Now we have considered the three “winners” in the Tristan video competition, let’s turn to the also-rans, or, to be more optimistic, the runners up. Read more »
La Cieca’s spies in Dresden (oh, they are legion!) report that there were HD cameras aplenty in the Semperoper at Wednesday night’s performance of Lohengrin, i.e., the one after the free “plazacast” last Sunday. This fact strongly indicates some kind of commercial release of the video, whether on a streaming service such as ARTE or else on disc for DGG (a label at which Anna Netrebko, Piotr Beczala and Christian Thielemann all have contracts, conveniently enough!)
In an unprecedented move, the Bayreuth Festival has named conductor Christian Thielemann official “Music Director,” according to a statement by festival spokesman Peter Emmerich quoted in Die Presse. Until now, Thielemann’s position has been that of “musical advisor” (musikalischer Berater.) Read more »
Christian Thielemann’s spirited, precise conducting and the superb, sumptuous playing of the Staatskapelle Dresden are the finest features of this strongly cast performance of Strauss’s Arabella.
Last night’s complete concert version of Die Csárdásfürstin from Dresden is viewable, after the jump.
Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.”
“Conduct Salome and Elektra as if they were by Mendelssohn: Fairy music.” Seriously, how often has that happened?
Christian Thielemann has proved himself to be the preeminent Strauss interpreter of the current generation of conductors and he’s in striking form here.
Zachary Woolfe (not pictured) makes his way to Bayreuth to try to unravel the Evgeny Nikitin mystery.