Headshot of La Cieca

Cher Public

  • Camille: Thanks so much, Feldmarschallin!! My prayers have been answered for my wish to hear this work and... 9:48 PM
  • Lindoro Almaviva: Wouldn’t it? i am in Chicago often enough, i am but less than  miles away from Chicago 9:01 PM
  • Clita del Toro: Lindoro, that would be fun! 8:42 PM
  • Grane: Can’t get this in the right place, but thanks, Cicciabella, for the review of Anna’s Four... 8:10 PM
  • phoenix: dan, I can’t find the exact casts for the last 2 operas, but today I found a site that claims... 8:04 PM
  • manou: Yes marshie – but before the supine bit there should be a more vertical phase. 7:18 PM
  • Cicciabella: Any singer who appears “freshly engaged”, “majestic 221;, “unsuppor... 7:04 PM
  • Gualtier M: I also heard several performances by Goerke that were disappointing. The Mme. Lidoine at the Met... 6:43 PM
  • DonCarloFanatic: The garbled Google Translate was a poem of sheer beauty. They liked her, they really liked... 6:25 PM
  • danpatter: I’m glad to know about this. Thanks, Phoenix. 6:22 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]