Cher Public

  • Camille: No, you are NOT making it up, just like Anna Russell! 11:24 PM
  • Camille: Ha! Jungfer, we get popcorn and hot dogs and sodas, at least that’s what I have observed. A shame about the loss of the... 11:21 PM
  • rompicolleone: Mille grazie per questo !! I cried. I once had the pleasure (and terror: the Dies Irae!) of playing the Verdi Requiem with... 10:01 PM
  • Jungfer Marianne Leitmetzerin: By the way, the camerawork and directing of the HD broadcast were impeccable. When the final credits... 9:49 PM
  • Jungfer Marianne Leitmetzerin: Wasn’t she just extraordinary? Not just hitting the notes, but the security and power took my breath... 9:43 PM
  • Camille: I just cannot get over how WELL; how inTUNE, and how Pankratova sings ALL the notes the Kundrys usually dodge out on! I have... 9:38 PM
  • armerjacquino: The last thirty seconds of that video have put a great big smile on my face. That’s how to do it. 8:49 PM
  • Camille: Vielen Dank, Jungferissima! We are taking a break from all that blabberblah at the DNC with Zweiter Akt of Parsifal for the... 8:44 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]