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Cher Public

  • Cocky Kurwenal: I’m really looking forward to seeing Chenier in London in a few months. While neither... 8:30 AM
  • DonCarloFanatic: Mine aren’t rarities, or at least did not use to be. Andrea Chenier and Adrianna... 8:23 AM
  • Cocky Kurwenal: That’s a great way to put it Phoenix, I completely agree. 7:50 AM
  • phoenix: You are both welcome. For anyone who wants to hear it (I preferred the Pagliacci) you can get it... 7:41 AM
  • WindyCityOperaman: Happy 1st of September and Happy Labor (Labour) Day North American Parterrians! Born on... 7:34 AM
  • phoenix: internet connection problems. Maybe I better shut up and get off the site. At any rate, the last... 7:30 AM
  • Cocky Kurwenal: The pattern last night was very much as I recall from the ROH, Phoenix – pretty... 7:24 AM
  • phoenix: Despite the difficulty with the high notes, Goerke’s Elektra sounded more lyrical last night... 7:19 AM
  • Cocky Kurwenal: Whatever else one can say about Barkmin (and as I’ve put below, I loved her, but can... 7:16 AM
  • ML: What? Why? He’s the only true French voice we have! I think long-standing Parterrians should be... 6:24 AM

Kind of a drag

La Cieca hopes her cher public will not be at cross purposes when addressing this week’s off-topic and general interest subjects. Read more »

Platée du jour

What must have raced through the mind of the none-too-comely Spanish Infanta when she learned that the opera to be performed during the celebrations for her 1745 wedding to the French Dauphin revolved around the comeuppance of an ugly yet vain water nymph tricked into believing Jupiter was her ardent suitor? I suspect the poor Infanta, who died a year later after childbirth at just 20 years old, was not amused. But, as part of Rameau 2014—a worldwide commemoration of the 250th anniversary of the composer’s death—the celebrated French group Les Arts Florissants brought its surprisingly full-bore version of this sui generis comédie-lyrique–Platée ou Junon Jalouse–to Alice Tully Hall Wednesday evening for us to judge for ourselves.   Read more »

The diva wears Prada

“Oubliez le XVIIIè siècle. A l’Opéra Comique, Platée s’installe sur les podiums d’une fashion week parisienne!” Unfortunately, the video of this performance is not available in the US: La Cieca will keep you updated. Meanwhile, take a look at DeCaffarrelli’s review of last night’s concert performance.

cowboy

I see by your outfit that you are a cowboy

Freud, who hails from London, spent five years as the general director of Houston Grand Opera and is no stranger to bolo ties and 10-gallon Stetsons.

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varla

O Caftan! My Caftan!

Unconcealed by the voluminous folds of this Jessyesqe muumuu is queen-sized talent Jeffery Roberson (also known as Varla Jean Merman.)

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jj_post

Medium and rare

“Considering one of the season’s star singers is a plus-size female impersonator, opera this fall is anything but a drag.”

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Valley of the doll song

Separated at the 14th Street wig store: drag queen Lady Bunny and Disney princess Diana Damrau.

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Madame XY

Versatile diva Violeta Urmana takes on the demanding verismo role of Giordano’s Fedora for the first time at… Oh, sorry, that’s René Pape as Méphistophélès in Faust at Covent Garden! (Photo by Catherine Ashmore)

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Sobriquet sister

It was, after all, only a matter of time.

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Today in corrections

“A profile of Richard Eyre – ‘All good actors are quick-witted’, 27 November, page 12, Review – mentioned the theatre director’s recollection of having played one of the Three Little Maids in a school production of The Pirates of Penzance. Clarification has since come from the interviewee that in Pirates he played Kate, one of four maids, the daughters of Major-General Stanley (the Three Little Maids, for their part, belong to The Mikado).” [The Guardian]

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