
For better or worse, Decca’s new Norma recording
will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal. After all, few operatic roles prove as irresistible yet as fraught with obstacles to the modern diva as Bellini’s Norma.

This cozy DVD
of Il Barbiere di Siviglia was recently re-released and will be of interest to those who are only familiar with Cecilia Bartoli‘s work after she became an international star. The Bartoli who hand-picks somewhat arcane personal projects, restricts her operatic staged appearances, and marches to the beat of her own drum with her vocal idiosyncrasies is not the Cecilia Bartoli of this charming, if rather conventional and unadventurous video. Read more »
Winter Met sensation Pretty Yende does another jump-in this weekend, again in Le Comte Ory, but this time at the Theater an der Wien.
She’s been a showgirl, a bubble dancer, a drag king, and of course a maimed statue.
Yes, that’s the lovely and talented Cecilia Bartoli peeking out from under those bangs, offering us a glimpse of her first staged Cleopatra.
A rare production of Rossini’s Otello, with a perhaps even rarer stage performance by Cecilia Bartoli (in her role debut as Desdemona) should provide an interesting afternoon’s viewing this Thursday.
What’s the diminuitive of “Normina?” Well, you’d better start coining the word, because Cecilia Bartoli is recording Bellini’s Norma, with John Osborn, Sumi Jo and Michele Pertusi; leading the Orchestra La Scintilla will be, well, Bartoli mostly, but nominally in charge will be Giovanni Antonini.
A sneak preview of Cecilia Bartoli’s new
Cher Public