Headshot of La Cieca

Cher Public

  • Feldmarschallin: For me the essential Tristan recordings are the Furtwängler, HvK with Mödl in absolute... 5:55 AM
  • Buster: Great interview with Fabiano, in English, despite the Ich will immer mehr: http://operalou... 5:54 AM
  • Feldmarschallin: httpv://www.youtub e.com/watch?v=Yzzl IBu8-No 5:46 AM
  • Feldmarschallin: Today is the 42nd birthday of Anja Harteros. Her singing of Tosca was highly anticipated and... 5:45 AM
  • Porgy Amor: Vespri was the opera that got me off on a bad foot with her. Years ago I had dinner with a friend... 4:02 AM
  • La Cieca: In fact, Grimoaldo’s dream exactly describes how opera was done in a number of American... 3:30 AM
  • La Cieca: You “believe? 221; How do you think a career is managed, by reading Bible verses? A decent... 3:15 AM
  • La Cieca: I’m still waiting to hear Sondra sounding great in Vespri — her Met performances were... 3:11 AM
  • La Cieca: That performance is quite amazing, and so is (in a different way) her 1970 La Scala performance of... 3:08 AM
  • La Cieca: httpv://www.youtub e.com/watch?v=6mCf iD7-Nq0 3:04 AM

In the details

The saga of the Royal Opera’s production of Robert le Diable, infinitely more melodramatic than the plot of the opera proper, continues: “After much deliberation and consultation following the final rehearsals of Meyerbeer’s Robert le diable, it has been agreed between The Royal Opera and soprano Jennifer Rowley that the role of Isabelle would not be the right part for her debut at Covent Garden.” [Royal Opera]