Headshot of La Cieca

Cher Public

  • Hans Lick: I’m glad folks have mentioned Steffani — but no one’s named Cavalli yet?... 11:32 PM
  • Poison Ivy: Aww thanks DSS. I’m glad Mrs. DSS is in the Jonas fan-club :) 11:27 PM
  • arepo: Hearing this clip and comparing it to Hymel’s Pinkerton left me scratching my head too. He... 10:50 PM
  • Krunoslav: Among High Stalinism’s millions of 1937 victims: Archpriest Georgi Izvekov, a composer of... 10:24 PM
  • RobNYNY: Liszt was an abbé. 9:39 PM
  • Quanto Painy Fakor: Voice teachers today don’t seem to instruct their students in this method always... 9:36 PM
  • basso profundo: “centred around” 9:17 PM
  • Quanto Painy Fakor: others: Agostino Steffani, Giovanni Battista Lampugnani, Manuel de Zumaya, Giovanni... 9:04 PM
  • le cerf agile: A fourth:Lorenzo Perosi. 8:57 PM
  • Will: A second priest/opera composer: Antonio Vivaldi A third: Claudio Monteverdi 8:22 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]