“Camilla hopes the new work will make opera ‘more mainstream.'” [Daily Mail]
The abrupt withdrawal of Katharina Wagner from an abridged seven-hour Ring cycle she was to direct at the Teatro Colón last year prompted no shortage of scorn and Schadenfreude. It also triggered a salvage operation by director Valentina Carrasco and a creative team that synced half-cooked designs with a patchwork musical score over six weeks to get the show off on time.
Much of the backstage drama is chronicled in a new 93-minute documentary by German producer Hans Christoph von Bock, The Colón Ring: Wagner in Buenos Aires, that may actually surpass the staged production for making the cycle accessible to general audiences. It’s a feel-good celebration of pluck, moxie and improvisation, form-fit to a Glee-like narrative, that’s free of judgments about what’s frankly an artistically dubious project. Read more »
The celebration of 50 years of the Mostly Mozart Festival at Lincoln Center features staged concerts of Così fan tutte and Idomeneo. Tickets and more information are at MostlyMozart.org. Read more »
And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like… [New York Times]
Our Own JJ (pictured) joins in the debate over the Düsseldorf Tannhäuser with Anne Midgette and John Berry.
Yes, in this interview with Naomi Lewin, the word “fiasco” gets thrown around a lot.
The controversy over the demise of Brad Wilber‘s Met Futures site goes mainstream, thanks to (who else?) Zachary Woolfe.
La Cieca’s old, old, old friend Zachary Woolfe will take to the airwaves tomorrow morning to discuss, among other less titillating topics, the controversial omission of pastied boobage from the Met’s impending HD of Les Contes d’Hoffmann. You can hear Zack on WQXR’s Arts File at 8:30am, on 105.9FM or wqxr.org.