“But I just go on thinking and sweating / And cursing and crying / And turning and reaching / And baking and icing…”
Says the Glimmerglass press office: “Stephanie Blythe will perform in concert at The Glimmerglass Festival on Friday, August 5, at 4:30 p.m. The mezzo-soprano replaces Deborah Voigt, whose commitments have increased with her new position as a member of the full-time faculty at the San Francisco Conservatory of Music.”
Lincoln Center’s Great Performers presents Diana Damrau on Saturday, December 10th, joined by Xavier de Maistre on harp, performing works by Debussy, Strauss, Fauré, and more. A regular at the Met Opera, Damrau has been called “a soprano of matchless intelligence” (Guardian).
“One of the greatest proponents of the German lied tradition” (New York Times), baritone Christian Gerhaher performs an all-Mahler program on Saturday, December 17th, featuring Gerold Huber on piano. The Telegraph calls him “the most moving singer in the world.”
Both performances are at Lincoln Center’s Alice Tully Hall.
Eleven months in advance, Deborah Voigt has canceled her role debut as Mrs. Lovett in Sweeney Todd at Florida Grand Opera. The company will do Un ballo in maschera instead! [South Florida Classical Review]
“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.”
“The Art House in Provincetown, MA, headed by Mark Cortale, will present Metropolitan Opera Star Deborah Voigt in ‘Voigt Lessons’ created by Terrence McNally, Francesca Zambello and Deborah Voigt, for one night only on August 2 at 6:30 PM.”
So, in the Michigan Opera Theatre production of The Merry Widow, is Deborah Voigt channeling Joan Sutherland…
What does it mean anyway to get to know a diva, and why exactly would we wish to do such a thing?
In her place, soprano Lise Lindstrom sang the role.