Headshot of La Cieca

Cher Public

  • Jungfer Marianne Leitmetzerin: It was just announced that Paolo Rumetz, who jumped in for Keenlyside on... 9:43 AM
  • aulus agerius: From what little of it I looked at, it appeared to be just Keenlyside doing Keenlyside, i.e.,... 9:40 AM
  • PushedUpMezzo: That’s nice to know! Was hoping for those ones with a chaise longue and a red velvet... 7:48 AM
  • Belfagor: Surely MTT’s strangest operatic contribution has been his championing of Rimsky-Korsakov... 7:39 AM
  • Buster: Great! Hope you enjoy your trip. Note that the boxes are unsuitable for manspreading. 7:01 AM
  • La Valkyrietta: Before someone (Kruno?) corrects me, your friend is not Richard but Henry. :) 6:19 AM
  • PushedUpMezzo: You two have finally convinced me. Will definitely try to get along to Liege for my first... 6:18 AM
  • La Valkyrietta: Another Zinka type anecdote. Your friend Richard lets out a fart in public, you tell him... 6:16 AM
  • DeepSouthSenior: I did a Google search on “Metropolita n Opera organ” and got some interesting... 5:39 AM
  • umangialaio: Feldmarschallin, where art thou? Searching words for ineffable Harteros? U 5:00 AM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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