“Considering one of the season’s star singers is a plus-size female impersonator, opera this fall is anything but a drag.”
By La Cieca
5 comments
Separated at the 14th Street wig store: drag queen Lady Bunny and Disney princess Diana Damrau.
By La Cieca
Versatile diva Violeta Urmana takes on the demanding verismo role of Giordano’s Fedora for the first time at… Oh, sorry, that’s René Pape as Méphistophélès in Faust at Covent Garden! (Photo by Catherine Ashmore)
By La Cieca
“A profile of Richard Eyre – ‘All good actors are quick-witted’, 27 November, page 12, Review – mentioned the theatre director’s recollection of having played one of the Three Little Maids in a school production of The Pirates of Penzance. Clarification has since come from the interviewee that in Pirates he played Kate, one of…
By La Cieca
As we launch into the fourth and final movement of our étude, La Cieca asks the musical question, “Can a Contemporary Diva achieve Grandezza, or, for that matter, Drag Imitability?” Let’s see what the numbers tell us.
And now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up?
La Cieca continues to apply the Kang Method to the dozen divas of the Classic mode. This time, our five criteria for diva status offer fewer total points, but the difficulty level remains the same. Especially for Renata Scotto.
La Cieca preens proudly to present a peerless pair of protégés (left to right) Squirrel and Maury D’Annato. The bromancers attended (or one should say “took in”) last night’s Ariadne auf Naxos at the Met, and as of early this afternoon they were still deconstructing.
By squirrel
The freshest imaginable gay hell in the December issue of Vogue: a fashion shoot based on the Richard Jones/Met production of Hansel and Gretel — with Lady Gaga in the Philip Langridge part! Plus… Annie Leibovitz! Grace Coddington! Marc Jacobs! Cate Blanchett! Oh, you know you want to know what’s after the jump!
By La Cieca
If you’re wondering why the relatively inexperienced George Steel was tapped for the demanding job of hauling the New York City Opera out of the basement — instead of front-runner Francesca Zambello, well, maybe this is why: Zambello, currently in London creating a joint Royal Opera and Royal Ballet production of Tchaikovsky’s comic rarity “The…
By La Cieca
The atmosphere around Gotham may become rather more bizarre sometime in the next couple of years when Rufus Wainwright brings his opera Prima Donna into New York.
By La Cieca
Those tiny Czech flags served as red flags for the keen-eyed public, several of whom correctly surmised that last week’s Regie quiz was a production of Prodana nevesta. (The “Mrs. Slocombe from Are You Being Served?” character is Kecal the marriage broker, in this production sung by a bass in drag.) And what, my dears,…
By La Cieca
La Cieca warns you, music writers, she is going to giggle like a madwoman you begin your article with the line “We owe Chicago Opera Theater tremendous thanks for dragging the smaller operas of Benjamin Britten out of the closet…” [Chicago Tribune]
By La Cieca
Kudos to tannengrin who identified last week’s Regie puzzler correctly as Nabucco. La Cieca’s heart, though, belongs to Leper Ello, who made a minimally plausible case for Boris Godunov (“The Fool – in drag – laments the future of Russia”). There’s more to lament in this week’s very serious staging.
By La Cieca
The world’s newest cult diva returns! Amira Kamel, first Egyptian ever to sing Aida (it says so on YouTube and so it must be true!) adopts for her “barbaric” drag not only the coiffure, maquillage and plastique of legendary Vera Galupe-Borszkh, but seem to have borrowed one of La Dementia’s caftans as well! [kml_flashembed movie=”http://www.youtube.com/v/zl51vG-a1F8″…
By La Cieca
This vastly superior caption replaces La Cieca’s original, “Rebecca Glasscock back on the pipe?” [Danielle de Niese in Acis e and Galatea at The Royal Opera, photo by Bill Cooper.]
By La Cieca
At last we know the identity of the eponymous heroine of Rufus Wainwright‘s maiden effort as opera composer. The aging Prima Donna who is strugging “to regain her status as a top-flight soprano on the world stages” s’appelle Régine Saint Laurent. If ever a name screamed, “cover girl, put the bass in your walk,” surely…
By La Cieca
More light entertainment from the First Annual Pitchy Awards: the prancing panniers of Max Emanuel Cencic. [kml_flashembed movie=”http://www.youtube.com/v/5awkNNA7XFM” width=”425″ height=”350″ wmode=”transparent” /]
By La Cieca
Next week in New York will be notable for more than just Renée Fleming‘s first local whack at Thaïs. In fact, the night of Wednesday December 10 promises the convergence of two of La Cieca’s favorite demoiselles of dementia, Jessye Normous and Dorothy Bishop performing within minute and blocks of each other. La Bishop’s show,…
By La Cieca
Well, the first thing La Cieca will say about the Met’s 125th Anniversary Gala is that for all its sprawling splendor it doesn’t look quite what you’d call entertaining. Or rather let’s say it looks as if it won’t sound very entertaining. The visual element — you know, computer-animated Marc Chagall murals and Waltraud Meier…
By La Cieca
Fracked-up femmes Patricia Racette, Susan Graham and Deborah Voigt strike a manly pose backstage at the Met before their appearance in the Placido Domingo anniversary shindig on Sunday. (Photo: Ken Howard / Metropolitan Opera)
By La Cieca
Sopranos Deborah Voigt and Patricia Racette and mezzo-soprano Susan Graham made their drag king debut on Sunday night, and for once the gender confusion has nothing to do with Rufus Wainwright. The trio of songstresses donned tuxes for a spoof of the Three Tenors at a gala honoring Placido Domingo‘s 40th anniversary at the Met.…
By La Cieca
Diva of the Future Renée Fleming, whose impending assignments include modeling four couture gowns on the stage of the Metropolitan Opera, is shown here making a septuagenarian female impersonator look positively chic by comparison.
By La Cieca
