Cher Public

  • mrsjohnclaggart: Brava, La Cieca! Humoresque one of my favorite movies and the story of my life, also one of Joan’s greatest... 1:47 PM
  • La Cieca: Yeah, an Ettinger/Audi “Tosca” ; is sure to be “Le sacre du primtemps” times a thousand. 1:43 PM
  • springspring: And of course I was talking about Angela. 1:37 PM
  • chicagoing: Watched the Richard Tucker Gala broadcast on PBS Friday evening and was pleased that honoree Jamie Barton not only sang well... 1:29 PM
  • springspring: My remark was addressed to Guiltier. 1:24 PM
  • springspring: After being married with an older man for almost 20ys, you shouldn’t say anything about boy toys. My opinion. 1:20 PM
  • redbear: Found this floating on the internet, allegedly the Paris Opera 16-17 season. I do not vouch for the contents or any spelling... 1:20 PM
  • Operanaut: Last year the announcement was made on Feb. 18, so next week would be my guess. As for the turntable it probably overheated... 1:19 PM

Aged in blood

Simply put, Christine Goerke is a stupendous Elektra.   Read more »

Elektral college

In preparation for the big night on Wednesday at Carnegie Hall, La Cieca thought the cher public might like to share some of their favorite Elektra videos and anecdotes. Your doyenne gets the ball rolling right after the jump.   Read more »

Lips together, teeth apart

The enigmatic half-smile that gives its name to Leonardo’s “La Gioconda” or Mona Lisa, his most famous painting, has been fancifully credited to many emotions. Is the lady daydreaming or flirting or pondering one of the painter’s anatomical diagrams? It has recently been suggested that she is Leonardo himself in drag, savoring a joke at our expense. Mr. Peabody, that Leonardo among canines, claimed she was suffering from toothache, and (as usual) he and his Wayback machine saved the day—it is true that until the advent of scientific dentistry, portraits were never painted with parted lips.   Read more »


Bows and arias

Whenever opera-lovers are canvassed about what neglected operas they hunger to see revived, the resulting lists inevitably feature a goodly number of grand operas, those once wildly popular monstrosities–particularly by Meyerbeer–written primarily for Paris in the mid-19th century.

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In witch we serve

Sunday afternoon’s intermittently involving concert performance of Handel’s Alcina at Carnegie Hall starred an unusually intense Joyce DiDonato as a powerful sorceress blinded by her romantic delusions.

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Whispers and cries

We were not at Carnegie Hall to hear superb opera singers bestow their vocalism upon Alban Berg’s Wozzeck; we are there to hear the Wiener Staatsoper’s house band work their magic upon an intricate, spooky, devastating score.

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Theodora goes wild

Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio.

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Light my foyer

Each year, Leon Botstein leads the American Symphony Orchestra in a concert opera or two.

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Deliberate cruelty is unforgivable

André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.

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Red sauce

La Cieca has put her little grey cells to work and deduced that Opera Orchestra of New York will present two performances next season…

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