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  • Lohenfal: I attended a Levine Lohengrin in 1998 and agree that it was superior to what I heard on Sunday’s... 12:01 AM
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Racing with the moon

For better or worse, Decca’s new Norma recording will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal. After all, few operatic roles prove as irresistible yet as fraught with obstacles to the modern diva as Bellini’s Norma.

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Before her all Rome trembled

A sneak preview of Cecilia Bartoli’s new recording of Norma may be found on the website of The Guardian.

Prequel

This cozy DVD of Il Barbiere di Siviglia was recently re-released and will be of interest to those who are only familiar with Cecilia Bartoli‘s work after she became an international star. The Bartoli who hand-picks somewhat arcane personal projects, restricts her operatic staged appearances, and marches to the beat of her own drum with her vocal idiosyncrasies is not the Cecilia Bartoli of this charming, if rather conventional and unadventurous video.   Read more »

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Einspring can really hang you up the most

Winter Met sensation Pretty Yende does another jump-in this weekend, again in Le Comte Ory, but this time at the Theater an der Wien.

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The bald mezzo-soprano

She’s been a showgirl, a bubble dancer, a drag king, and of course a maimed statue.

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Space cadet

Yes, that’s the lovely and talented Cecilia Bartoli peeking out from under those bangs, offering us a glimpse of her first staged Cleopatra.

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No greater joy

A rare production of Rossini’s Otello, with a perhaps even rarer stage performance by Cecilia Bartoli (in her role debut as Desdemona) should provide an interesting afternoon’s viewing this Thursday.

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Casta divette

What’s the diminuitive of “Normina?” Well, you’d better start coining the word, because Cecilia Bartoli is recording Bellini’s Norma, with John Osborn, Sumi Jo and Michele Pertusi; leading the Orchestra La Scintilla will be, well, Bartoli mostly, but nominally in charge will be Giovanni Antonini.

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