Headshot of La Cieca

Cher Public

  • spiderman: Not at all armer, but I wonder what makes people go into public with information like this on a... 6:24 AM
  • Porgy Amor: Also, I’m on Facebook, and I often think “too much information” when I read... 6:23 AM
  • manou: Royal (and amiss) as he might have been, he was Kingsley Amis. 6:14 AM
  • Porgy Amor: Walloping performance. Wish the Met had featured her in this (though Anna N. was good, and I... 6:13 AM
  • armerjacquino: spiderman- so your point is ‘she should do what I would do?’ How you would deal... 6:10 AM
  • Vox: More than happy to suffer through that. 5:59 AM
  • Vox: httpv://www.youtub e.com/watch?v=IO5h 0UFKu20 5:59 AM
  • Porgy Amor: I thought it was relevant. It’s not as though she wrote an epic about it; she mentioned it... 5:50 AM
  • spiderman: Armer, we are not talking about a SHAMEFUL secret, nothing shameful about it. We are talking about... 5:31 AM
  • Porgy Amor: How do you know it’s from 1962, though? If one of the names is wrong, the date could be as... 3:51 AM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »