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Cher Public

  • PushedUpMezzo: More good stuff from Hamburg Honegger’s Jeanne d’Arc au bucher (concert version)... 4:45 AM
  • Cicciabella: I propose a tie with “If I Did It” by OJ Simpson. 3:37 AM
  • Cicciabella: Thank you, DeCaff, for this lovely review. The production looks fun and stylish and it’s... 3:32 AM
  • Cicciabella: Sorry, phoenix, I don’t have a comprehensive list of A-list houses at the ready, but, much... 2:53 AM
  • m. croche: Was there ever a biography with such a terrible title? There probably was. I’m sure... 2:02 AM
  • Poison Ivy: For Cinderella completists, my first ever “Cinderella& #8221; recording of anything... 12:15 AM
  • Camille: You know, Dame Maggie Teyte made such a beautiful recording of “Beau soir”. I do not... 11:57 PM
  • Camille: I most certainly DO love it! Just ask papopera, for he is our resident expert on the Dugazon,... 11:51 PM
  • Camille: Café-concerts, it should read. Someone will must certainly gratify themself by jumping my arse if I... 11:48 PM
  • Krunoslav: ‘soprano de sentiment’, “dugazonR 21; — gotta love it! 11:36 PM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »