Cher Public

  • mrsjohnclaggart: Oh, if only NPW-Paris!! I really LOVE Bank Ban, which I discovered in the older Simandy recording (he was a fine tenor,... 5:20 AM
  • NPW-Paris: Also: a) It’s easy to miss something on Parterre. Things get tucked away in a corner so quickly. Yesterday, for example,... 4:25 AM
  • mrsjohnclaggart: Thanks for your effort to comfort the comfortless. I still weep. (I think Goldmark was the more polished but slightly... 4:06 AM
  • NPW-Paris: Don’t hate too hastily: I think people are marvelling more, today, at Goldmark’s Wintermärchen and Erkel’s... 4:02 AM
  • mrsjohnclaggart: I hate, I warn you all. I mentioned Bank Ban WEEKS ago (NPW- PARIS agreed with me) and I was IGNORED!!! And now —... 3:56 AM
  • Buster: The Cologne Opera will not reopen until at least the 2018/19 season! Renovation costs are now expected to almost doubled the... 1:50 AM
  • antikitschychick: Thank you and no did not get stuck in List Hall lol. My friend and I were there early and everything went smoothly. My... 12:18 AM
  • SilvestriWoman: Second that… Only weeks ago, I saw Corbelli here in Lyric’s Cenerentola, and he blew me away. His voice was... 11:17 PM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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