Headshot of La Cieca

Cher Public

  • semira mide: Totally OT, sorry. Live stream of first performance of critical edition of Rossini’s... 5:14 AM
  • PushedUpMezzo: I know Spanish rake is a Don G reference, rhyming neatly with mannish fake; but Ildebrando is... 4:09 AM
  • steveac10: Hah! Good catch! Oddly, D’Arcangelo is one of my imaginary boyfriends (I have a virtual... 12:45 AM
  • mia apulia: indeed, lovely; in a period when recordings were left so much closer to what the singing... 12:34 AM
  • Krunoslav: Sylvia Sass under-recorded? MACBETH, ATTILA, BELFAGOR, BLUEBEARD’S CASTLE, DON GIOVANNI,... 11:59 PM
  • RobNYNY: Of course, Troyanos was a mezzo soprano, 11:22 PM
  • bluecabochon: The Oracle HAS SPOKEN. 11:19 PM
  • RobNYNY: Brooks. 11:17 PM
  • RobNYNY: I am not disappointed. It is just what I have come to expect of Freni. Beautiful voice, great stage... 11:16 PM
  • RobNYNY: I am not disappointed. It is just what I have come to expect of Freni. Beautiful voice, great stage... 11:15 PM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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