Headshot of La Cieca

Cher Public

  • Angelo Saccosta: Me too, Quanto. It all started for me on March 31, 1956, Manon Lescaut with Licia and Jussi. 2:08 AM
  • basso profundo: He has a decent voice but, having met him, I’m not sure if “good-lookin g”... 1:14 AM
  • Guestoria Unpopularenka: LOL @ the bows after Celeste Aida. Who’s this tenor? 12:54 AM
  • Krunoslav: Oops! Thanks, Scared Monster– I now realize I confused him with Adam Diegel. I did hear... 12:19 AM
  • Flora del Rio Grande: . . . Oh, and I over looked Kansas City. It has not only a winning ball club, but a... 11:59 PM
  • Flora del Rio Grande: Well, the old Met house was a Real Opera House in spite of certain shortcomings. The... 11:58 PM
  • SacredMonster: Jagde has never sung @ Glimmerglass, don’t know who you heard but I don’t think... 11:47 PM
  • Krunoslav: To rephrase: “he impressed ONLY as being good-looking and stentorian” 11:37 PM
  • Quanto Painy Fakor: Perhaps someone who is familiar with the vintage of the vehicles can confirm the date. 9:24 PM
  • Quanto Painy Fakor: But it was the norm to dress like that for the opera and it’s definitely the... 9:23 PM

All for the best

George Steel (center) announces that New York City Opera is destroying, giving away or selling off most of its stock of repertory productions. Presumably a few of the old sets will be kept on hand to burn for warmth during the long winter ahead. [New York Times] (Photo by Carol Rosegg.)

Passaggio/fail basis

Not only has physical therapy healed Mariusz Kwiecien‘s shapely back, it’s apparently added a third to the top of his range. [New York Times] Read more »