Separated at the 14th Street wig store: drag queen Lady Bunny and Disney princess Diana Damrau. Read more »
Versatile diva Violeta Urmana takes on the demanding verismo role of Giordano’s Fedora for the first time at… Oh, sorry, that’s René Pape as Méphistophélès in Faust at Covent Garden! (Photo by Catherine Ashmore)
It was, after all, only a matter of time.
“A profile of Richard Eyre – ‘All good actors are quick-witted’, 27 November, page 12, Review – mentioned the theatre director’s recollection of having played one of the Three Little Maids in a school production of The Pirates of Penzance. Clarification has since come from the interviewee that in Pirates he played Kate, one of four maids, the daughters of Major-General Stanley (the Three Little Maids, for their part, belong to The Mikado).” [The Guardian]
As we launch into the fourth and final movement of our étude, La Cieca asks the musical question, “Can a Contemporary Diva achieve Grandezza, or, for that matter, Drag Imitability?” Let’s see what the numbers tell us.
And now, cher public, let’s put today’s singers, the Contemporary Divas, under the microscope. How do they stack up?
La Cieca continues to apply the Kang Method to the dozen divas of the Classic mode. This time, our five criteria for diva status offer fewer total points, but the difficulty level remains the same. Especially for Renata Scotto.
La Cieca preens proudly to present a peerless pair of protégés (left to right) Squirrel and Maury D’Annato. The bromancers attended (or one should say “took in”) last night’s Ariadne auf Naxos at the Met, and as of early this afternoon they were still deconstructing.
Cher Public