Headshot of La Cieca

Cher Public

  • ML: In any case, she is certainly now launched. I hope she comes to Europe and that the casting managers and... 3:15 AM
  • La Cieca: I think Ms. Barton is in a somewhat unusual situation here. She is neither a lyric mezzo-soprano... 2:37 AM
  • ML: There’s a “pro” version of Operabase that may be more complete. 2:26 AM
  • ML: M. Croche, on the subject of the casting of Norma, I’m convinced Adalgisa is the lighter, brighter... 2:23 AM
  • Flora del Rio Grande: “Favorably impressed” is just about right for that young tenor at this... 12:47 AM
  • Flora del Rio Grande: The Santa Fe opera could certainly have used Barton this season just ended. I wonder... 12:42 AM
  • Clita del Toro: Only when you eat her! 12:02 AM
  • whatever: more to the point, DSS: these folks don’t just disagree, they seek to silence the... 11:45 PM
  • steveac10: The fabulous, and infamous, TBA. 11:36 PM
  • rofrano: Generally, yes, but people who pander to a fringe group by using absurd deductive reasoning that... 11:29 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]