Is it not enough that the more ignorant segments of the public and the critical establishment continue to shout praise to David McVicar‘s torpid Tosca as the greatest triumph of the reactionary since the Bourbon Restoration? Must we also endure the smug smirking of the likes of Justin Davidson, who yet again has leapt at the opportunity to kick the cold corpse of Luc Bondy? Read more »

“Is this what they call a ‘textured’ performance?”
A gnawing sense of déja vu kept invading my thoughts during the second half of Bellini’s Norma Monday evening: I was reminded of the Met’s Opening Night two years ago when the audience got a new dark, dull Otello that didn’t at all improve on the production it was replacing. Read more »
Internationally known opera star Gerald Finley performs a selection of art songs in his only New York City recital this season. An evening of German lieder, Russian melodies and more. Wednesday, May 2nd at 7:30pm in Alice Tully Hall. Read more »
This season’s Met Donizetti Tudor Trilogy concluded with Roberto Devereux, given its penultimate performance by HD transmission Saturday, April 16. It is good to see these works finally given here; they are too important, too crucial a part of the operatic repertory to have been ignored for as long as they have. Read more »

During its first-ever Roberto Devereux Thursday evening one felt transported back to the Volpe years: four of the Met’s biggest stars shining in an opulent (if occasionally perverse) but reassuringly non-challenging production paid for by Sybil B. Harrington.

Friday’s season premiere at the Met of Donizetti’s opera about the doomed Scottish queen proved surprisingly satisfying and a genuine success for Sondra Radvanovsky.
Cher Public