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Cher Public

  • aulus agerius: PI, you leveled the same criticism at James Valenti, i.e. pulling back at what you consider to... 9:07 AM
  • Ilka Saro: It’s hard to resist drawing comparisons between Florez and Brownlee. I agree that Brownlee... 9:07 AM
  • WindyCityOperaman: Don’t know what’s wrong with Operbase. Also born on this day in 1882 conductor... 9:01 AM
  • WindyCityOperaman: Born on this day in 1819 composer Franz von Suppé httpv://www.youtub e.com/watch?v=Y... 8:55 AM
  • A. Poggia Turra: Earlier Olga at Pesaro: La scala de Seta: httpv://www.youtub e.com/watch?v=9crW RDkpqH4... 8:51 AM
  • doktorlehar: My pleasure, everyone. Copenhagen was charming. My visit wasn’t timed well, so I missed... 8:48 AM
  • RobNYNY: This video shows her strengths and weaknesses. Beautiful voice, clear diction, accurate pitch, but... 8:43 AM
  • la vociaccia: Or it’s just, you know, two different people with different opinions. Reports from the... 8:21 AM
  • norma54: Speaking as a SIRIUS listener …. Peretyatko often had no line in her voice, with bright vowels... 8:20 AM
  • OpinionatedNeophyte: The man is damned if he does, damned if he doesn’t. Before it was that the voice... 8:07 AM

And Tony goes to…

La Cieca spies spotted the New York TimesAnthony Tommasini at the opening of the Salzburg Meistersinger, which indicates his review should be appearing by tomorrow at the latest. The cher public are invited to predict what his take will be on Daniele Gatti’s music direction and Stefan Herheim’s staging, and anything else you might expect he’d comment on…

Smile, Darn Ya, Smile!

Wagner’s Meistersinger, in a witty, sumptuous performance (thanks to Stefan Herheim and Daniele Gatti, respectively) is now being streamed on 3sat.online, available, so far as La Cieca can tell, wherever the internet reaches. Read more »

One touch of venous

“Like the hero of Parsifal, who finds the Holy Grail after a lifetime of frustrated wandering, the Met’s audience was finally rewarded for its patience: On Friday, after seasons of mediocrity, the company delivered a magnificent new production of Wagner’s valedictory work.”  [New York Post]