Cher Public

  • The Poet Lenski: Not a new change; it was announced by the company in a press release dated March 9: “Mezzo-sopra no Kate Aldrich... 11:35 AM
  • chicagoing: I regretted not being able to schedule a Jenufa performance, along with the Don Carlo, in San Francisco this June, however an... 11:34 AM
  • Ruby: Christopher: I read your wonderful review after I went to the performance April 27 and thought I myself had an off night since I... 10:55 AM
  • DonCarloFanatic: Work it, girl. 10:53 AM
  • aulus agerius: I just noticed that the lead role in the San Diego Great Scott which opens a week from tomorrow has been changed from... 10:31 AM
  • manou: Excuses, excuses… 8:12 AM
  • Cocky Kurwenal: I think Monastyrska is a sensible idea, she’s a bit Cerquetti-like and she’s a good Ballo Amelia and... 7:35 AM
  • phoenix: httpv://www.youtub esjdV5c 7:34 AM

Chiedi all’aura lusinghiera

La Rondine, which began as a light Viennese operetta before being transformed into an Italian tearjerker, is not a natural diva vehicle, with its wispy emotions and clunky plot…. Yet despite the work’s slightness, Ms. Opolais seemed to live within it, growing in stature as the evening went on and radiating the kind of aura—one that demands that you watch her, and sympathize with her—that defines a star.” Once again, Zachary Woolfe nails it.