Headshot of La Cieca

Cher Public

  • steveac10: That is far from a valid comparison. The dramatic side of the opera is part and parcel of an... 9:16 PM
  • Don_Dano: I don’t believe that Houston plans to do a full cycle. I think the plan is to do one Ring... 9:10 PM
  • bronzino: And this, olli, is where we differ in spending our entertainment pound: I’m happy to pay to... 8:56 PM
  • Harold: And if you have to miss the HGO season, you can see it the following year in Chicago. 7:48 PM
  • Ruxxy: Show us yer tits! 7:21 PM
  • Clita del Toro: I was at the prima of that Berman production with my parents. Cast was:Siepi, Corena, Steber,... 6:40 PM
  • olliedawg: bronzino: I like the silence at the beginning of this “Rusalka, 221; plus the ambient... 6:35 PM
  • Arianna a Nasso: The Met’s Berman production of Don Giovanni was used for its 1978 telecast with... 6:32 PM
  • Hippolyte: I heard Nicholas Phan in last weekend’s live broadcast of Bernstein’s Candide from... 5:45 PM
  • Chanterelle: Of the principals I liked Stoyanova and Groissböck best. This Ochs isn’t totally deluded... 5:34 PM

It’s the pictures that got small

Norma in HD from Teatro Antico, Taormina, Italy. Pollione: Gregory Kunde; Oroveso: Giacomo Prestia; Norma: Chiara Taigi; Adalgisa: Irina Lungu; Clotilde: Katia Lytting; Flavio: Massimiliano Chiarolla. The Chorus of Francesco Cilea, directed by Bruno Tirotta; The Festival Euro Mediterraneo Symphony Orchestra.” [Opera in Cinema]

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »