Cher Public

  • antikitschychick: sorry my comment was in response to armerj’s post above concerning AN and Lady Macbeth. 9:23 PM
  • antikitschychick: Lol completely agree with everything you said here. I was actually surprised at how campy I found AN’s Lady... 9:21 PM
  • antikitschychick: well Cocky since she is sharing the role/run of Tosca with Anja Harteros I don’t think it’s out of the... 8:53 PM
  • phoenix: Only saw Anna once onstage: http://tinyurl.com /glqlhtr Natasha Rostova suited her very well but I never heard her sing with such... 8:31 PM
  • armerjacquino: I think, as ever, it depends on the director. In that Salzburg BOHEME she was genuinely remarkable as an actor- maybe the... 6:52 PM
  • Signor Bruschino: I completely agree- dreadful conducting. And when he was conducting South Pacific, during the dialogue scenes, he would... 6:34 PM
  • RosinaLeckermaul: Yes, rewriting classics was typical in the Restoration. Shakespeare was considered a genius, but one who needed editing... 6:07 PM
  • la vociaccia: I thought Sperling’s conducting in THE KING AND I was dreadful; rushed, shallow and completely without sweep or... 5:44 PM

In the details

The saga of the Royal Opera’s production of Robert le Diable, infinitely more melodramatic than the plot of the opera proper, continues: “After much deliberation and consultation following the final rehearsals of Meyerbeer’s Robert le diable, it has been agreed between The Royal Opera and soprano Jennifer Rowley that the role of Isabelle would not be the right part for her debut at Covent Garden.” [Royal Opera]