Headshot of La Cieca

Cher Public

  • Krunoslav: “not that many Marzellines have moved up to Fidelio” Only Met example: Metropolitan... 1:23 AM
  • Dabrowski: This is an illuminating discussion. Thanks, all! Pavarotti died with a fortune of 250 million... 12:45 AM
  • La Cieca: I’ll try to explain myself once, and then I’ll leave it. I’ve used that word... 12:34 AM
  • antikitschychick: LOL hurrah for you Porgy! :-). Also, Queen DiDo is a kewl name. 12:28 AM
  • laddie: OPERA CAKE – I cannot find my recording of that Hoffman; if anyone has any clues where I can... 12:25 AM
  • antikitschychick: “Or you could, on the other hand, do the constructive thing of comparing her to a... 12:24 AM
  • laddie: yes, and I listened to that Onegin broadcast very closely and no matter what’s in the head,... 12:22 AM
  • antikitschychick: that’s a great anecdote mjmacmtenor. It’s great to hear this person got... 12:10 AM
  • antikitschychick: you’re welcome Le_Chiffre and I echo your sentiments as well :-). 12:07 AM
  • antikitschychick: I would have thought she makes at least 20k per performance. She and others certainly... 11:59 PM

Everybody cut loose

Since this “secret” was revealed last week on opera-l and, you know, information wants to be free and all that, La Cieca offers a link to a page maintained by the Met’s Rehearsal Department offering details on cuts, variations and inserts to the scores of the company’s current season.