Cher Public

  • Krunoslav: Anatol needs brilliant high notes and irresistible charisma. 1:36 AM
  • parpignol: name not Slavic enough for Anatol? 12:33 AM
  • DeepSouthSenior: I forgot a simple “Thanks, guys!” Comments at Parterre are worth at least as much as professional reviews,... 11:53 PM
  • DeepSouthSenior: Well, I’m wincing with paid from all the arm-twisting, so both it is! We have a fine big screen plasma TV with... 11:16 PM
  • Donna Anna: Yeah, you can watch it at home but for us, this was an OMG best experienced in the theater. The Saturday audience was pretty... 11:01 PM
  • CwbyLA: Go see it in the movie theater. It is a stunning performance. You should not wait that long for it to appear on bluray. The... 9:25 PM
  • Krunoslav: “Mastilovic, Behrens, Zschau” ……R 30;…. As Irving Kolodin wrote in one of his better phrases,... 9:24 PM
  • Krunoslav: Zach Borichevsky as Anatol???????????? ??? 8:50 PM

Dangerous liaisons

There was a certain frisson in the air entering Chicago Lyric Opera last night, and not just in anticipation of attending the world premiere of a new work by Jimmy Lopez (music) and Nilo Cruz (libretto), Bel Canto.  Particularly for those who read Ann Patchett’s splendid novel on which the opera is based, there was a certain sense of danger at attending an opera about a terrorist attack and hostage-taking.   Read more »

If you wanna grind it wait till you refined it

Knickers-tossing was not the only racy bit at the Last Night of the Proms, apparently. Here Danielle de Niese throws an ecdysiastical twist into a medley from The Sound of Music.   Read more »

Top hatters

When Mike Nichols was honored at the Kennedy Center, Elaine May said of his work: “Mike has chosen to do things that are really meaningful, and that have real impact, and real relevance, but he makes them so entertaining and exciting that they’re as much fun as if they were trash.” Christopher Alden has pulled the same bit of trickery at the San Francisco Opera with a production of Handel’s Partenope that is so erudite and theatrically audacious and also such a rollicking ride, it’s hard to believe it isn’t crap.   Read more »

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The beautiful rooms are empty

It appears that Mariame Clément’s conception of Don Pasquale is that the opera should be retitled Malatesta.

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Photo: Ken Howard/Metropolitan Opera

West side, east side

Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.

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danielle

Danielle fires back

The leading lady of the Bayerische Staatsoper’s production of La Calisto has taken to the Twitters to respond to the recent discussion of her comments about Miley Cyrus.

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sparkly

And if you gaze for long into an abyss, the abyss gazes also into you

Alluring soprano star Danielle de Niese, wife of Glyndebourne Opera boss Gus Christie, had that sinking feeling when she arrived for a performance at the Arts Club in Mayfair—and discovered her glamorous gowns were missing!

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pasquale

Lady of the house

How’s about a little light summer chat Tuesday afternoon starting at 2:15 EDT, when parterre fave Danielle de Niese headlines Don Pasquale, webcast live from the Glyndebourne Festival?

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Driving Miss Dessay

Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”

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Nile, be seeing you

Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”

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