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Cher Public

  • dcrazmo: Satisfied: Why is the review drivel? Because you disagree with it? 12:45 PM
  • antikitschychick: lol what a pesky lot those conductors eh mirywi? :-P.No but seriously, in some cases, if... 12:35 PM
  • Satisfied: Sweet article on RBG today at Politico. http://www.politic o.com/story/2014/1 0/ruth-bader-gi... 12:29 PM
  • redbear: I meant America’s leadership role. If America decided to think like Denmark, for example,... 12:25 PM
  • messa di voce: Guess who: “Ryan Speedo Green, with his husky physique” 12:22 PM
  • operaassport: One word about the protests: FIZZLE! As for the Gelb must go crowd: what an odd mix of people.... 12:17 PM
  • Guestoria Unpopularenka: It’s always the West that has to bend over backwards to accommodate anyone... 12:17 PM
  • Kenhere: On the contrary, the opera begins with sympathy for the hijackers, in the Chorus of Exiled... 12:15 PM
  • armerjacquino: America is making a serious mistake by putting themselves as the religious fundamentalis... 12:11 PM
  • LittleMasterMiles: The “more-like-a n-oratorio” criticism has been around forever, as though... 12:05 PM

Pretty perfect

“In a winter rich with splashy debuts, Friday’s performance of Le Comte Ory introduced a 27-year-old South African charmer who may well be the Met’s next big star. She’s Pretty Yende, and that first name fits her to a tee, what with her willowy figure, megawatt smile and—most of all—ravishing light soprano.” [New York Post]

He, Avgust! Bringt mir unser Sänger her!

Avgust Amonov will make his Met debut in the title role of tomorrow evening’s performance of Verdi’s Otello, replacing Johan Botha, who is ill.

Dessa!

UPDATE: It’s official. The Met press office just announced, “American soprano Latonia Moore will make her Met debut as the title character in Verdi’s Aida in the March 3 matinee performance, replacing Violeta Urmana, who is ill.” Read more »

devia_norma

Over the moon

Mariella Devia will augment her already vast bel canto repertoire next year with the role of roles: Bellini’s Norma.

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Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.  

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A doge’s life

Says the Met press office: “Roberto De Biasio will make his Met debut as Gabriele Adorno in the Thursday, January 20 opening performance of Simon Boccanegra, replacing Ramón Vargas, who is ill. Mr. Vargas is scheduled to sing the remainder of the performances.”

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Carl who?

No programs for last night’s Fanciulla, just someone had worked overtime on the copier to give us a cast list and plot summary. If no delivery for the glossy, fully 3k people there, just slight slip and slide on the Plaza enough to keep me gripping the alpenstock. (A weapon of Individual Destruction, permitted by the Met, if not airlines outside of Chehnya.) 

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“Je suis heureux ici”

“The decades-overdue debut of Sir Simon Rattle at the Met Friday night demonstrated brilliantly just what we’ve been missing: His conducting of Pelléas et Mélisande is the musical pinnacle of the season.” [New York Post]

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Kam der neue Gott gegangen

La Cieca hears that Lance Ryan, scheduled to make his Met debut tonight in Ariadne auf Naxos, is indisposed.  Subbing as Bacchus is Michael Hendrick.

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