Cher Public

  • lorenzo.venezia: Manou – as an American Jew I fear Persepolis et al are places I’ll have to enjoy through photographs ;-) 2:19 PM
  • grimoaldo: Thank you dear Camille,you are so sweet. “Princess Ida” has very lovely music,more lyrical than most of the other... 2:10 PM
  • manou: Just checking I have got rid of the bold attack 1:48 PM
  • manou: 1:47 PM
  • manou: Thanks so much for this, lorenzo – we also went to Pasargadae (which is a bit of a disappointment). The tribunes built for... 1:47 PM
  • Camille: Vous savez, Monsieur NPW P.–Our Own BILL is currently, (or was very recently) in Budapest and seeing this very opera. He... 1:43 PM
  • kashania: Thank you as always for a delightful read, Greg. And I now know a new Yiddish word. Must try to work “ongepotchke t”... 1:41 PM
  • lorenzo.venezia: NPW/Manou: Time Capsule: “One of the nicest things Richard Nixon ever did for Spiro [Agnew, his disgraced convicted... 1:30 PM

It’s the pictures that got small

Norma in HD from Teatro Antico, Taormina, Italy. Pollione: Gregory Kunde; Oroveso: Giacomo Prestia; Norma: Chiara Taigi; Adalgisa: Irina Lungu; Clotilde: Katia Lytting; Flavio: Massimiliano Chiarolla. The Chorus of Francesco Cilea, directed by Bruno Tirotta; The Festival Euro Mediterraneo Symphony Orchestra.” [Opera in Cinema]

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »