Cher Public

  • Krunoslav: IPHIGENIA IN TAURUS Curt Olds Heddle Nash Buick ELECTRA Nadine {Ford] Sierra [Honda] Grace Bumbry Michèle [Honda] Crider... 11:57 PM
  • mirywi: I believe him and he’s got a trill. 11:46 PM
  • mirywi: I have no idea who that is but I love her. 11:38 PM
  • Quanto Painy Fakor: Big deal! They rent an old production and the director is too busy working on a new production in Munich, so they... 11:32 PM
  • mirywi: oh my gosh he’s got a voice AND he can sing. 11:30 PM
  • Will: We get this production in Boston early next season. I now really can’t wait. 9:51 PM
  • le cerf agile: …and Gigli was often criticized for his interpolated SAABs. 9:07 PM
  • le cerf agile: Suzuki! 9:03 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]