Homer, inspired by many a muse, sang not of sequels to his Iliad, and his own, the Odyssey, is so different in focus that many readers, then and now, have suspected another author of being responsible. But many other poets wrote sequels to Homer, and their addenda filled many a volume, most of them (perhaps happily) lost. As long as copyright laws were in their infancy, the ailment of other authors trying to expand upon unforgettable inspirations was endless. Read more »
It’s fun to wonder what might have happened if Rossini had never composed Il Barbiere di Siviglia. Would Giovanni Paisiello’s earlier adaptation of the work be a repertory favorite? Or would it have faded into obscurity with an occasional revival here and there? Read more »
An intimate concert on June 2 features highlights from little OPERA’s recent production of Slow Dusk & Markheim, along with other selections from composer Carlisle Floyd‘s remarkable body of work, including Willie Stark, Of Mice and Men and a glimpse at Prince of Players, Floyd’s new opera which recently premiered at the Houston Grand Opera. Read more »
The little opera companies of New York are like chanterelles: Some years they sprout everywhere and you can savor the scent in the woodsy air; other seasons they’re hard to find and unsatisfying when you stumble on a patch. New York’s got lots of untapped vocal talent but you never know which companies will have their ears screwed on straight. Read more »
In recent years the enterprising Dell’Arte Opera Ensemble has brightened the usually arid weeks of August in New York City with some worthy operatic showcases for young singers.
Seventeenth century opera remains the true connoisseur’s delight partly because it’s so rarely done.