Cher Public

  • Jungfer Marianne Leitmetzerin: I found them, including the Moffo spaghetti cover! Some of them are hysterically funny: https://www.goo... 6:39 PM
  • Jungfer Marianne Leitmetzerin: I somehow remember that spaghetti LP cover. I am really challenging what’s left of my memory here, but... 6:30 PM
  • Cicciabella: Yes, it is, in fact, not the best fit for Magee, but she has a lot to offer. Podles really sings, yes, as does Maureen... 6:26 PM
  • Jungfer Marianne Leitmetzerin: Although she sang only a handful of performances at the Met, I am surprised that no one has mentioned Raina... 6:20 PM
  • Cicciabella: You’re all missing the point. The cover is a hint that one day Netrebko will sing the Walküre Brünnhilde, announcing... 6:13 PM
  • Porgy Amor: There are also the familiar pleasures of Leiferkus’s outstanding Tomsky. He is on the Glyndebourne and Kirov DVDs too.... 6:02 PM
  • Krunoslav: Ideally voiced for the role: Tamara Milashkina, especially in the first ( Khaikin) recording, with Anjaparidze and the... 5:59 PM
  • PCally: Podles is just amazing on that DVD. She actually SINGS the music, and beautifully at that! Magee is fine without being memorable... 5:58 PM

Winter afternoon’s dream

Netrebko in recitalStandard fare threatened to dominate the final weekend of February at the Met: a routinely-cast revival of Cav & Pag plus two recent productions by the house’s favorite Eyre-head. But then there were also two extraordinary opportunities to indulge in divadienst of the “An(n)a-in-excelsis” genus—Saturday offered another chance, announced only 24 hours earlier, to sample Ana Maria Martinez’s unexpected Butterfly, then Sunday afternoon brought Anna Netrebko’s exceptional, sold-out sui generis all-Russian recital.  Read more »

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »