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Cher Public

  • steveac10: That is far from a valid comparison. The dramatic side of the opera is part and parcel of an... 9:16 PM
  • Don_Dano: I don’t believe that Houston plans to do a full cycle. I think the plan is to do one Ring... 9:10 PM
  • bronzino: And this, olli, is where we differ in spending our entertainment pound: I’m happy to pay to... 8:56 PM
  • Harold: And if you have to miss the HGO season, you can see it the following year in Chicago. 7:48 PM
  • Ruxxy: Show us yer tits! 7:21 PM
  • Clita del Toro: I was at the prima of that Berman production with my parents. Cast was:Siepi, Corena, Steber,... 6:40 PM
  • olliedawg: bronzino: I like the silence at the beginning of this “Rusalka, 221; plus the ambient... 6:35 PM
  • Arianna a Nasso: The Met’s Berman production of Don Giovanni was used for its 1978 telecast with... 6:32 PM
  • Hippolyte: I heard Nicholas Phan in last weekend’s live broadcast of Bernstein’s Candide from... 5:45 PM
  • Chanterelle: Of the principals I liked Stoyanova and Groissböck best. This Ochs isn’t totally deluded... 5:34 PM

The maestro trap

“Il maestro Fabio Luisi dirige correttamente e talora anche con qualche eleganza; ma sta così male sul podio! Ora si abbassa a destra, ora a sinistra, ora salta, ora dà inutili attacchi, ora si butta in basso a urtare il leggio con la fronte. Sembra un topo che stia scappando a un pipistrello.” [Corriere della sera]

The critic on the hearth

La Cieca’s looking for a few good commenters to join the exalted ranks of parterre reviewers of new CD and DVD releases. Care to apply? Read on after the jump. Read more »

Truth, force

Critic Ann Binlot draws some perhaps rather obvious parallels between Satyagraha and the Occupy Wall Street movement in a brief feature on ARTINFO.

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Perfect casting

Though the headline seems to apply a whole series of epithets to a revered critic (“Stand-In Meets Sweet Snake, Shrieky Diva, Grumpy Dad: Manuela Hoelterhoff”), the actual review of the Met’s Siegfried on Bloomberg offers more than purely comic interest. While La Hoelterhoff is no better than usual as an opera reviewer, she does briefly at least return to a line of work she does better than just about anyone else: cultural criticism.

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Bloomberg onions

The multi-slashed Manuela Hoelterhoff (Bloomberg editrix/spouse to disgruntled New York City Opera intendant manquée Francesca Zambello/grouch emeritus) dipped her goose quill in venom this morning once again to take on her favorite subject, i.e., how NYCO has gone to hell in a handbasket ever since they didn’t hire her girlfriend to run the place. 

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Things go better with Coote

“Sophie Koch, a mezzo-soprano favoured by the current management over Brits Alice Coote and Sarah Connolly, sang Charlotte very intelligently and musically, without ever suggesting a woman on the brink of losing self-control.” [The Telegraph]

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Lepage turner

“Near the end of Robert Lepage‘s production of Wagner’s Die Walküre, which opened at the Metropolitan Opera on Friday, there is a moment of arresting visual beauty. The raked stage slowly rises and, with the help of projections, turns into a looming, stark, snow-covered mountain. It’s a breathtaking transformation, one that encapsulates everything that’s wrong with Mr. Lepage’s work.” The first deep reading of the Lepage Ring is by Zachary Woolfe, naturally.

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Blonde item

“It’s just that it seems rather perverse to have cast such opulent voices and then given them not much to sing…. the role of Anna Nicole would not stretch Danielle de Niese.” Loyal parterrian Jondrytay (not pictured) looked in on the Royal Opera’s Anna Nicole and shared this thoughts on his blog Not So Wunderbar.

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Solid gold

“Sombre splendor there is frequently not.” Zachary Woolfe mulls Don Carlo. [New York Observer]

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The sweet smell of success

[@zwoolfe]

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