Cher Public

  • Buster: I agree – all of Toscanini’s Salzburg recordings are wonderful: Fidelio 1st act, Falstaff, and Zauberflöte too. I... 3:04 PM
  • messa di voce: If you can put up with bad sound, try the Salzburg Meistersinger – the most genial, lyrical account of the score you... 2:31 PM
  • m. croche: Cut demonic reindeer in half with magic scissors. http://www.youtube .com/watch?v=lpt3U Mtahow 2:19 PM
  • Camille: Latest Lohengrin— httpv://youtube.co m/watch?v=gcSq3R6P zOg Perhaps it is ould be more impressive in the theatre? Jungfer... 2:16 PM
  • armerjacquino: Although we don’t know exactly what was said… https://books.goog le.co.uk/books?id= UpIusDtpbVsC&am... 1:57 PM
  • quibbleglib: I’ve never understood the fuss about Toscanini. I’ve always found his operatic conducting to be rushed and... 1:36 PM
  • NPW-Paris: But during Tosca at the Met the audience seemed to find Tosca stabbling Scarpia an absolute scream. 1:33 PM
  • Ilka Saro: It’s also interesting to consider that Wagner himself was a pioneer in demanding that the house lights be lowered during... 1:19 PM

Chiedi all’aura lusinghiera

La Rondine, which began as a light Viennese operetta before being transformed into an Italian tearjerker, is not a natural diva vehicle, with its wispy emotions and clunky plot…. Yet despite the work’s slightness, Ms. Opolais seemed to live within it, growing in stature as the evening went on and radiating the kind of aura—one that demands that you watch her, and sympathize with her—that defines a star.” Once again, Zachary Woolfe nails it.