Last night’s complete concert version of Die Csárdásfürstin from Dresden is viewable, after the jump. Read more »
Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.” [Kurier]
In his memoirs Richard Strauss had the foresight to put down what he called his “10 Golden Rules for Young Conductors.” It’s a fairly comprehensive list in spite of being so short with pithy comments like, “Never look encouragingly at the brass.” Number three has always been the one that’s fascinated me most: “Conduct Salome and Elektra as if they were by Mendelssohn: Fairy music.” Seriously, how often has that happened? The average performance of Strauss’ Elektra reaches a decibel level akin to the landing deck of a fully functional aircraft carrier. I’ve even heard rumors that the John Culshaw produced ‘sonic-stage’ spectacular Decca recording with Georg Solti conducting and Birgit Nilsson’s all-out assault on the title role can be heard from space. Read more »
Christian Thielemann has proved himself to be the preeminent Strauss interpreter of the current generation of conductors and he’s in striking form here.
Zachary Woolfe (not pictured) makes his way to Bayreuth to try to unravel the Evgeny Nikitin mystery.
On Saturday I attended the premiere performance of a new production of Ariadne auf Naxos at the Festspielhaus in Baden-Baden, Germany. It was Renée Fleming’s debut in the title role…