Headshot of La Cieca

Cher Public

  • La Valkyrietta: Camille, it is I who should apologize for my horrid lapses of memory. Sorry. Nabokov does not... 9:16 PM
  • WindyCityOperaman: The ad for Matthew Polenzani’s recital reminds me of those Big Eye paintings –... 9:12 PM
  • RobNYNY: Canada may come into it. Just as American English has preserved features of 18th Century British... 9:09 PM
  • Camille: I have to admit to only reading “The House of Mirth”, which I loved, but the movie a lot... 9:06 PM
  • Camille: Oh goody! I could not find it!!! I hope parterrians will like it, the UR-UN-Regie production! Many... 8:46 PM
  • Camille: Oh, mi scusi–I dis not see that you had seen it already and because it is a mad love of my own... 8:44 PM
  • La Valkyrietta: Camille, Youtube has that opening Faust scene. Much better production of Faust at the Academy... 8:40 PM
  • La Valkyrietta: Camille, I agree with you, it is a beautiful movie. I have seen it twice, but years ago. I... 8:17 PM
  • Camille: Do not know if this will wok but I will try to import the film for you alone, mon vieux Valkyrietta.... 7:48 PM
  • DellaCasaFan: I completely agree with Camille about “The Age of Innocence.” Incidentally, I... 7:34 PM

Small scale

In art, less is more — at least most of the time. But Dicapo Opera’s presentation of The Martyrs is a little more less than ideal. [New York Post]