Cher Public

  • Camille: Oops. Too absorbed to notice my own BOLDNESS.! Sigh. I always make boo-boos. Sorry. 8:58 PM
  • Camille: Another thing, about the categorisations of the singers, from the Personaggi page in the front of the Ricordi vocal score, the... 8:56 PM
  • Camille: Well if Mo. Slatkin restored it for the ’92 performances, I wonder if it is included in that broadcast from–when was... 7:56 PM
  • Camille: Honey, she’s trying to get that guy to marry her maid Wowkle, who is already with a little baby — that’s why... 7:48 PM
  • Camille: You don’t even have to go to the library, honey, as I just now stumbled onto this valuable resource on The Girl –... 7:43 PM
  • fletcher: I took a peek at the Google Books preview of that Puccini and the Girl online and found an interesting note about a brief scene... 7:33 PM
  • manou: Of course I mean The tensions of the past and the future are probably taut — unless Minnie’s lessons go further that one... 7:31 PM
  • manou: The tensions of the past and the future are probably taut – unless Minnie’s lessons go further that one thought. 7:29 PM

Topper

“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There are thousands of critics tapping away their opinions to whoever will listen – so who needs a paid pontificator to tell you what your opinion should be?” Stephen Sondheim rebuts Michael Kaiser and ponders the utility of Sanskrit to the librettist in excerpts from his new book Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany. (Photo: Getty Images)