Headshot of La Cieca

Cher Public

  • ML: Wise ass. That was not my point. 2:02 AM
  • Poison Ivy: I’ve never thought of DG as playing out in real time, the way Who’s Afraid of... 1:56 AM
  • La Cieca: Well, to be sure, Donna Anna cannot properly marry while she is mourning her father, which means... 1:16 AM
  • Poison Ivy: Heres a pretty long review of the ROH DVD: http://operajourna l.blogspot.co.uk/2 014/09/mozart-... 1:11 AM
  • Poison Ivy: Well the thing is you (and I) might find the sextet unbearable/hypocri tical/preachy, but the... 12:59 AM
  • La Cieca: A theater that is doing the Prague edition of Don Giovanni. 12:52 AM
  • ML: What kind of house omits Mi tradì? 12:44 AM
  • ML: If you heard his Gurnemanz, you would know he is ready for Sachs — a role that benefits from the... 12:37 AM
  • Bill: Mrs. JC – what is wrong with having a weakness for Mara Zampieri? – she is the last great... 12:26 AM
  • Avantialouie: The only way I can make sense of “Don Giovanni” at ALL is for Don Giovanni to be... 12:15 AM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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