Cher Public

  • thenoctambulist: Well, I hear so much of maestro’s works that it hardly leaves me any time for anybody else. I can hardly make... 3:46 AM
  • mrsjohnclaggart: Thank you, Porgy, for being so kind. After I had posted I realized there was more than one poster here with a handle that... 1:55 AM
  • Cicciabella: Thanks, Ed. Everytime I see Callas on video it reinforces how much expression she put in the voice. You can see that she is... 1:43 AM
  • Porgy Amor: Weep no more, mrsjohnclaggart. I just looked at the entry in question (“Soft Center”), and that question was posed... 1:42 AM
  • zinka: httpv://www.youtub LcdZU7s HOLD ON TO YOUR…… ……R 30;……. Albania presents... 1:35 AM
  • Lohenfal: Anti, thanks for the detailed Tosca reviews. It seems that you were able to ignore all the debatable aspects of the production... 12:18 AM
  • la vociaccia: Ignored Cieca’s title, saw “Mascagni 221; and “duet” and am now supremely depressed that it... 11:54 PM
  • lorenzo.venezia: Beware the lethal F shard. 11:34 PM

If you wanna grind it wait till you refined it

Knickers-tossing was not the only racy bit at the Last Night of the Proms, apparently. Here Danielle de Niese throws an ecdysiastical twist into a medley from The Sound of Music.   Read more »

Top hatters

When Mike Nichols was honored at the Kennedy Center, Elaine May said of his work: “Mike has chosen to do things that are really meaningful, and that have real impact, and real relevance, but he makes them so entertaining and exciting that they’re as much fun as if they were trash.” Christopher Alden has pulled the same bit of trickery at the San Francisco Opera with a production of Handel’s Partenope that is so erudite and theatrically audacious and also such a rollicking ride, it’s hard to believe it isn’t crap.   Read more »

The beautiful rooms are empty

It appears that Mariame Clément’s conception of Don Pasquale is that the opera should be retitled Malatesta. During the overture a man is seen slinking in and out of three revolving rooms—Pasquale’s room, Ernesto’s room, and Norina’s apartment. Dr. Malatesta (Nikolay Borchev) is some vaguely sinister Casanova type who maliciously manipulates Don Pasquale (Alessandro Corbelli).   Read more »

Photo: Ken Howard/Metropolitan Opera

West side, east side

Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.

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Danielle fires back

The leading lady of the Bayerische Staatsoper’s production of La Calisto has taken to the Twitters to respond to the recent discussion of her comments about Miley Cyrus.

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And if you gaze for long into an abyss, the abyss gazes also into you

Alluring soprano star Danielle de Niese, wife of Glyndebourne Opera boss Gus Christie, had that sinking feeling when she arrived for a performance at the Arts Club in Mayfair—and discovered her glamorous gowns were missing!

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Lady of the house

How’s about a little light summer chat Tuesday afternoon starting at 2:15 EDT, when parterre fave Danielle de Niese headlines Don Pasquale, webcast live from the Glyndebourne Festival?

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Driving Miss Dessay

Always front and center with a vote of confidence, Peter Gelb told the New York Times, “Natalie is one of the great artists, but she also is somewhat fragile.”

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Nile, be seeing you

Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”

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Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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