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  • NPW-Paris: Would you believe this is *not* the Théâtre des Champs Elysées? http://upload.wiki media.org/wik... 1:30 AM
  • zinka: httpv://www.youtub e.com/watch?v=epn7 Pi9Loao If GOD was a tenor!!!!!!!!!!!!! !!!!!!!!!!! Drives me... 1:12 AM
  • Rudolf: A note on Ermanno Wolf-Ferrari’s “Il Campiello”. This is not a verismo opera. It’s... 1:05 AM
  • antikitschychick: yeah it definitely sounded like a C to me as well and it’s really the one note he... 12:42 AM
  • Hans Lick: I’m glad folks have mentioned Steffani — but no one’s named Cavalli yet?... 11:32 PM
  • Poison Ivy: Aww thanks DSS. I’m glad Mrs. DSS is in the Jonas fan-club :) 11:27 PM
  • arepo: Hearing this clip and comparing it to Hymel’s Pinkerton left me scratching my head too. He... 10:50 PM
  • Krunoslav: Among High Stalinism’s millions of 1937 victims: Archpriest Georgi Izvekov, a composer of... 10:24 PM
  • RobNYNY: Liszt was an abbé. 9:39 PM
  • Quanto Painy Fakor: Voice teachers today don’t seem to instruct their students in this method always... 9:36 PM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »