Headshot of La Cieca

Cher Public

  • Flora Amiche: Nina Koshetz was the mother. Her daughter Marina was in the MGM films, including singing the... 5:39 PM
  • manou: Plus…Austro- Hungary and the Balkans being completely landlocked, all the *sailor* business... 5:21 PM
  • manou: Yes – I was there. Negative reviews fully justified. It is a sad farrago of a production, set... 5:14 PM
  • PushedUpMezzo: Well I saw the dress rehearsal from the highest heights and we all rather enjoyed it. The... 5:10 PM
  • Quanto Painy Fakor: Shostakovich wrote the music for this 1932 film httpv://www.youtub e.com/watch?v=r... 5:07 PM
  • MontyNostry: This one seems to be submerged in Ruritanian polyester. 4:38 PM
  • armerjacquino: I was turned off by finding out that it was the same director as that useless ARIADNE at... 4:30 PM
  • MontyNostry: So, far, a clutch of distinctly negative reviews for the determinedly non-Regie production of... 4:28 PM
  • reedroom: but, but, but…I LOVED GERHARD STOLZE! 4:13 PM
  • La Cieca: He’s about 6 feet, which for a tenor is tall. 3:49 PM

Topper

“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There are thousands of critics tapping away their opinions to whoever will listen – so who needs a paid pontificator to tell you what your opinion should be?” Stephen Sondheim rebuts Michael Kaiser and ponders the utility of Sanskrit to the librettist in excerpts from his new book Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany. (Photo: Getty Images)