Of all films to be adapted into operas, 1967’s Berserk! seems a most unlikely choice, particularly with Juan Diego Flórez in the role of tough-as-nails ringmistress Monica Rivers. Read more »
The video after the jump is all pretty fabulous, and I think we can all agree that this Anna Pirozzi is the real thing! But there are at least two scrumptious “Easter Eggs” for the connoisseur of operatic camp in the video as well, so let’s take a closer look! Read more »
The celebration of 50 years of the Mostly Mozart Festival at Lincoln Center includes “The Illuminated Heart,” a theatrical fantasy of Mozart operas and ensembles featuring Christine Goerke, Ana María Martínez, Matthew Polenzani and Peter Mattei; plus staged concerts of Così fan tutte and Idomeneo. Tickets and more information are at MostlyMozart.org. Read more »
“In naïve, or pure, Camp, the essential element is seriousness, a seriousness that fails. Of course, not all seriousness that fails can be redeemed as Camp. Only that which has the proper mixture of the exaggerated, the fantastic, the passionate, and the naïve.” (Susan Sontag) Read more »
The Deutsche Opera an Rhein production of Handel’s Xerxes (which is shared with the Berlin Komische Oper), though I saw it three nights ago, has taken a while to settle down in my brain.
My first experience with John Corigliano’s music was in high school with the ear and mind blowing score he wrote for Ken Russell’s film Altered States.
Christopher Alden‘s production of Handel’s Partenope is so erudite and theatrically audacious and also such a rollicking ride, it’s hard to believe it isn’t crap.
“I didn’t think anything could be campier than Adriana. But this is nothing but camp. Adriana at least has tunes.”
Your doyenne La Cieca (not pictured) invites you to our weekly discussion of off-topic and general interest subjects.
Unconcealed by the voluminous folds of this Jessyesqe muumuu is queen-sized talent Jeffery Roberson (also known as Varla Jean Merman.)