Headshot of La Cieca

Cher Public

  • aulus agerius: All 3 performances sold out well before showtime. 11:01 AM
  • Krunoslav: “the piece has been largely forgotten, except for Leontyne Price’s magical recording of the... 10:59 AM
  • operablogger: RE: Pia Zadora … Let us not forget that her very first film appearance was in one of the... 8:55 AM
  • WindyCityOperaman: Also born on this day in 1655 inventor Bartolomeo Cristofori who is being honored on... 6:40 AM
  • danpatter: I was there today. The seat next to my seat (center, row C on the aisle) was actually vacant for... 2:02 AM
  • phoenix: Coincidentally, I also saw that Huguenotten in Berlin around that same time – with same cast... 8:46 PM
  • Stefan: It is a great house and has great sightlines overall from what I can remember. The Schoenberg had the... 8:00 PM
  • Chanterelle: So potentially bus to Dusseldorf (not too bad), and then a flight to Berlin–Dusse ldorf... 7:34 PM
  • Chanterelle: Uh, you didn’t get the part about the rail strike? 7:28 PM
  • Chanterelle: I did that weekend, too! Loved the Parsifal, was lukewarm about the Hollander, and hardly... 7:26 PM

Topper

“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There are thousands of critics tapping away their opinions to whoever will listen – so who needs a paid pontificator to tell you what your opinion should be?” Stephen Sondheim rebuts Michael Kaiser and ponders the utility of Sanskrit to the librettist in excerpts from his new book Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany. (Photo: Getty Images)