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Cher Public

  • m. p. arazza: Gwynn Cornell took over Troyanos’s Cassandres (except the Sat. broadcast, which of course... 2:37 AM
  • Feldmarschallin: Well for those bel canto operas Dame Joan sang, diction really didn’t matter but if... 1:54 AM
  • danpatter: Has anyone heard anything recently about the announced Gergiev SIEGFRIED and GOTTERDAMMERUNG? I... 1:36 AM
  • Lohenfal: Liebster MMII, Wie lange fern! Wie fern so lang! Inspired by the one and only Mathilde (von)... 12:35 AM
  • DellaCasaFan: Jungfer Marianne, I had no idea that there was another recording with Bruna Rasa/Mascagni.... 12:11 AM
  • phoenix: Here is Barkmin’s Salome (with Yevgeny Nikitin as Jochanaan) complete. Audio only –... 11:52 PM
  • damekenneth: Ciao, Marshie! I have so missed your presence here. I thought you’d missed to Luxembourg!... 10:57 PM
  • Jungfer Marianne Leitmetzerin: Della Casa Fan – I will put the Arangi-Lombardi “Cavaller... 10:33 PM
  • La Valkyrietta: Hello! I congratulate you also in all your activity, work, and positive endeavors. You are... 10:28 PM
  • Camille: One hopes that Lurquito’s chastity has managed to remain intact!! Please do not apologise for... 9:43 PM

Topper

“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There are thousands of critics tapping away their opinions to whoever will listen – so who needs a paid pontificator to tell you what your opinion should be?” Stephen Sondheim rebuts Michael Kaiser and ponders the utility of Sanskrit to the librettist in excerpts from his new book Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany. (Photo: Getty Images)