Headshot of La Cieca

Cher Public

  • Quanto Painy Fakor: Interesting interview with LA Opera Christopher Koelsch in FORTUNE Magazine. He has a... 11:51 AM
  • DeepSouthSenior: Nor the utter, forsaken desolation of the end of Michael Corleone, as great an operatic... 11:35 AM
  • Milady DeWinter: P.S. Sorry about the repetitive adverb usage – guess my ‘mot du jour’ is... 10:55 AM
  • Quanto Painy Fakor: But I don’t think the NYT cares much what Santuzza has to say or sing about. 10:52 AM
  • Quanto Painy Fakor: JJ’s review is admirable and enjoyable to read. Now that the NYT has made heads... 10:51 AM
  • Milady DeWinter: Anyone listen or attend last night’s opening of Hansel and Gretel? I listened via... 10:38 AM
  • tatiana: Nor the messy and bullet-ridden end of Sonny Corleone! 10:32 AM
  • DeepSouthSenior: Tenor Fabiano “is a tall, slim young man with the sort of brooding good looks you’d... 10:09 AM
  • kennedet: Agreed. Also, all praises due to Christopher Macatsoris of AVA,who had training from Serafin, Cleva... 9:53 AM
  • pasavant: Thanks for the help. I see that Mr. Costello is scheduled to sing in Traviata on December 27th. In... 8:34 AM

Huge

“When I left the opera house, I stumbled to the next train out of town and fell immediately asleep; when I left the afternoon broadcast, I stepped out onto the sidewalk and discovered that the sun had set while I’d been in the dark, watching. The sky’d gone all orange and blue and was seemingly cloudless, but a thin flurry of huge white flakes snowed down as if from nowhere and then, after a moment, it stopped.”

What La Cieca thinks is going to live as the definitive take on John AdamsNixon in China at the Met is sitting there, just waiting for you to read it, at Daniel Stephen Johnson.

“You will, Cieca, you will!”

le_mot_du_jour_full“The L.A. Phil’s new season is up, too, and the big news there is (for me anyway) the premiere of a new sacred oratorio by John Adams, entitled The Gospel According to the Other Mary. Maybe he gave it that title to distinguish it from a forthcoming work by Mark Adamo.

“What? No, I meant because Mark Adamo’s writing The Gospel of Mary Magdalene for the San Francisco Opera! Why, what ‘mary’ did YOU think I was referring to?” [Daniel Stephen Johnson]