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Cher Public

  • siegmund: Westbroek has sung Isolde before, in Nov/Dec 2013 in Dresden and i think she had positive reviews. 2:33 PM
  • PCally: Interesting I wasn’t aware of this. I’m not really sure Isolde is a very good option for... 2:07 PM
  • PCally: Ivy I actually had never thought of that. She sang at Stuggart for years in all three Janacek parts,... 2:06 PM
  • Cocky Kurwenal: He was quite entrancing the one time I saw him live, which was as Wolfram, but I don’t... 2:05 PM
  • Cocky Kurwenal: I think that’s true Ivy – I’ve heard Westbroek give thrillingly secure... 2:02 PM
  • decotodd: I saw the operas at the HD on Saturday, and largely concur with JJ. The woman next to me had never... 2:00 PM
  • Hippolyte: Westbroek simply canceled the Isoldes at Bayreuth. She hasn’t dropped the role–she&... 1:39 PM
  • No Expert: I have loved Blegen’s version of this one for decades. httpv://www.youtub e.com/watch?v=g... 1:28 PM
  • baridave: Puzzling performance: moments of real tonal beauty, with, IMHO, off-putting straight tone and going... 1:21 PM
  • Poison Ivy: another thing about EMW is that even though she only made her Met debut in 2011 she’s been... 1:17 PM

“Oh how I sympathize with King Canute!”

Norman Lebrecht, who seems now to have no goal in life beyond actively impeding the progress of classical music—and why not: look how cruelly the industry has treated him!—has published a “review” from a “critic” who walked out of a three-act opera after the first act.

Sticks and stones

Here’s a story in which practically nobody in authority comes off well. Daniel Harding conducts a concert at La Scala that includes a selection from Tristan und Isolde, about which the Corriere della Sera‘s venerable critic Paolo Isotta snipes “Harding’s conducting was so soft it made you think he wanted to back the unfounded theory that Wagner was homosexual.” So then La Scala’s GM Stéphane Lissner kicks Isotta off the press list for the company: he can still review Scala events but will have to pay for his own ticket. [The Telegraph]

Her bark and her bite

Anna Bolena… opened at the Metropolitan Opera on Monday in a new production featuring Anna Netrebko and two handsome Irish wolfhounds who helped us get through one very tedious scene.” (Bloomberg News, Manuela Hoelterhoff) Read more »