Cher Public

  • danpatter: If memory serves, her mother insisted she was born one day previous to that listed on her birth certificate. So not a huge... 6:02 PM
  • armerjacquino: And Alex Kelly, who doesn’t have the technique of an opera singer but is the only Cunegonde I’ve ever heard... 5:58 PM
  • armerjacquino: It doesn’t bother me in the slightest what you think, you’re a stranger. That’s quite a solipsistic... 4:53 PM
  • aulus agerius: Today I’m watching the YT of Perfect American and my response is similar – just a lot of talking over subdued... 4:51 PM
  • grimoaldo: I know it bothers you that I don’t like musicals, you will just have to go ahead and think badly of me, I don’t... 4:49 PM
  • aulus agerius: It’s the narrator in Candide that caused me to walk out last time. The time before that I enjoyed it – which... 4:47 PM
  • armerjacquino: Well, there you go. If a few mics mean you can dismiss a whole genre (complete with dismissive quote marks round the word... 4:38 PM
  • Krunoslav: I am aware that many divas back then changed their birth years ( Albanese, Kirsten, Steber, Verrett) and am aware of the... 4:33 PM

It’s the pictures that got small

Norma in HD from Teatro Antico, Taormina, Italy. Pollione: Gregory Kunde; Oroveso: Giacomo Prestia; Norma: Chiara Taigi; Adalgisa: Irina Lungu; Clotilde: Katia Lytting; Flavio: Massimiliano Chiarolla. The Chorus of Francesco Cilea, directed by Bruno Tirotta; The Festival Euro Mediterraneo Symphony Orchestra.” [Opera in Cinema]

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »