Headshot of La Cieca

Cher Public

  • Greg.Freed: I find it a little depressing etc. I never know when anyone’s kidding here anymore.... 3:08 AM
  • Cicciabella: Lady, last year’s concert was better. For one thing, she was alone. She came out, warmed... 2:47 AM
  • Cicciabella: O’Neill was very promising, covering at the Met for years. I don’t think he’s... 2:30 AM
  • Feldmarschallin: Germany or Sweden it’s all the same no? 2:26 AM
  • Feldmarschallin: Simply the Best: Tina Turner turns 75 today. She lives in Switzerland and has been living in... 2:24 AM
  • steveac10: You can thank our friend Friend for that nonsense. And it’s not just the covers. For... 2:06 AM
  • danpatter: I heard her live only once, a beautifully sung and very womanly Dalila opposite Jon Vickers at the... 1:26 AM
  • Guestoria Unpopularenka: I believe you mean Göteborg which is in Sweden. 1:21 AM
  • Baritenor: Every year I go down the Met Roster, and am SHOCKED by some of the names found as covers, many of... 1:20 AM
  • Guestoria Unpopularenka: Aleksandrina Milcheva is actually turning 80, her birth year listed is 1934. 12:40 AM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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