Cher Public

“O, beware, my lord, of TRESemmé!”

Luxuriantly maned divos Dmitri Hvorostovsky and Roberto Alagna rehearse Otello. [via Facebook]

Evviva Las Vegas

Where else would you be this evening at 7:55, cher public, but in La Casa della Cieca whilst the season premiere of Rigoletto emanates from the Met? (Photo: Ken Howard/Metropolitan Opera)

O fatal “Don”

“The Met’s performance of Don Carlo Friday night was a tragedy, but not for the reason Verdi intended. . . . Under conductor Lorin Maazel’s limp baton, the gloomy tale became a slow-motion nightmare. Scene after scene trudged by in an unvarying dirge tempo.” [New York Post]

Leather underground

Putting in a little face time (and what faces!) at Charles Castronovo‘s cabaret at 54 Below last night were barihunk trifecta Erwin Schrott, Dmitri Hvorostovsky and Ildar Abdrazakov.

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Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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Starless night

An understudy saved the show at the Met’s La Traviata Friday night, but no star was born.

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Northern stars

Winners of the seventh annual F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence, or, as they are colloquially known, the Opera News Awards, have been announced. Accepting the coveted “Effies” on Sunday, April 29 at The Plaza in New York City will be sopranos Karita Mattila and Anja Silja, baritones Dmitri Hvorostovsky and Peter Mattei, and director Peter Sellars. (Zany photo of Sellars by Alex Ross.)

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