Headshot of La Cieca

Cher Public

  • ML: Wouldn’t know where to begin! About this case, platinum to gold is likely. Question is, what... 3:54 AM
  • La Cieca: Honestly, show me where my arguments have been black/white. In this case I think the concessions... 3:09 AM
  • ML: Pot calls kettle black. If this becomes a 12-month conflict, “Parterre Box presents La Cieca”... 2:39 AM
  • Lohengrin: Thank you Ciccibella, very interesting. Listen to: http://de.euronews .com/2014/07/10... 2:10 AM
  • Stefan: There have been many unpleasant things said by all parties – management, unions and on here... 1:42 AM
  • la vociaccia: It’s unfortunate just how aggressively major orchestras try to sell that angle of the War... 1:37 AM
  • La Cieca: Tell me more about your black-and-white, either-or, completely binary view of the world. 1:22 AM
  • mozartFreak: I’m just horrified at how many of you come here to voice your disdain and downright... 1:01 AM
  • mozartFreak: I’m just horrified at how many of you come here to voice your disdain and downright... 1:01 AM
  • Donna Anna: We saw the LOC Manon with Dessay and Kaufmann; both were wonderful. Dessay’s Manon was... 12:28 AM

It’s the pictures that got small

Norma in HD from Teatro Antico, Taormina, Italy. Pollione: Gregory Kunde; Oroveso: Giacomo Prestia; Norma: Chiara Taigi; Adalgisa: Irina Lungu; Clotilde: Katia Lytting; Flavio: Massimiliano Chiarolla. The Chorus of Francesco Cilea, directed by Bruno Tirotta; The Festival Euro Mediterraneo Symphony Orchestra.” [Opera in Cinema]

Fair, game

The Monday, 12th December, Weill Hall recital debut of Signora Chiara Taigi, a strikingly good looking Italian soprano, who had made her American operatic debut this past March, starring as Selika in the OONY production of Meyerbeer’s long-neglected L’Africaine, was something Your Own Camille had looked forward to with a high hopes and a faintly wondering glee, for several months now.   Read more »