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Cher Public

  • grandtier: In the house younwill not confuse them. ;-) 7:10 PM
  • grandtier: Excellent review, JJ. Was there Saturday night, (with godawful 9:00 PM curtain, SantaCon, and... 7:08 PM
  • damekenneth: And I have a summer house just 35 kilometers from Aarhus and shop and eat there regularly when... 6:46 PM
  • Lurker_del_Cairo: And the Met’s twitter reply begins with the following ironic statement: “As an... 5:55 PM
  • Dabrowski: I have been taking perverse pleasure over the last few days watching the troupe of extraordinarily... 4:47 PM
  • Lady Abbado: Ditto; + she never recorded RV, so I hope a German with an iPhone will record and upload it to... 4:22 PM
  • kashania: Yes, but I think that Gheorghiu is also very calculating with how much voice she uses. And... 4:12 PM
  • Lady Abbado: Funny that even though more and more observers say that Angie’ voice has shrunk lately,... 3:59 PM
  • armerjacquino: Lucic was terrific in the Met TROVATORE I saw- sounded the real Verdian deal to me. He and the... 3:55 PM
  • MontyNostry: Lucic was rather good as Luna on the DVD, as I remember. 3:48 PM

Bows and arias

Whenever opera-lovers are canvassed about what neglected operas they hunger to see revived, the resulting lists inevitably feature a goodly number of grand operas, those once wildly popular monstrosities–particularly by Meyerbeer–written primarily for Paris in the mid-19th century. Yet despite the enthusiasm of their advocates, these works have had a hard time regaining a place in the repertoire in the 21st century. Although a recent revival of Auber’s La Muette de Portici was well received at the Opéra-Comique in Paris, Covent Garden’s splashy new Robert le Diable by Meyerbeer flopped and the Met has never revived its 2003 production of Halévy’s La JuiveRead more »

In witch we serve

Countless episodes of Oprah and other programs of that ilk have dwelled on stories of women living in denial about their relationships. Unsurprisingly, many operas also deal with this phenomenon, one I was repeatedly reminded of during Sunday afternoon’s intermittently involving concert performance of Handel’s Alcina at Carnegie Hall starring an unusually intense Joyce DiDonato as a powerful sorceress blinded by her romantic delusions.   Read more »

Whispers and cries

Concert opera performances usually put the singers in front of the orchestra. The Vienna Philharmonic fills the stage with orchestra and puts the singers on raised platforms at either side. The reasoning, perhaps is: We were not at Carnegie Hall to hear superb opera singers bestow their vocalism upon Alban Berg’s Wozzeck; we are there to hear the Wiener Staatsoper’s house band work their magic upon an intricate, spooky, devastating score.   Read more »

roschmann

Theodora goes wild

Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio.

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bonfire

Light my foyer

Each year, Leon Botstein leads the American Symphony Orchestra in a concert opera or two.

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renee_blanche

Deliberate cruelty is unforgivable

André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.

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fabiano

Red sauce

La Cieca has put her little grey cells to work and deduced that Opera Orchestra of New York will present two performances next season…

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“Dark” victories

All La Cieca can say is that so very many of you here shine in diamond splendor, and she only hopes she can stream even a single ray of light into the night of your heart. The results of the “Ian Bostridge” competition are after the jump.

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Glitter and be blind

Which tenor twink was cruising everything in pants in the men’s room at Carnegie Hall tonight? And do you think he will behave thus when he returns to the Met later this season?

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Silvery Moon

The Berlin Philharmonic brought a spooky Halloween treat to New York on Thursday night, just a few days late. They are at Carnegie Hall for a three-night residency, offering the complete Brahms symphonies along with selected earlier works by that ugly duckling of Brahms disciples, Arnold Schoenberg. They are also far from home during Berlin’s anniversary celebrations of the fall of the Berlin Wall in 1989, having taken a prominent role in the celebration twenty years ago. And it was an American – one Leonard Bernstein – who conducted Beethoven’s Ninth at the Wall, famously supplanting the word Freiheit for [...]

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