On Saturday night, dell’ arte Opera Ensemble presented a lean performance of La Traviata as part of a pairing called Violetta & her Sisters. The opera, performed in conjunction with Massenet’s Manon, examines the precarious position—the inherent freedoms and limitations therein—of the fallen woman, as Verdi’s title conveys. Read more »
Homer, inspired by many a muse, sang not of sequels to his Iliad, and his own, the Odyssey, is so different in focus that many readers, then and now, have suspected another author of being responsible. But many other poets wrote sequels to Homer, and their addenda filled many a volume, most of them (perhaps happily) lost. As long as copyright laws were in their infancy, the ailment of other authors trying to expand upon unforgettable inspirations was endless. Read more »
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
It’s fun to wonder what might have happened if Rossini had never composed Il Barbiere di Siviglia. Would Giovanni Paisiello’s earlier adaptation of the work be a repertory favorite? Or would it have faded into obscurity with an occasional revival here and there? Read more »
In recent years the enterprising Dell’Arte Opera Ensemble has brightened the usually arid weeks of August in New York City with some worthy operatic showcases for young singers.
Seventeenth century opera remains the true connoisseur’s delight partly because it’s so rarely done.