Headshot of La Cieca

Cher Public

  • operaassport: I saw it in the house and it was extremely loud. Methinks DG had good engineers. It was a... 1:24 PM
  • Gualtier M: Another rave for Fleming: http://www.berkshi refinearts.com/07- 20-2014_living-... 1:19 PM
  • DellaCasaFan: Jurinac is definitely #7, but I got Rysanek wrong for #3. I don’t think there is a... 1:18 PM
  • la vociaccia: Glad we agree about that Ariel. I tried, believe me I tried, to see why everyone thought it was... 1:16 PM
  • kashania: My friend Robert Gleadow stepped in. Anyone hear how he sounded? 1:16 PM
  • John L: Nice review. It is interesting that Strauss wanted the orchestra held back and a more subtle... 1:08 PM
  • Doctor Octavian: Thanks for the great review, Patrick. I’m one of those who regularly crank up the... 12:53 PM
  • Jungfer Marianne Leitmetzerin: It was, indeed, Daniele Gatti: I was there. I found him extremely uneven,... 12:50 PM
  • m. croche: Oops! Not the first time I’ve made an ass out of myself, nor will it be the last. My... 12:48 PM
  • armerjacquino: Yes, I was. 12:46 PM

Everybody cut loose

Since this “secret” was revealed last week on opera-l and, you know, information wants to be free and all that, La Cieca offers a link to a page maintained by the Met’s Rehearsal Department offering details on cuts, variations and inserts to the scores of the company’s current season.