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Cher Public

  • Cicciabella: “…the braying of asses and the grunting of hogs.” Did Martin Luther attend... 12:20 PM
  • manou: I didn’t think much of Massi(ve disappointment) when I saw him recently here in Tosca. 12:16 PM
  • manou: Maybe his sight was obscured by your post. 12:14 PM
  • messa di voce: And as “Kunc.” ; 12:14 PM
  • Guestoria Unpopularenka: Really? You think she chooses her roles based on such careful and complex... 12:06 PM
  • Gualtier M: Just a note to the Met management that there is a better Italian tenor Radames choice out than... 12:06 PM
  • Krunoslav: I posted a reply on Lebrecht’s sight calling this trashy post what it was– and as... 11:54 AM
  • Guestoria Unpopularenka: Here you can find some excerpts: http://ximo.wordpr ess.com/2012/12... 11:48 AM
  • Porgy Amor: She’s a tragic character, but not really a victim- even her death is her own choice. That’s a... 11:47 AM
  • La Cieca: Netrebko has already announced she is singing Aida. This “weepy waily” stuff is a... 11:32 AM

“Observer” story pushed off front page

“Camilla hopes the new work will make opera ‘more mainstream.’” [Daily Mail]

Semi: Colon

The abrupt withdrawal of Katharina Wagner from an abridged seven-hour Ring cycle she was to direct at the Teatro Colón last year prompted no shortage of scorn and Schadenfreude. It also triggered a salvage operation by director Valentina Carrasco and a creative team that synced half-cooked designs with a patchwork musical score over six weeks to get the show off on time.

Much of the backstage drama is chronicled in a new 93-minute documentary by German producer Hans Christoph von Bock, The Colón Ring: Wagner in Buenos Aires, that may actually surpass the staged production for making the cycle accessible to general audiences. It’s a feel-good celebration of pluck, moxie and improvisation, form-fit to a Glee-like narrative, that’s free of judgments about what’s frankly an artistically dubious project. Read more »

Mavra, don’t ask!

And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like… [New York Times]

jj_scream

Talking headspace

Our Own JJ (pictured) joins in the debate over the Düsseldorf Tannhäuser with Anne Midgette and John Berry.

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Comment n’être pas coquette?

Yes, in this interview with Naomi Lewin, the word “fiasco” gets thrown around a lot.

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Back to the “Futures”

The controversy over the demise of Brad Wilber‘s Met Futures site goes mainstream, thanks to (who else?)  Zachary Woolfe.

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Woolfe whistle

La Cieca’s old, old, old friend Zachary Woolfe will take to the airwaves tomorrow morning to discuss, among other less titillating topics, the controversial omission of pastied boobage from the Met’s impending HD of Les Contes d’Hoffmann.  You can hear Zack on WQXR’s Arts File at 8:30am, on 105.9FM or wqxr.org.

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