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Cher Public

  • Poison Ivy: Harteros is set to sing Arabella next year when she’ll be 43. I’m sure she... 10:16 AM
  • Lohengrin: Not to miss: Oper im TV: La forza del destino aus der Bayerischen Staatstheater München Anja... 10:03 AM
  • Chanterelle: I got Ballo. Says I’m complicated. Snort. 9:48 AM
  • Chanterelle: This was the most striking factoid I remember from the pre-performance introduction. Later today... 9:44 AM
  • Krunoslav: Eva Pogners at the Wiener Staatsoper: Helen Donath, 49 Lisa della Casa, 53 Elisabeth Gruemmer, 51... 9:41 AM
  • grimoaldo: I do agree with Leontynes Weave when s/he refers to ” mediocre artistic endeavors that have... 9:29 AM
  • Stendhal: Your indignation is manufactured and out of proportion to the comments from the two people you... 9:28 AM
  • Krunoslav: When Pinnacle of Perfection Harteros gets to be 50 will you be trashing her on those grounds... 9:27 AM
  • Leontynes Weave: Other cost saving measures are absolutely related to these discussions because their pay is... 9:27 AM
  • armerjacquino: Hmm. The corporate ‘back office/front office’ distinction doesn’t really... 9:24 AM

Pretty perfect

“In a winter rich with splashy debuts, Friday’s performance of Le Comte Ory introduced a 27-year-old South African charmer who may well be the Met’s next big star. She’s Pretty Yende, and that first name fits her to a tee, what with her willowy figure, megawatt smile and—most of all—ravishing light soprano.” [New York Post]

He, Avgust! Bringt mir unser Sänger her!

Avgust Amonov will make his Met debut in the title role of tomorrow evening’s performance of Verdi’s Otello, replacing Johan Botha, who is ill.

Dessa!

UPDATE: It’s official. The Met press office just announced, “American soprano Latonia Moore will make her Met debut as the title character in Verdi’s Aida in the March 3 matinee performance, replacing Violeta Urmana, who is ill.” Read more »

devia_norma

Over the moon

Mariella Devia will augment her already vast bel canto repertoire next year with the role of roles: Bellini’s Norma.

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Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.  

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A doge’s life

Says the Met press office: “Roberto De Biasio will make his Met debut as Gabriele Adorno in the Thursday, January 20 opening performance of Simon Boccanegra, replacing Ramón Vargas, who is ill. Mr. Vargas is scheduled to sing the remainder of the performances.”

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Carl who?

No programs for last night’s Fanciulla, just someone had worked overtime on the copier to give us a cast list and plot summary. If no delivery for the glossy, fully 3k people there, just slight slip and slide on the Plaza enough to keep me gripping the alpenstock. (A weapon of Individual Destruction, permitted by the Met, if not airlines outside of Chehnya.) 

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“Je suis heureux ici”

“The decades-overdue debut of Sir Simon Rattle at the Met Friday night demonstrated brilliantly just what we’ve been missing: His conducting of Pelléas et Mélisande is the musical pinnacle of the season.” [New York Post]

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Kam der neue Gott gegangen

La Cieca hears that Lance Ryan, scheduled to make his Met debut tonight in Ariadne auf Naxos, is indisposed.  Subbing as Bacchus is Michael Hendrick.

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