Cher Public

  • Sanford: You know, no one worships Moffo more than I do but that wasn’t her finest hour. 12:40 AM
  • grimoaldo: Yes, utterly wonderful, thank you SO much CC and La C for posting this. As for the Troyanos/Anderson Cesare, never knew of... 12:22 AM
  • overstimmelated: Thank you so much – had always wished I could hear this again – and on this recording, one can! Does a tape... 10:33 PM
  • Ingrid Delaria: Alessandra Marc sang in a Washington National Opera concert of scenes and arias at Strathmore in Bethesda, MD around... 10:10 PM
  • Jungfer Marianne Leitmetzerin: Due to popular demand, Monday’s “Parsifal 221; has been posted at my Mixcloud site:... 7:31 PM
  • Jungfer Marianne Leitmetzerin: Cami, the link to BR-Klassik has said – from Day 1 – “Aus rechtlichen Gründen ist dieses... 5:03 PM
  • Cocky Kurwenal: D’Intino was Amneris at my first ever visit to the ROH, as a young teenager. I’ve looked out for her ever... 5:01 PM
  • Krunoslav: Actually, “bol’s hie” is plural. 4:56 PM

It’s the pictures that got small

Norma in HD from Teatro Antico, Taormina, Italy. Pollione: Gregory Kunde; Oroveso: Giacomo Prestia; Norma: Chiara Taigi; Adalgisa: Irina Lungu; Clotilde: Katia Lytting; Flavio: Massimiliano Chiarolla. The Chorus of Francesco Cilea, directed by Bruno Tirotta; The Festival Euro Mediterraneo Symphony Orchestra.” [Opera in Cinema]

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »