Pity poor Georges Bizet. After winning the Prix de Rome at 19 years old he worked on, in part or completed, 10 operas. The last of them, Carmen, he was convinced was a failure. He succumbed to a heart attack three months after its premiere at 37. His widow, having no concept of the musical legacy she had inherited, gave away or lost many of her husband’s autographed manuscripts.
But what of those other efforts of Bizet? Other than La jolie fille de Perth, which is almost akin to spotting a unicorn, only his Les pêcheurs de perles has managed to be fished from the sea of obscurity and plated on the rare occasion. The Met made a big deal about presenting it for the first time in a hundred years recently but failed to mention that 1916 only saw three performances with the renowned Caruso, Giuseppe de Luca and Frieda Hempel. Read more »