Headshot of La Cieca

Cher Public

  • Camille: Pardon me, but is this Peter KazarAs, the former tenor who is associated with Seattle Opera, or... 10:01 PM
  • Camille: That reminds me, in the book Never sang for Hitler: The Life and Times of Lotte Lehmann, [Michael... 9:53 PM
  • DeCaffarrelli: A correction: I overlooked a passage in the Director’s Note where he mentoned the cuts... 9:45 PM
  • Camille: Yeay! Go Heidi go!!! Put these other byotches out of business! Bordeaux gets better than we do. I am... 9:36 PM
  • Camille: Very “own” version. Just like my typing. Perdona 9:34 PM
  • Camille: Jeanette singing this below was a prime gateway drug into the wonderful world of grand old opera.... 9:33 PM
  • Camille: I thought she was Brünnhildy??? She got the red wig from Debbie ‘n everything̷... 9:27 PM
  • Camille: London Bridges— 9:25 PM
  • Camille: Yeay and thanks much! I don’t care how cute he is, I still want Filianoti. I am standing by... 9:19 PM
  • Camille: I wish Seattle Opera would allow us that marvelous Rusalka from October 1990 with Big Ben and Renée... 9:16 PM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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