Cher Public

  • redbear: It was a continuing chapter in the French rediscovering their own musical history and it is one of the great stories of my... 4:39 AM
  • manou: Kurzak has this pronounced widow’s peak (think evil Queen in Snow White) and they did replicate it quite well with the wig,... 4:22 AM
  • NPW-Paris: It was in February 2007 at the Bastille, with Anick Massis, Anna-Caterina Antonacci and Chris Merritt, and yes, the blog has a... 1:33 AM
  • zinka: 26:52 is the duet….. 12:38 AM
  • zinka: httpv://www.youtub e.com/watch?v=a7kN -KxKL7w LEYLA!!!!!!!!!!!!! !!!!!! Papian was chest-less when I saw her..She is... 12:37 AM
  • Batty Masetto: Definitely a wig, though unusually for BSO, a pretty good one. I noticed a major change in her hair before her scene in... 11:31 PM
  • Krunoslav: I read one that was scathing, and he deserved it. But a lot of mainstream critics seem to like Silvestrelli. 11:19 PM
  • Krunoslav: ” I had seen the opera performed years ago with Anja Silja as the Kostelnicka and Elisabeth Soderstrom as Jehufa,”... 11:15 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]