Cher Public

  • Jungfer Marianne Leitmetzerin: Cami, the link to BR-Klassik has said – from Day 1 – “Aus rechtlichen Gründen ist dieses... 5:03 PM
  • Cocky Kurwenal: D’Intino was Amneris at my first ever visit to the ROH, as a young teenager. I’ve looked out for her ever... 5:01 PM
  • Krunoslav: Actually, “bol’s hie” is plural. 4:56 PM
  • Krunoslav: One other world-class Eboli, though she didn’t seem to linger long abroad ever: Lucia d’Intino, whose Met debut... 4:53 PM
  • Cicciabella: Do the Old Norse myths are banal gibberish. Now we know. 4:38 PM
  • Cocky Kurwenal: There’s no doubt that Barton can be phenomenally classy – I loved her in her Cardiff performances. But having... 4:35 PM
  • Nero Wolfe: I heard Marc in a recital and was blown away–not only by the quality of her voice but by the sheer volume she could put... 4:04 PM
  • Will: Watson as Resi in Munich just three years earlier in 1970 wasn’t perilous to these ears, and I was very happy to have... 2:54 PM

Opera Syria

Georgia JarmanAt the Caramoor Bel Canto Festival’s performance of Aureliano in Palmira (a North American premiere, I believe), a friend who doesn’t go to quite so much opera said, “The music’s fun, but doesn’t Rossini repeat himself?”  Read more »

Another nun bites the dust

“In the 19 seasons of ‘Bel Canto at Caramoor,’ the annual festival of concert performances at a sylvan country estate in Katonah, N.Y., the artistic mission has remained unchanged. It is rooted in Italian opera of the first half of the 19th century, in the vocally virtuosic bel canto style after which the event is named. And so the sudden and radical departure from that tradition this summer—a leap forward of more than a century to present the Francis Poulenc opera Dialogues des Carmélites—sounded ominous.” [New York Observer]

Something extramarital

Saturday evening conductor Will Crutchfield revived Donizetti’s La Favorite—unheard in New York for fifteen years—as part of his invaluable series “Bel Canto at Caramoor” leading an appealing cast and making a strong case as he had two years ago with Verdi’s Les Vêpres Siciliennes and Don Carlos for returning to the original version.   Read more »

Rigoletto by Giuseppe Verdi at Caramoor

Play your hunch

Bel Canto at Caramoor is something that I’ve always wanted to attend but never have because … well because frankly I’m just too lazy during the summers, and I’m also a big baby about outdoor performances.

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Meade as Lucrezia

The curse of drink

Two operas both alike in dignity, set in dimly lit Renaissance towns ruled by seething, conspiratorial courts.

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larmore

Eschorcher

Giuseppe and I have always had a complicated relationship.

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vesper

Les vêpres de Westchester

The big news from Bel Canto at Caramoor’s presentation of Les Vêpres Siciliennes last Saturday is far from unexpected.

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ruins

While you waste these precious hours

It has come to La Cieca’s attention that the New York Opera Calendar is sadly devoid of content until Saturday of this week.

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boulevard

All boulevards lead to Westchester

“Let’s go up to Westchester!”

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ah_paris

New York has neon, Berlin has bars, but ah! Caramoor!

This summer at Caramoor, Will Crutchfield (not pictured) will conduct two Verdi operas written for the Académie Royale de Musique.

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