Cher Public

  • Camille: Oh, so you walked, NPW? well, good for you. Life’s too short to suffer a bad performance is what I say. Don’t write... 8:40 PM
  • Camille: The singing on this one is really just about what I always want to hear but seldom do. I will keep this one for good. The color... 8:36 PM
  • Camille: I have two words: STOP IT! This is a brand new level of filth, one which is rare to encounter and usually only from the most... 8:31 PM
  • Camille: BRAVO, grimoaldo! I’m standing up as I say this. A delightful report chock filled with good things. I am hoping this will... 8:16 PM
  • Jungfer Marianne Leitmetzerin: Actually, I was in the house for the performance last Thursday and thought Giordani sounded much better (I... 7:46 PM
  • DonCarloFanatic: Enjoying it very much. Giordani sounds pretty good. Smaller house = less effortful singing? 7:25 PM
  • Jungfer Marianne Leitmetzerin: How about “Cackle and be Flat?” 6:35 PM
  • irontongue: Krunoslav and Marianne, right you are. Sorry; I should have checked the Met archive first. 6:06 PM

It’s the pictures that got small

Norma in HD from Teatro Antico, Taormina, Italy. Pollione: Gregory Kunde; Oroveso: Giacomo Prestia; Norma: Chiara Taigi; Adalgisa: Irina Lungu; Clotilde: Katia Lytting; Flavio: Massimiliano Chiarolla. The Chorus of Francesco Cilea, directed by Bruno Tirotta; The Festival Euro Mediterraneo Symphony Orchestra.” [Opera in Cinema]

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »