Headshot of La Cieca

Cher Public

  • antikitschychick: Bluebeard, thanks for the anecdotes about Ludwig and for that clip which I enjoyed (and... 1:39 AM
  • Bluebeard: But Ludwig had lots of successes in the Italian repertoire in the late 60s. Based on her live... 12:34 AM
  • leosweill: yes! well with jimmy one can hardly call it ‘second̵ 7; – this cast seemed like... 12:03 AM
  • DeepSouthSenior: Mrs. DeepSouth and I were in Carnegie Hall this afternoon for the Brahms Requiem. Ditto the... 10:52 PM
  • Lindoro Almaviva: This is like saying Sills does “ferocious” in Anna Bolena better than Netrebko, yeah maybe... 10:40 PM
  • marshiemarkII: Lindoro Lindoro Lindoro, you know I like you and all, but this is a crazy crazy crazy... 10:24 PM
  • mrsjohnclaggart: Amerjaquino, Elias sang ONE Amneris and had a panic attack before act four and had to be... 9:58 PM
  • Satisfied: She’s gorgeous….bu t unfortunately suffers from resting bitch face. Not her fault,... 9:11 PM
  • Poison Ivy: I think so. The Mimis are still TBA. 9:06 PM
  • kennedet: Interesting article,redbear. I’ve read Sellars comments before regarding opera needing... 9:00 PM

Chiedi all’aura lusinghiera

La Rondine, which began as a light Viennese operetta before being transformed into an Italian tearjerker, is not a natural diva vehicle, with its wispy emotions and clunky plot…. Yet despite the work’s slightness, Ms. Opolais seemed to live within it, growing in stature as the evening went on and radiating the kind of aura—one that demands that you watch her, and sympathize with her—that defines a star.” Once again, Zachary Woolfe nails it.