Headshot of La Cieca

Cher Public

  • Constantine A. Papas: She meant to say that she was the only “pompousR 21; Afro-American soprano to... 2:49 AM
  • davenport: Not really what I would call a thrashing – but then this is what most people were hoping... 2:41 AM
  • La Cieca: This is one of my all-time favorite Broadway moments, and Alice Playten DEFINES star quality.... 12:39 AM
  • mia apulia: it is inspiring bronzino, that there are no “minority artists” for you–or... 12:39 AM
  • Krunoslav: Brava Alice Playten. As Alice Plotkin, she created the role of the child in the Met’s first... 12:39 AM
  • mia apulia: sh, phoenix, I remember Ella Lee very well from a wonderful recital, but I never got to hear her... 12:36 AM
  • warmke: There is. Otherwise known as: http://www.malabar .net/costumerental s.html Supplies most regional... 12:28 AM
  • Satisfied: http://www.nytimes .com/2015/04/21/th eater/review-renee -fleming-plays-aga inst-type-in-li... 11:26 PM
  • Satisfied: Not surprising but…The People’s Diva’s theatrical vehicle is getting a... 11:25 PM
  • Loge: The Wolf Kennst du das Land was an extraordinary encore. 11:11 PM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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