Headshot of La Cieca

Cher Public

  • sfmike: Here’s another vote for the “Galina̶ 1; autobiography, one of the most wild,... 1:50 AM
  • SilvestriWoman: Could Speight be going to San Francisco??? 1:32 AM
  • mrsjohnclaggart: I should be clear, it was not Alagna getting through “Part Two”. 12:40 AM
  • Guestoria Unpopularenka: No, dear, you’re way past that age. 12:35 AM
  • Henry Holland: I went the Staatsoper Billy Budd in 2011 and Shicoff was a fantastic Captain Vere. I was so... 12:01 AM
  • Flora del Rio Grande: You don’t mind a little irony now and then, do you sport? In fact, I do give him... 12:00 AM
  • operaassport: If Speight is an Old Master, I must be Albert Einstein. 11:53 PM
  • mrsjohnclaggart: Thank you, Della Casa Fan (of course I AM she); I am sorry to see DSS (“we are made... 11:53 PM
  • Henry Holland: I went to the Long Beach production, there was no kerfuffle I could see. From Wikipedia... 11:49 PM
  • mrsjohnclaggart: Backstage observer said that Alagna fell and hurt himself and asked if he could leave after... 11:46 PM

It’s the pictures that got small

Norma in HD from Teatro Antico, Taormina, Italy. Pollione: Gregory Kunde; Oroveso: Giacomo Prestia; Norma: Chiara Taigi; Adalgisa: Irina Lungu; Clotilde: Katia Lytting; Flavio: Massimiliano Chiarolla. The Chorus of Francesco Cilea, directed by Bruno Tirotta; The Festival Euro Mediterraneo Symphony Orchestra.” [Opera in Cinema]

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »