Headshot of La Cieca

Cher Public

  • Krunoslav: Wasn’t Kasarova also down for a series of Met performancea as Nicklausse/Muse in CONTES?... 10:18 AM
  • Chanterelle: “Who knows where the time goes” on a Christmas album? Who knows where the time goes... 10:15 AM
  • Flora del Rio Grande: Basso, but then there was Pauline Viardot (1821-1910). Not a lot of voice, but a lot... 10:10 AM
  • Flora del Rio Grande: Marschallin, remember Wedgies? Diva footwear? - Flora 10:02 AM
  • La Cieca: Okay, this is remembering off the top of my head what I have been told over the years, but the Met... 9:50 AM
  • Feldmarschallin: Well in München you also get paid for rehearsal time and apparently also if you are sick and... 9:43 AM
  • Dabrowski: Do they get the fee for rehearsal time, or just performances? Are there reimbursements or per... 9:32 AM
  • La Cieca: Whoever the item is about, my understanding is that the current top fee at the Met for singers is... 9:26 AM
  • messa di voce: How many gigs at the Met did she cancel? Wasn’t she supposed to come back for some... 9:25 AM
  • Dabrowski: So if it is Netrebko, what IS her fee? I assume it’s the highest of anybody around. I... 9:10 AM

Chiedi all’aura lusinghiera

La Rondine, which began as a light Viennese operetta before being transformed into an Italian tearjerker, is not a natural diva vehicle, with its wispy emotions and clunky plot…. Yet despite the work’s slightness, Ms. Opolais seemed to live within it, growing in stature as the evening went on and radiating the kind of aura—one that demands that you watch her, and sympathize with her—that defines a star.” Once again, Zachary Woolfe nails it.