Headshot of La Cieca

Cher Public

  • La marquise de Merteuil: My fav clip from this documentary is where she sits on a chair trilling as Marsalis... 9:05 AM
  • Bill: Basso – The Hungarian State Opera in Cluj is a more modern building with a large repetory of... 9:04 AM
  • NPW-Paris: Oops, sorry, I hadn’t got that far yet. 9:02 AM
  • NPW-Paris: Or kebabs. 9:01 AM
  • La Valkyrietta: To save the HD, Gelb could have exercised the creativity Austrian censors used with Verdi... 8:45 AM
  • Dabrowski: I think this rather proves my point. Battle’s behavior was a symptom of her illness. I... 8:37 AM
  • semira mide: Sorry about the spurious “fa il ladro”. 7:52 AM
  • semira mide: Born on this day in 1812 in Venice! Rossini’s “L’Occ asione fa il ladro”... 7:50 AM
  • Howling in Tune: Jacqueline du Pré’s illness didn’t lead her to scream at other people. People would be... 5:55 AM
  • Howling in Tune: In the United States, at least, truth is an absolute defense against a libel charge. 5:47 AM

Good evening starshine

“Now, it seems, OONY is returning to its star-driven roots, opening its season last night at Carnegie Hall with superstars Angela Gheorghiu and Jonas Kaufmann in Cilea’s sentimental diva vehicle Adriana Lecouvreur. The have to be there quotient was boosted to the roof by the fact that this performance would be Gheorghiu’s only New York appearance of the season since she chose not to participate in the Met’s new production of Gounod’s Faust.”  Our Own JJ reflects on last evening’s Sternstunde in Capital New York.  (Photo: Stephanie Berger)

Wunderkinder in mirror are larger than they appear

Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)

The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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A Multitude of Roberts

“What prevents Company from being the greatest musical ever written (which, given the talents going into it, it certainly could have been) is that there is something central to the work that is false, a cheat.” Our Own JJ (not pictured) reveals his theater queen side in Capital New York.

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