Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic. Read more »
First, an admission. I do not love Elina Garanca’s voice. I admire it a great deal—the fluidity of tone across her registers, the effortless technique. But I only like the basic timbre; I cannot say I love it. What makes Garanca special to me is less the quality of her voice than the way she deploys her instrument.
In recent years, the voice has grown, transitioning from lyric to spinto. Revive is a manifesto of sorts, declaring her intentions for the new direction in her career. The aria choices are eclectic. Garanca covers both familiar ground and roads less travelled, even a couple of rarities. She offers tantalizing roles like Eboli, Dalila, and Charlotte, but not “O don fatale,” “Mon coeur s’ouvre a ta voix” or Charlotte’s Letter Aria. Read more »
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
Programming in solo CDs can range from the banal to the fascinating. On the one hand, one cannot fault the record companies for releasing single-composer arias discs that they know will move copies. After all, who doesn’t want to hear Anna or Jonas sing their way through Verdi and Puccini’s greatest hits?
On the other hand, singers like Joyce DiDonato repeatedly mine the repertoire for rarities which have not already been recorded dozens of time. And DiDonato always thinks thematically in putting a CD program together. Even her all-Rossini album focused on roles associated with Isabella Colbran, Rossini’s muse and wife. There was no Barbiere or Cenerentola to be found on that disc. Read more »
Anna Moffo made some of the most entrancing records ever. Their appeal is to “voice fanciers.” (I understand. We’re a despised group.) But Moffo’s best work renders us helpless.
Fans of divas who sing 19th and 20th century opera may find themselves searching in vain for CDs to buy with this season’s gift cards, since their idols so rarely put out solo recitals these days.
Das Rheingold is the outlier among the Ring operas, an ensemble work with a fast-shifting plot, animated dialogue, fewer set pieces and less character development.