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  • aulus agerius: PI, you leveled the same criticism at James Valenti, i.e. pulling back at what you consider to... 9:07 AM
  • Ilka Saro: It’s hard to resist drawing comparisons between Florez and Brownlee. I agree that Brownlee... 9:07 AM
  • WindyCityOperaman: Don’t know what’s wrong with Operbase. Also born on this day in 1882 conductor... 9:01 AM
  • WindyCityOperaman: Born on this day in 1819 composer Franz von Suppé httpv://www.youtub e.com/watch?v=Y... 8:55 AM
  • A. Poggia Turra: Earlier Olga at Pesaro: La scala de Seta: httpv://www.youtub e.com/watch?v=9crW RDkpqH4... 8:51 AM
  • doktorlehar: My pleasure, everyone. Copenhagen was charming. My visit wasn’t timed well, so I missed... 8:48 AM
  • RobNYNY: This video shows her strengths and weaknesses. Beautiful voice, clear diction, accurate pitch, but... 8:43 AM
  • la vociaccia: Or it’s just, you know, two different people with different opinions. Reports from the... 8:21 AM
  • norma54: Speaking as a SIRIUS listener …. Peretyatko often had no line in her voice, with bright vowels... 8:20 AM
  • OpinionatedNeophyte: The man is damned if he does, damned if he doesn’t. Before it was that the voice... 8:07 AM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »