It appears that Mariame Clément’s conception of Don Pasquale is that the opera should be retitled Malatesta. During the overture a man is seen slinking in and out of three revolving rooms—Pasquale’s room, Ernesto’s room, and Norina’s apartment. Dr. Malatesta (Nikolay Borchev) is some vaguely sinister Casanova type who maliciously manipulates Don Pasquale (Alessandro Corbelli). Read more »
“Broadly speaking, there are two types of New Yorkers: the ones who say ‘I’m going to the Met’ meaning ‘I’m going to see an opera’ and the ones to whom the phrase means ‘I’m finally going to see those Piero della Francescas everyone has been talking about.’ Recently, though, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.” [New York Observer]
Alluring soprano star Danielle de Niese, wife of Glyndebourne Opera boss Gus Christie, had that sinking feeling when she arrived for a performance at the Arts Club in Mayfair—and discovered her glamorous gowns were missing!
“Danielle de Niese will sing the role of Cleopatra in this evening’s performance of Handel’s Giulio Cesare, replacing Natalie Dessay, who is ill.”
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
Your feelings about the new Opus Arte DVD of Handel’s Acis and Galatea will have a lot to do with your tolerance for gentle whimsy. As a cultural consumer who tends to gravitate toward the more high-octane, Italianate drama of a Verdi overture or a Real Housewives of New Jersey hair-pull, I do my best to steer clear of pastoral operas about the lives and loves of those who tend sheep for a living, but an assignment is an assignment.