Headshot of La Cieca

Cher Public

  • mercadante: Actually sounds like an extremely positive review of cast grand production allowing for eventual... 12:13 PM
  • MontyNostry: The Puccini album Pieczonka made a few years ago certainly sounded like Ariadne auf the wrong... 12:00 PM
  • armerjacquino: It’s also to do with government support, both financially and in the sale of arms. Yes,... 11:53 AM
  • kashania: I think the answer to this is quite simple. The Met is the largest and most high-profile... 11:51 AM
  • kashania: I was in London a few weeks ago and in Paris two years ago. From neither trip did I return to with... 11:43 AM
  • Daniel: “Arafat — one of the worst murderers in history.” As usual, you go for effect over... 11:30 AM
  • kashania: And Pieczonka has steadily improved in the Italian rep. She used to be one of those... 11:08 AM
  • manou: Teatro alla Scala ?@teatroallascala Matthew Polenzani sostituisce @TenorKaufmann nel Requiem di Verdi... 11:02 AM
  • kashania: Thanks, Peter! 10:55 AM
  • peter: I was referring to her Ariadne. 10:54 AM

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

Slavas of New York

Photo: Cory Weaver/Metropolitan Opera“Even when the opera performed is a masterpiece, a truly superb opera performance is exceedingly rare…. So it’s all the more remarkable that Alexander Borodin’s Prince Igor, an uneven, fragmentary work, should yield a performance that ranks with the highest peaks of Peter Gelb’s incumbency at the Met and for that matter would be the jewel of any opera company in any golden age. Opera audiences are resigned to slogging through dreck; this Igor makes the slog worthwhile.” [New York Observer]

No one will be seated during the controversial “Rolling on Molly” sequence

First video snippets of the new Prince Igor are now live on the Met’s website.

Sir John and the horse

Come to the unstable

How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return?

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traviata

Blonde, bombshell

So we may all be on the same page as we discuss, following the jump is the video of the December 7 Traviata from La Scala.

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dg_amazon

Bo, concept

The surprises, and puzzles, of Dmitri Tcherniakov‘s production of Don Giovanni in this DVD of a performance at the Aix-en-Provence festival begin before a note has been played or the curtain has risen.

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captain_future

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

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beczala_feathers

Book club

La Cieca hears that the opening night of La Scala’s 2013 season will feature a new production of La traviata starring Diana Damrau and Piotr Beczala, directed by… no, not Franco Zeffirelli, but Dmitri Tcherniakov.

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new_puritans

Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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odorama

Scent of mystery

La Cieca has been sniffing around her generally reliable (and fragrant) sources, and she thinks she has pieced together a list of the dozen operas to be featured in the 2013-2014 season of “The Met: Live in HD.”

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