Headshot of La Cieca

Cher Public

  • Feldmarschallin: http://www.hamburg ballett.de/form/vo rschau_14_15.pdf Some interesting casting…... 5:02 AM
  • Cocky Kurwenal: I saw John Osborn sign Arnold in the 5,000 seat Royal Albert Hall very convincingly, so while... 4:48 AM
  • Feldmarschallin: Almost all reviews were positive from the Met including La Cieca. I have Yoncheva tomorrow... 4:38 AM
  • Regina delle fate: Oh – I forgot his Wexford appearances in Linda di Chamounix, Crispino e la Comare... 4:29 AM
  • Regina delle fate: This reminds me of the comparisons made 40 years ago between two of the leading Rossini... 4:27 AM
  • Regina delle fate: Can anyone remind me how Damrau’s Violetta was received at the Met? Her Covent... 4:10 AM
  • Regina delle fate: A likely story. 4:04 AM
  • Regina delle fate: Hehe Armerj! Good one! 4:03 AM
  • Cicciabella: I heard Ms Wagner in the house. I think her main virtues are a beautiful, silvery sound and the... 3:59 AM
  • m. croche: FWIW?the BLS indicates that about sixty percent of the American male workforce gets paid sick... 3:50 AM

God! what darkness dense!

The opening of Calixto Bieto‘s production of Fidelio at the English National Opera provides yet one more opportunity for the fraternity of British critics to flaunt their credentials as a passel of overeducated prats. (Photo: Tristram Kenton)

Von Kopf bis Fuss

La Cieca is happy to present the following ready-made blind item: “[Calixto] Bieito is soon to work with New York’s Metropolitan Opera, in another co-production with ENO, but the details of what, when and how are closely guarded – possibly due to the likely degree of resulting fuss.” [The Independent]

Camino unreal?

Peter Gelb says Calixto Bieito will direct at the Met. (“Calixto Bieto und Robert Lepage werden auch wieder an der MET inszenieren.”) [Kurier, via Intermezzo]

"It's obvious you're not a woman."

O Engländer! Seid ihr nicht Toren…

As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.

Read more »

boris_munich

Just a little touch of tsar quality

The gripping Calixto Bieito/Kent Nagano production of Boris Godunov from the Bayerische Staatsoper—with authoritative Alexander Tsymbalyuk in the title role…

Read more »

Tsymbalyuk

A tsar is born

Vot tsar’ vash!” Here is your Tsar, the 38-year-old Ukranian bass Alexander Tsymbalyuk.

Read more »

boris_munich

Ring them bells

The new Boris Godunov from the Bayerische Staatsoper (directed by Calixto Bieito and conducted by Kent Nagano) looks absolutely remarkable.

Read more »

carmen_eno

“Where was Liam Joshua?”

Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.

Read more »

walt-disney_mickey-mouse

ENO is enough

The repertory for the upcoming season of the English National Opera (also known as “Peter Gelb‘s shopping list”) boasts the world premiere of a new opera by Philip Glass, The Perfect American, which imagines the last days of Walt Disney.

Read more »

camino_1

The world is your balloon

If it wasn’t anything special as art or even entertainment, Lyric Opera of Chicago’s recent production of Rinaldo (March 24) does offer an excellent peg on which to hang an argument about the future of opera in America.

Read more »