Headshot of La Cieca

Cher Public

  • kashania: Moore was in the rotation for the Met Aidas but had to withdraw when she became pregnant. 2:59 PM
  • armerjacquino: Well, I did say ‘apparently& #8217;… ;-) It’s interesting, that line in the... 2:59 PM
  • Porgy Amor: Thanks, moritz, especially for the review quotation. 2:39 PM
  • Clita del Toro: And what about Latonia Moore? I liked her Aida much more than Monastryrska’ ;s. 2:37 PM
  • manou: Two white hopes – Andrea Carè and Francesco Meli. Piero Pretti (quite pretty) is also well... 2:35 PM
  • Lurker_del_Cairo: Yes, I also heard his Cavaradossi at ROH – the audience reaction to Recondita... 2:35 PM
  • moritz: Ouf, in this case I’ve asked a friend who is working for ORF to check with the archives, but... 2:31 PM
  • NPW-Paris: I can’t imagine any production being worse. Do you have pictures? 2:26 PM
  • Jungfer Marianne Leitmetzerin: I just listened to the preview clips available on Amazon and it sure as hell... 2:22 PM
  • Milady DeWinter: Tanner is indeed hard on the ears – I was somewhat traumatized by his Samson.... 1:40 PM

Gettin’ Ligeti Wit It

macabreWhen invited to participate in a discourse on artistic standards (hello, internet!), it’s easy — pleasurable, even — for an aesthete to bray about “the fall.” Where are the true heldentenors? Your kingdom for a Callas! (Or a Stratas, or a Rysanek!) And might the public, at long last, deserve a stable of directors who possess the good sense to avoid both the trope-y familiar as well as the ill-advised pathways of, ugh, the modern? Read more »