Headshot of La Cieca

Cher Public

  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=bdcQ lCuSNvY 9:48 PM
  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=yyR1 eTk48kU httpv://www.youtub e.com/watch?v=rhCu aofB-o4 9:28 PM
  • Quanto Painy Fakor: No, I did not see his production. It’s his manner and attitude that disturb me. So full... 9:10 PM
  • WindyCityOperaman: Apparently Jan Peerce and Ernestine Schumann-Heink also appeared on the show during its run. An... 9:06 PM
  • ducadiposa: Quanto – curious to know what you’re not impressed by…Egoyan himself or his... 8:46 PM
  • Quanto Painy Fakor: Happy birthday Beverly httpv://www.youtub e.com/watch?v=eNrE wuXDYfU 8:42 PM
  • susanszbornak: Even the immortal Maria Callas’ Tosca pales in comparison to the great Meowia Clawas. Shabby... 8:38 PM
  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=kfFe afr0Qfk 8:37 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]