“After five flops in a row, Mr. McVicar continues to win new assignments from the Met: in the 2017-2018 season alone, he’s booked for Bellini’s Norma and Puccini’s Tosca, with Cilea’s Adriana Lecouvreur down the line.” [Observer]
A problem with scheduling an opera-intensive trip is that you don’t always hear and see the shows in optimum order. Ideally, a binge of opera should be programmed as carefully as a concert: something light to start, alternating demanding and less-demanding works, a big whopper of a show next to close, and then, you know, something encore-y to wind up. Read more »
Your doyenne and her faithful confidante Dawn Fatale are off later this week for a safari, seeking the wild Regie in its natural habitat. Fans of the box who might like to meet up with Dawn or little me during our peregrinations are advised to consult the itinerary after the jump. Read more »
In Mussorgsky’s Boris Godunov, all the Russian people starve and suffer, but none has suffering like the mental agonies of Tsar Boris.
The gripping Calixto Bieito/Kent Nagano production of Boris Godunov from the Bayerische Staatsoper—with authoritative Alexander Tsymbalyuk in the title role…