Cher Public

  • Satisfied: Thank you! NPW! Will check it out. 6:30 PM
  • armerjacquino: Lorenzo: understood and agreed, and apologies for misreading. As far as Verdi is concerned, the kind of nationalism... 6:28 PM
  • grimoaldo: The character eventually known as Beckmesser was called Veit Hanslich in the first draft of the libretto, which Wagner read... 6:26 PM
  • Poison Ivy: lorenzo, I think if Wagner attracted a lot of uh, attention from Nazis and is criticized but Verdi’s strain of Italian... 6:24 PM
  • lorenzo.venezia: Cicciabella, thank you, but I don’t as a rule write about these things, although I think about them and talk about... 5:29 PM
  • lorenzo.venezia: Armer, I agree with you entirely on Merchant of Venice (and The Jew of Malta which panders to the lowest common... 5:22 PM
  • lorenzo.venezia: Ivy, I agree there are undertones and overtones and I’m not arguing against that. My argument is against people who... 5:14 PM
  • NPW-Paris: (That was in reply to Satisfied, and I apologise for the mistakes). 5:13 PM

Chiedi all’aura lusinghiera

La Rondine, which began as a light Viennese operetta before being transformed into an Italian tearjerker, is not a natural diva vehicle, with its wispy emotions and clunky plot…. Yet despite the work’s slightness, Ms. Opolais seemed to live within it, growing in stature as the evening went on and radiating the kind of aura—one that demands that you watch her, and sympathize with her—that defines a star.” Once again, Zachary Woolfe nails it.