Headshot of La Cieca

Cher Public

  • actfive: Bang on about pre-Gelb marketing. Back in the early 80′s, I worked for the Met Ticket Service.... 8:37 PM
  • Sempre liberal: I haven’t lived through a lockout before. If some performances are cancelled, do... 8:30 PM
  • steveac10: “Bing also had his own white elephant Ring cycle that took seven years to produce” I... 8:25 PM
  • steveac10: On what authority can you confirm the Met is “out of cash”? There is a couple of... 8:16 PM
  • philomel: My prediction is it will be a combination of these, with the lockout being certain. We are being... 8:06 PM
  • La Cieca: Your argument would make sense if you could point to a Met GM (since Bing) who actually did have an... 7:42 PM
  • laddie: Thank you, powers that be. I just bought a plane ticket to go and see Le Nozze. 7:40 PM
  • La Cieca: And it should be noted that Bing was criticized a LOT for using theater directors, for replacing... 7:36 PM
  • steveac10: The thing is those “antiquated& #8221; productions you love (as do I) are precisely the... 7:35 PM
  • armerjacquino: The Met made a profit in 2011 and broke even in 2012, both right at the heart of the... 7:33 PM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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