Headshot of La Cieca

Cher Public

  • Ouf: Good point. DG states “May 1962″ and Myto states “25. 5. 1962,” pointing only to... 7:49 AM
  • Poison Ivy: I found this from 2012. In 2012 she was much more lyrical and subtle than she was last night.... 7:38 AM
  • thenoctambulist: Just googled her. Her voice is the definition f the “internation al sound.”... 6:46 AM
  • Poison Ivy: What I meant antikitschy by “barked̶ 1; is that she kind of rushed through the moment... 6:45 AM
  • spiderman: Not at all armer, but I wonder what makes people go into public with information like this on a... 6:24 AM
  • Porgy Amor: Also, I’m on Facebook, and I often think “too much information” when I read... 6:23 AM
  • manou: Royal (and amiss) as he might have been, he was Kingsley Amis. 6:14 AM
  • Porgy Amor: Walloping performance. Wish the Met had featured her in this (though Anna N. was good, and I... 6:13 AM
  • armerjacquino: spiderman- so your point is ‘she should do what I would do?’ How you would deal... 6:10 AM
  • Vox: More than happy to suffer through that. 5:59 AM

Different gowns upon a bevy

No need to dress for this week’s intermission feature, cher public: just show up and start discussing off-topic and/or general interest subjects.

Dark sisters

The very brunette leading ladies of Adriana Lecouvreur, Anita Rachvelishvili and Angela Gheorghiu, flank the practically strawberry blond by comparison Jonas Kaufmann during bows last night after Opera Orchestra of New York’s season opener.

When I haven’t sung my songs

fleming_south_bank
Renée herself seemed as if she’d rather be somewhere else. Read more »

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is it the girl or is it the gown?

“The campy diva lover in me should exult at the credit in the program ‘Renée Fleming‘s Costumes by Christian Lacroix,’ but in fact the couturier’s frocks were something of a mishmash. Best was a shimmering gold sheath that set off Fleming’s first entrance and trim waistline to perfection; worst was a rumpled ivory silk ballgown that made the dying (or dead?) Thaïs resemble a Botoxed Miss Havisham.” Our Own JJ reviews the Metropolitan Opera’s production of Thaïs in Gay City News. In other too-good-to-be-true (and yet it is!) news, the image gallery for this production is now live at the [...]

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l’amore di tre drag kings

Sopranos Deborah Voigt and Patricia Racette and mezzo-soprano Susan Graham made their drag king debut on Sunday night, and for once the gender confusion has nothing to do with Rufus Wainwright. The trio of songstresses donned tuxes for a spoof of the Three Tenors at a gala honoring Placido Domingo‘s 40th anniversary at the Met. The ladies quickly stripped down to “shimmering gowns in which they delivered the aria ‘Nessun Dorma’ that was a signature piece for The Three Tenors.” Photo by Ken Howard, Metropolitan Opera. [via AP]

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alt rock

Any singer who is known as “The Croatian Yma Sumac” you know already has won a place in La Cieca’s deepest heart of hearts. So the astonishing production values of the theatrical experience that is known as Priinceza na zrnu graÅ¡ka can only add to your doyenne’s abject veneration for the one, the only… Zdenka Kovačiček. 

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ne me retouchez pas! ne me retouchez pas!

Now, never let it be said that La Cieca was in any way opposed to glamour, and you know very well that is a fervent believer in dear Pablo Picasso‘s maxim that “art is a lie that makes us realize truth.” But, on the other hand, there’s this month’s cover of Opera News.

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everybody wants to take a bow

Some of the starry roster for the Rudolf Bing Farewell Gala accept the plaudits cher public. Ah, 1972, when opera and hair were at their respective peaks of style! Introducing the cavalcade of curtain calls is La Cieca’s role model Risë Stevens. [kml_flashembed movie="http://www.youtube.com/v/2m6M9rPgAbs" width="425" height="350" wmode="transparent" /]

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putting on the regie

Back the photo-only style of Regiequiz, but this production does look awfully chic, doesn’t it? Now if only someone could guess which opera it is!

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