A Court of Appeals in Paris has ordered BelAir Classiques to remove from its catalog a video recording of Dialogues des carmélites as staged by Dmitri Tcherniakov for the Bayerische Staatsoper on the grounds that the production is a “betrayal” of the intentions of Georges Bernanos and Francis Poulenc. Read more »
For all their orchestral and vocal attractions, Nikolai Rimsky-Korsakov’s 15 operas are rarities in the West. If The Legend of the Invisible City of Kitezh is staged in an upcoming Met season as rumored, it will be the theater’s first representation of the composer’s music since 1945 (The Golden Cockerel), and it took The Tsar’s Bride 112 years to make it to Covent Garden.
Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure. Read more »
Even when the opera performed is a masterpiece, a truly superb opera performance is exceedingly rare.
How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return?
So we may all be on the same page as we discuss, following the jump is the video of the December 7 Traviata from La Scala.
The surprises, and puzzles, of Dmitri Tcherniakov‘s production of Don Giovanni in this DVD of a performance at the Aix-en-Provence festival begin before a note has been played or the curtain has risen.
La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.
La Cieca hears that the opening night of La Scala’s 2013 season will feature a new production of La traviata starring Diana Damrau and Piotr Beczala, directed by… no, not Franco Zeffirelli, but Dmitri Tcherniakov.