Cher Public

  • gustave of montreal: Königskinder, sumptuous score. 9:58 PM
  • Ilka Saro: Yes, true! One can’t imagine such spritely madrileña favorites as “Ella giammai m’amo” keeping their... 9:47 PM
  • gustave of montreal: those who are time-challenged and/or want to test-drive ? ? ? what does that mean in plain English ???? 9:41 PM
  • Stefan: I definitely agree with the earlier comment that said “There’s no such thing as bad regie, just regie you don’t yet understand.” I... 9:20 PM
  • Batty Masetto: For true delight, turn on closed captioning for this. (Best if you know some French.) Better than Google translate. 9:13 PM
  • la vociaccia: I have no words. How someone who would say something like that ever found himself in opera is fucking beyond me. I mean. Wow 7:48 PM
  • manou: httpv://www.youtub e.com/watch?v=-xci 9XyvKqo or https://www.youtub e.com/watch?v=-xci 9XyvKqo 7:35 PM
  • m. croche: Dinner with David (totes NSFW) 7:09 PM

Topper

“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There are thousands of critics tapping away their opinions to whoever will listen – so who needs a paid pontificator to tell you what your opinion should be?” Stephen Sondheim rebuts Michael Kaiser and ponders the utility of Sanskrit to the librettist in excerpts from his new book Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany. (Photo: Getty Images)