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Cher Public

  • Cocky Kurwenal: I’m really looking forward to seeing Chenier in London in a few months. While neither... 8:30 AM
  • DonCarloFanatic: Mine aren’t rarities, or at least did not use to be. Andrea Chenier and Adrianna... 8:23 AM
  • Cocky Kurwenal: That’s a great way to put it Phoenix, I completely agree. 7:50 AM
  • phoenix: You are both welcome. For anyone who wants to hear it (I preferred the Pagliacci) you can get it... 7:41 AM
  • WindyCityOperaman: Happy 1st of September and Happy Labor (Labour) Day North American Parterrians! Born on... 7:34 AM
  • phoenix: internet connection problems. Maybe I better shut up and get off the site. At any rate, the last... 7:30 AM
  • Cocky Kurwenal: The pattern last night was very much as I recall from the ROH, Phoenix – pretty... 7:24 AM
  • phoenix: Despite the difficulty with the high notes, Goerke’s Elektra sounded more lyrical last night... 7:19 AM
  • Cocky Kurwenal: Whatever else one can say about Barkmin (and as I’ve put below, I loved her, but can... 7:16 AM
  • ML: What? Why? He’s the only true French voice we have! I think long-standing Parterrians should be... 6:24 AM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »