Headshot of La Cieca

Cher Public

  • Jungfer Marianne Leitmetzerin: Another fact which I have not seen in any of the media on the Met’s production... 1:09 AM
  • Chanterelle: Adams was hustled into his seat after the house lights went down–no doubt a security... 1:03 AM
  • Dabrowski: Thanks for your review! This makes me all that much more eager to see it next month. By the time... 12:57 AM
  • Satisfied: How many articles are going to fuck up on reporting on this opera? My favorite still is the... 12:46 AM
  • Jungfer Marianne Leitmetzerin: Thanks so much for your pre-performance reports and your general review. I... 12:37 AM
  • Satisfied: Er….Correcti on: “Often, directors new to opera DON’T know what or how to... 12:36 AM
  • Satisfied: Yes LittleMaster, she was a few rows behind me in the orchestra, She said “Piece of... 12:22 AM
  • Satisfied: Just back from the house and settling in with a nice glass of bourbon…and yet I can’t... 12:14 AM
  • brahseph: She yelled “piece of sh*t” – couldn’t tell if she was referring to the... 12:09 AM
  • Jungfer Marianne Leitmetzerin: Miles, thank you so much for sharing that. You have always been an... 12:08 AM

“Observer” story pushed off front page

“Camilla hopes the new work will make opera ‘more mainstream.’” [Daily Mail]

Semi: Colon

The abrupt withdrawal of Katharina Wagner from an abridged seven-hour Ring cycle she was to direct at the Teatro Colón last year prompted no shortage of scorn and Schadenfreude. It also triggered a salvage operation by director Valentina Carrasco and a creative team that synced half-cooked designs with a patchwork musical score over six weeks to get the show off on time.

Much of the backstage drama is chronicled in a new 93-minute documentary by German producer Hans Christoph von Bock, The Colón Ring: Wagner in Buenos Aires, that may actually surpass the staged production for making the cycle accessible to general audiences. It’s a feel-good celebration of pluck, moxie and improvisation, form-fit to a Glee-like narrative, that’s free of judgments about what’s frankly an artistically dubious project. Read more »

Mavra, don’t ask!

And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like… [New York Times]

jj_scream

Talking headspace

Our Own JJ (pictured) joins in the debate over the Düsseldorf Tannhäuser with Anne Midgette and John Berry.

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Comment n’être pas coquette?

Yes, in this interview with Naomi Lewin, the word “fiasco” gets thrown around a lot.

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Back to the “Futures”

The controversy over the demise of Brad Wilber‘s Met Futures site goes mainstream, thanks to (who else?)  Zachary Woolfe.

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Woolfe whistle

La Cieca’s old, old, old friend Zachary Woolfe will take to the airwaves tomorrow morning to discuss, among other less titillating topics, the controversial omission of pastied boobage from the Met’s impending HD of Les Contes d’Hoffmann.  You can hear Zack on WQXR’s Arts File at 8:30am, on 105.9FM or wqxr.org.

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