a C-Major DVD of something entirely different.

The Catalan theatrical collective La Fura dels Baus created—for “staged” does not seem appropriate—an open-air Elektra for NorrlandsOperan in August 2014. Strauss and Hofmannsthal’s opera plays out on, around and high above a 200-meters-wide stage within the vast space of a Swedish industrial park, Umestan företagspark. The maids gossip and squabble at twilight. One hundred minutes later, Agamemnon’s three surviving children watch as Klytämnestra and Aegisth, or their parade-float representations, burn against a black night sky. Read more »


The upper depths

The Teatro di San Carlo in Naples is a pearl itself and this presentation proffers some of the best that company has to offer.

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I saw three ships

“Never in my life having enjoyed the true happiness of love I shall erect a memorial to this loveliest of all dreams…”

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Bella come un tramonto

With the performance of Dessì we move onto a different plane than the other singers.

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Mourning Wood

Sometimes when you find the club that will have you as a member, you do not easily give up your spot.

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No contest

Richard Wagner viewed dance as an essential element of art, though he used it sparingly in his operas.

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Cross purposes

“Has anyone ever seen a truly great production of this opera?”

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Shooting in low light

What we really need, some seem to believe, is fuller representation of the 19th century.

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