Headshot of La Cieca

Cher Public

  • "Wagner also sang Ariadne several years ago at the COC when Adrienne Pieczonka was..." - kashania
  • "Donna Anna: Yes, please do report. Di Giacomo came on my radar a few years ago and..." - kashania
  • "Kash, Jamie Barton is making her debut as Azucena next month in Cincinnati...." - Donna Anna
  • "Thank you for the kind words. Of course, we didn’t leave at the interval!" - NPW-Paris
  • "It’s a shame you can’t care–or better yet, do something to help..." - 98rsd
  • "A suitable opera about brave resistance to the American Imperialist Dogs. (In case..." - m. croche
  • "I was at the premiere and thought it was not only wearisome and unpleasant but..." - gironabalie
  • "What you’re looking for is more operas that mindlessly attack the United..." - La Cieca

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]