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Cher Public

  • Gualtier M: Punquito - I am loving Morris Robinson. Ashley Brown howeve...
  • Clita del Toro: I was sorry to hear about Whitney Houston, but to tell the t...
  • Betsy_Ann_Bobolink: Take back all nice nice. When minds upmade oosy-poonsy.
  • Betsy_Ann_Bobolink: Da.In doubt few less you put this how?Many smile com...
  • brooklynpunk: I take back my request to the house of bobolink......
  • Gualtier M: Just a note that music from Wainwright's "Prima Donna" will ...
  • m. croche: They're touring with the Kronos Quartet right now. They've ...
  • brooklynpunk: .... the speaking parts...so far... ARE GHASTLY DREADF...
  • brooklynpunk: ....welll...just able to listen to the begining....and ...
  • iltenoredigrazia: I think Zampieri's may be a case of being at the wrong place...

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Ariadne, abandoned?

Soprano Amber Wagner will sing all the performances of Ariadne auf Naxos at Lyric Opera of Chicago in 2011-2012, replacing Deborah Voigt, who “is focusing increasingly on dramatic soprano roles and has made the decision to remove the role of Ariadne from her repertoire for the time being.” Performances run November 19-December 11.

Every little thing, every little thing…

An “unbelievably honest narrative of a woman caught in a dangerous cycle of addiction and illness who overcame her demons in an utterly triumphant way” — that’s what publisher Harper Collins is calling the forthcoming memoir by  Deborah Voigt, tentatively titled “True Confessions of a Down to Earth Diva.” The tome is scheduled for publication in 2013. [New York Times]

And the Pubies go to…

At long last, the most closely guarded secret of 2011 (besides, you know, everything about what’s going to happen to City Opera) is about to be revealed. Ladies and public, the Second Annual Parterre Cher Public Choice Awards! Read more »

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Cobra Jewel Song

The annual Richard Tucker gala came and went at Avery Fisher Hall with the usual quota of gaffes, wardrobe malfunctions, no-shows, too-much-shows, substitutions and surprise guests (well, guest).  And sandwiched between the routine, the egocentric and the just plain dull were moments of true dementia, the moments that we melomanes live and die for.  Most of those moments were due to the antics of a certain well-known Slavic diva (of whom more later).  But first, the specs.  

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Noch einmal!

Richard Strauss’s brilliantly disturbing Elektra was first performed at the Dresden State Opera in 1909, and arrived in America in 1910 at the Manhattan Opera House.  A second American premiere, this time in the original German, was in Philadelphia in 1931 with – and this will kill you – Nelson Eddy as Orestes. Along with Salome it represents Strauss at his most dissonant and chromatic. After Elektra, the composer would retreat to a more tonal, neo-romantic compositional style that while still harmonically complex, would never push the envelope like Elektra. This 1994 Metropolitan Opera performance has never been commercially available [...]

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Happy birthday Deborah Voigt

The dramatic soprano (and soon to be belter!) celebrates her golden birthday today. 

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