Headshot of La Cieca

Cher Public

  • aulus agerius: PI, you leveled the same criticism at James Valenti, i.e. pulling back at what you consider to... 9:07 AM
  • Ilka Saro: It’s hard to resist drawing comparisons between Florez and Brownlee. I agree that Brownlee... 9:07 AM
  • WindyCityOperaman: Don’t know what’s wrong with Operbase. Also born on this day in 1882 conductor... 9:01 AM
  • WindyCityOperaman: Born on this day in 1819 composer Franz von Suppé httpv://www.youtub e.com/watch?v=Y... 8:55 AM
  • A. Poggia Turra: Earlier Olga at Pesaro: La scala de Seta: httpv://www.youtub e.com/watch?v=9crW RDkpqH4... 8:51 AM
  • doktorlehar: My pleasure, everyone. Copenhagen was charming. My visit wasn’t timed well, so I missed... 8:48 AM
  • RobNYNY: This video shows her strengths and weaknesses. Beautiful voice, clear diction, accurate pitch, but... 8:43 AM
  • la vociaccia: Or it’s just, you know, two different people with different opinions. Reports from the... 8:21 AM
  • norma54: Speaking as a SIRIUS listener …. Peretyatko often had no line in her voice, with bright vowels... 8:20 AM
  • OpinionatedNeophyte: The man is damned if he does, damned if he doesn’t. Before it was that the voice... 8:07 AM

Whispers and cries

Concert opera performances usually put the singers in front of the orchestra. The Vienna Philharmonic fills the stage with orchestra and puts the singers on raised platforms at either side. The reasoning, perhaps is: We were not at Carnegie Hall to hear superb opera singers bestow their vocalism upon Alban Berg’s Wozzeck; we are there to hear the Wiener Staatsoper’s house band work their magic upon an intricate, spooky, devastating score.   Read more »

Theodora goes wild

Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio. The orchestra’s usual immaculate music-making and the 24-member chorus’s radiantly hall-filling singing struggled to mitigate the disappointing unevenness of several of the soloists.   Read more »

Light my foyer

Each year, Leon Botstein leads the American Symphony Orchestra in a concert opera or two. His choices vary between two repertories: deeply obscure works or operas by Richard Strauss. On Sunday, at Carnegie Hall, the two circles of this Venn Diagram overlapped in a very rare display of Strauss’s second opera, Feuersnot (Need for Fire), in possibly its New York professional debut. Naturally, that drew quite a crowd.   Read more »

renee_blanche

Deliberate cruelty is unforgivable

André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.

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fabiano

Red sauce

La Cieca has put her little grey cells to work and deduced that Opera Orchestra of New York will present two performances next season…

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“Dark” victories

All La Cieca can say is that so very many of you here shine in diamond splendor, and she only hopes she can stream even a single ray of light into the night of your heart. The results of the “Ian Bostridge” competition are after the jump.

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Glitter and be blind

Which tenor twink was cruising everything in pants in the men’s room at Carnegie Hall tonight? And do you think he will behave thus when he returns to the Met later this season?

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Silvery Moon

The Berlin Philharmonic brought a spooky Halloween treat to New York on Thursday night, just a few days late. They are at Carnegie Hall for a three-night residency, offering the complete Brahms symphonies along with selected earlier works by that ugly duckling of Brahms disciples, Arnold Schoenberg. They are also far from home during Berlin’s anniversary celebrations of the fall of the Berlin Wall in 1989, having taken a prominent role in the celebration twenty years ago. And it was an American – one Leonard Bernstein – who conducted Beethoven’s Ninth at the Wall, famously supplanting the word Freiheit for [...]

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