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  • Cicciabella: A question for the eminent m.croche: “Famous opera diva” Shen Tiemei is singing in... 4:16 AM
  • Cicciabella: Your take on the Chenier is very interesting, phoenix. I thought London did itself proud in... 3:51 AM
  • Krunoslav: Et MOI! httpv://www.youtub e.com/watch?v=BE2M AxLZUrQ 3:25 AM
  • Krunoslav: I cannot speak for Nerva, who was exploded ( yes, in a revolutionary outrage). Krunoslav, however,... 3:24 AM
  • Krunoslav: Why must Vedernikov be under 40 to have good things in his future? He just turned 51 and has had a... 3:14 AM
  • Krunoslav: Only *think* what Richard Harris at that pitch of high dudgeon could have done in the role of... 2:59 AM
  • Quanto Painy Fakor: I don’t understand. The Geistervariationen are for piano. httpv://www.you... 2:18 AM
  • guy pacifica: I have no idea where this will land but Camille, thank you so much for the Michael Powell... 2:12 AM
  • Quanto Painy Fakor: I guess she was not yet in Washington when William Friedkin’s production at thr... 1:23 AM
  • Poison Ivy: Poor Bobbi K :( 1:16 AM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »