Headshot of La Cieca

Cher Public

  • DeepSouthSenior: . . . Greatest DISadvantage . . . 12:02 AM
  • DeepSouthSenior: Ah, La Rondine. Some lovely music, but more dramatically inert than Act I of Parsifal, and... 11:59 PM
  • Camille: haha, I would have been surprised if that Requiem would have worked for anyone, Feldmarschie! How... 11:23 PM
  • Camille: Glyndebourne is one thing, singing it in a big house is another. Didn’t Nina Stemme sing... 11:20 PM
  • Camille: München 2010? It seems like it was so much later than that, that not so much time has elapsed. So... 11:18 PM
  • Camille: o danke wohl!! That explains it. I have that play and started to read it years ago but never did.... 11:16 PM
  • Lohenfal: In the Victor Hugo play, the King is referred to consistently as Don Carlos, even after he becomes... 11:11 PM
  • Lohengrin: That was in München 2010. Scala: JK was Einspringer in the second performance. 10:12 PM
  • phoenix: I’m not so sure. That’s why I’d like to hear Kampe’s 2009 Glyndebourne... 10:09 PM
  • Camille: Remunerative. Sorry, Tristan and Isolde have run me off the rails. O wonderful music! Guten Abend! 9:50 PM

When I am down to earth


What does it mean anyway to get to know a diva, and why exactly would we wish to do such a thing? We wait outside stage doors, have ourselves photographed with them, and in rare instances, become their friends, but why them? We haven’t chosen to know them as we know our friends, with the idea we have things in common. We’ve chosen them.

And here I am, plunging headlong into presumptuous first-person plural.

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Einspring Will Be A Little Late This Year

“Big news from The Dallas Opera: just before the 7:30pm curtain for last night’s performance of Salome, CEO Keith Cerny announced from the stage that, due to complications from a hip injury, Deborah Voigt would not be performing Wednesday night. In her place, soprano Lise Lindstrom sang the role…. A source familiar with the production reports that Ms. Lindstrom insisted on foregoing a body suit for the dance scene, opting instead to end the opera’s famous strip tease more authentically (read: topless).” [Front Row]

All right, God, you have my attention

Norman Lebrecht announces that Deborah Voigt , “one of the leading Brünnhildes of our time,” will join Rufus Wainwright to sing arias from Prima Donna and will then join him in a duet of “If I Loved You” from Carousel and… oh, I just can’t.

vilja_o_vilja

Into the weeds

Noted exemplar of Viennese frivolity Deborah Voigt will sing her first performances of The Merry Widow with Michigan Opera Theater in April 2015.

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old_acquaintance

Dish night

“Superstar soprano Deborah Voigt and powerhouse opera and theater director Francesca Zambello, friends for over 25 years, came to 92Y to talk opera, inspiration, artistry and friendship.”

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you

A coupla white chicks sitting around talking

On Wednesday, April 23rd at 8:15 PM, renowned soprano Deborah Voigt and opera and theater director Francesca Zambello, friends for over twenty-five years, join to discuss opera, inspiration, artistry and friendship.

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billinghurst

An open letter to Sarah Billinghurst

Before you depart the Met at the end of this season, Ms. Billinghurst, you have the chance to do some good for both the Met audience and James Levine.

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deborah_voigt

Slow curtain

La Cieca has just been informed that Deborah Voigt‘s engagement as Leonore in Fidelio at Liège has quietly disappeared from her website.

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obsessions

Post-Liebestod

“The title character in Barber’s Gothic melodrama Vanessa, a self-deluded, manipulative older woman, ‘keeps coming up,’ Ms. Voigt said.”

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deborah_voigt

Season of no witch

Deborah Voigt, “unfortunately ill,” will not sing her first Ortrud this Sunday at the Festival de Lanaudière. According to the festival’s press office, a replacement will be named later today.

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