Cher Public

  • m. croche: Probably been close to 20 years since I’ve seen this documentary, but recommended for Akhnateniks. Seems to be rentable... 3:02 AM
  • Howling in Tune: I remember an interview with one of the Einstein tour’s cast members. She said that memorizing was very difficult... 2:34 AM
  • Howling in Tune: What, no nekkid pix of Anthony Roth Costanzo? 2:31 AM
  • swordsnsolvers: Pretty good performance. Too bad about the narrator/poet role, who seems to alternate between histrionic, overdone, and... 10:35 PM
  • grimoaldo: httpv://www.youtub e.com/watch?v=Nrkq mu1GYjM Stoyanov sings “In Braccio Alle Dovizie” from the above performance.... 9:05 PM
  • grimoaldo: This conversation about one of the things I love the most in this world, Verdi’s Sicilian Vespers, led me to a really... 8:34 PM
  • phoenix: http://tinyurl.com /hbdykjz 7:56 PM
  • Jack Jikes: I was young and dumb when I saw this – i didn’t like it. Boy, was I wrong. Wonderful – in a realm to its own. 5:57 PM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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