Headshot of La Cieca

Cher Public

  • Grane: Hey, stories about musicians losing their instruments aren’t going to write themselves. 7:49 PM
  • Jungfer Marianne Leitmetzerin: I was there tonight. A great triumph for the company (some vocal snags but not... 7:29 PM
  • Sir Ferris: He also has a minor operatic connection through his grandmother, whose translation of Oscar Wilde... 6:55 PM
  • MontyNostry: … and the sad thing is that a lot of people out there think he is a real music journalist... 5:52 PM
  • RobNYNY: Pin = on. 5:50 PM
  • RobNYNY: “Robert le Diable” it’s pretty much the only opera that I can think of that... 5:50 PM
  • MontyNostry: Part of the problem is that Lebrecht almost certainly has little appreciation of opera or of... 5:32 PM
  • Dabrowski: Sorry, the second video I meant to link to was Fry’s movie “Wagner and Me”:... 5:16 PM
  • Dabrowski: I recently discovered this ludicrous piece of Lebrechtiana from last year: httpv://www.you... 5:15 PM
  • Guestoria Unpopularenka: I agree. 5:03 PM

Topper

“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There are thousands of critics tapping away their opinions to whoever will listen – so who needs a paid pontificator to tell you what your opinion should be?” Stephen Sondheim rebuts Michael Kaiser and ponders the utility of Sanskrit to the librettist in excerpts from his new book Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany. (Photo: Getty Images)