Cher Public

  • RosinaLeckermaul: I doubt the greatness of a legal mind that believed the Constitution should be read as if we were still in the 18th... 3:55 PM
  • RosinaLeckermaul: And Rosa Ponselle. 3:53 PM
  • Tamerlano: Kabaivanska is so good in this kind of music…she 217;s also one of the Manons in the vocal id quiz. It’s a weird... 3:51 PM
  • steveac10: Bur what about the Met of Baum & Curtis-Verna, not to mention the parade of unpronounceable eastern European names Bing... 3:32 PM
  • Krunoslav: Lucrezia Bori ( ya know). 3:10 PM
  • armerjacquino: I did not say that Fleming would have been a compromaria in Bing’s day I didn’t say you did: read it again. How many... 2:54 PM
  • antikitschychick: gorgeous! Thanks for sharing that Phoenix. I also got goosebumps :-P. 2:48 PM
  • Krunoslav: One of the great torch songs in the classical canon: httpv://www.youtub e.com/watch?v=SJqY OPtEpEU 2:46 PM

“Observer” story pushed off front page

“Camilla hopes the new work will make opera ‘more mainstream.’” [Daily Mail]

Semi: Colon

The abrupt withdrawal of Katharina Wagner from an abridged seven-hour Ring cycle she was to direct at the Teatro Colón last year prompted no shortage of scorn and Schadenfreude. It also triggered a salvage operation by director Valentina Carrasco and a creative team that synced half-cooked designs with a patchwork musical score over six weeks to get the show off on time.

Much of the backstage drama is chronicled in a new 93-minute documentary by German producer Hans Christoph von Bock, The Colón Ring: Wagner in Buenos Aires, that may actually surpass the staged production for making the cycle accessible to general audiences. It’s a feel-good celebration of pluck, moxie and improvisation, form-fit to a Glee-like narrative, that’s free of judgments about what’s frankly an artistically dubious project. Read more »

Mavra, don’t ask!

And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like… [New York Times]

jj_scream

Talking headspace

Our Own JJ (pictured) joins in the debate over the Düsseldorf Tannhäuser with Anne Midgette and John Berry.

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Comment n’être pas coquette?

Yes, in this interview with Naomi Lewin, the word “fiasco” gets thrown around a lot.

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Back to the “Futures”

The controversy over the demise of Brad Wilber‘s Met Futures site goes mainstream, thanks to (who else?)  Zachary Woolfe.

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Woolfe whistle

La Cieca’s old, old, old friend Zachary Woolfe will take to the airwaves tomorrow morning to discuss, among other less titillating topics, the controversial omission of pastied boobage from the Met’s impending HD of Les Contes d’Hoffmann.  You can hear Zack on WQXR’s Arts File at 8:30am, on 105.9FM or wqxr.org.

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