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Cher Public

  • Quanto Painy Fakor: L’enfant prodigue is certainly NOT forgotten. It’s required listening for... 10:59 PM
  • Quanto Painy Fakor: CORRECTION: The libretto of Debussy’s L’enfant prodigue was NOT by his dear... 10:51 PM
  • Ilka Saro: For those who wonder where the expression “overcadenze rized” came from… 10:07 PM
  • Sanford: I went to a Bat Mitzvah in Hollywood many years ago and because my cousin and her husband were in... 9:44 PM
  • Jungfer Marianne Leitmetzerin: I mean I WOULD be surprised if he stays away from the stage! 9:26 PM
  • Jungfer Marianne Leitmetzerin: During the endless post-performance presentations (what drug was Jürgen Flimm... 9:25 PM
  • gustave of montreal: “favourite opera” Mahagonny ? Although we love this great work I don’t... 9:13 PM
  • Jungfer Marianne Leitmetzerin: scifisci: I heard three of Stemme’s Elektras: the 1st, 3rd, and 5th... 9:09 PM
  • Jungfer Marianne Leitmetzerin: Sorry to contradict you, but the byline on all of my “Montag mit... 7:31 PM
  • manou: No big deal – in fact the byline has changed from “La Cieca” to “WindyCit... 6:34 PM

Coming out

Christian Thielemann’s spirited, precise conducting and the superb, sumptuous playing of the Staatskapelle Dresden are the finest features of this strongly cast performance of Strauss’s Arabella, given a new staging for the 2014 Salzburg Easter Festival and released here on DVD by Unitel Classica.  The production also celebrated Strauss’s 150th anniversary.

Arabella, the sixth and final collaboration of Richard Strauss and librettist Hugo von Hofmannsthal, is frequently considered the stepchild of Strauss’ wildly popular Der Rosenkavalier, and indeed it contains many similar elements—Viennese setting, instantaneous passion, a specific courtship ritual.  Read more »

The showgirl must go on

Last night’s complete concert version of Die Csárdásfürstin from Dresden is viewable, after the jump. Read more »

Seligsten Paar

Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.” [Kurier]

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Fairy tale

“Conduct Salome and Elektra as if they were by Mendelssohn: Fairy music.” Seriously, how often has that happened?

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Pardon the expression, but this is a steal

The complete recording of Der Ring des Nibelungen conducted by Christian Thielemann at the Bayreuth Festival is now on sale for only $5.99. And, no, I am not making this up.

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Female on the beach

Christian Thielemann has proved himself to be the preeminent Strauss interpreter of the current generation of conductors and he’s in striking  form here.

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Wer nicht mit dem Woolfe heult

Zachary Woolfe (not pictured) makes his way to Bayreuth to try to unravel the Evgeny Nikitin mystery.

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She wants to be a primadonna

On Saturday I attended the premiere performance of a new production of Ariadne auf Naxos at the Festspielhaus in Baden-Baden, Germany.  It was Renée Fleming’s debut in the title role…

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