“La couleur dramatique l’emporte irrésistiblement, surtout quand il s’agit de satisfaire aux exigences insensées d’une écriture faite de combinaisons et d’alternances de registres vertigineux.” Read more »
“Oh to be young and going to Paris for the first time,” exclaimed an elderly gentleman who donned his best sweatervest for a concert at the Ottawa International Chamber Music Festival this past August. Indeed, it is wonderful to be young and in Paris for the first time—in no small part thanks to the generous student discount schemes that make the performing arts so accessible to juvenile enthusiasts. Over the past three evenings, I have experienced no less than three extraordinary evenings of vocal music of the highest caliber, and it is my pleasure to share those experiences with you. Read more »
Pyrotechnics abound when Angela Meade stars in Opera Orchestra of New York’s production of Donizetti’s tragic love story, Parisina d’Este, conducted by OONY founder Eve Queler on May 4, 2016 at the Frederick P. Rose Hall at Jazz at Lincoln Center. OONY last performed this opera in 1974 starring Montserrat Caballé. The remaining cast features a group of young international artists including American tenor Aaron Blake in the role of Ugo, Chinese baritone Yunpeng Wang in the role of Duke Azzo, Serbian bass Sava Vemic in the role of Ernesto, and American Soprano Mia Pafumi in the role of Imelda. Don’t miss this thrilling, rare Donizetti gem.! Remaining tickets are on sale at the Jazz at Lincoln Center box office. Read more »
“Le Concert de Paris” featuring Natalie Dessay, Anna Netrebko, Olga Peretyatko, Elina Garanca, Piotr Beczala, Lawrence Brownlee and Laurent Naouri, with the Orchestre National de France sous la direction de Daniele Gatti. Watch it!
La Cieca spies spotted the New York Times‘ Anthony Tommasini at the opening of the Salzburg Meistersinger, which indicates his review should be appearing by tomorrow at the latest.
Like the hero of Parsifal, who finds the Holy Grail after a lifetime of frustrated wandering, the Met’s audience was finally rewarded for its patience.