Headshot of La Cieca

Cher Public

  • Poison Ivy: Here’s the ovations on youtube. It does sound like there was some small but persistent... 7:51 PM
  • jd: I was there and I loved it! Damrau was especially good as was Christian Gerhaher, the baritone. Big... 7:43 PM
  • Rackon: Wish I had been there – it *is* one of my favorite requiems, both to sing and to hear. 7:40 PM
  • Milady DeWinter: Sweetie, from your mouth to God’s ear : Anna, come save AIda! I totally agree that she... 6:21 PM
  • calaf47: Yes…a very exciting evening in every way…with the “second̶ 1; cast and... 6:18 PM
  • Lindoro Almaviva: While I am at it, why not Larmore or Sonia Ganassi? They are moving to heavier Rep with... 6:05 PM
  • Lindoro Almaviva: I think Vesselina Kassarova used to do the role and she sounded pretty ferocious in it.... 5:58 PM
  • Uncle Kvetch: I saw it 10 days later, on Halloween. The Pamina that night was Miah Persson, and Toby Spence... 5:27 PM
  • antikitschychick: best of luck to you on your business travails Sanford :-). 5:11 PM
  • antikitschychick: yes Aida does require a lot of stamina…only singers with great technique can get... 5:09 PM

Small scale

In art, less is more — at least most of the time. But Dicapo Opera’s presentation of The Martyrs is a little more less than ideal. [New York Post]