Following the jump, about 45 minutes of highlights from last week’s telecast of Bizet’s opera from the Gran Teatre del Liceu, as sung by Fabio Armiliato, Béatrice-Uria Monzon, Maria Bayo and Kyle Ketelsen, directed by Calixto Bieito. Read more »
A reminder to the Regie-fanciers among the cher public: this afternoon at 19:45 (1:45 PM EDT), the Munich Festival will present a live webcast of Fidelio featuring Anja Kampe (Leonore) and Jonas Kaufmann (Florestan) with Adam Fischer conducting the Bayerische Staatsorchester. The production is directed by Calixto Bieito! UPDATE: The webcast player is now on the Bayerische Staatsoper website.
Our Own JJ (not pictured) gets the Staatsoper Stuttgart experience off his chest, to the tune of about 4,000 words, in his new blog post at Musical America.
Included is a massive and (one hopes) final deconstruction of the Calixto Bieito Parsifal.
Our own JJ (not pictured) has finally begun to unburden himself on the subject of the recent, much-discussed “Regietournee.” For reviews of Die Entführung aus dem Serail, Rusalka and Cosi fan tutte in Berlin, please go to Musical America‘s Rough and Regie. (Photo: Monkia Rittershaus)
You have spoken, parterrriani, and your message is loud and clear: Calixto Bieito should be tapped to direct the 2013 Bayreuth production of Der Ring des Nibelungen (seen here in artist’s conception.)
First night in Berlin, since the feared jet lag did not, in fact, do your doyenne in, was spent at the Komische Oper seeing Die Entführung aus dem Serail in the “notorious” Calixto Bieito production. La Cieca’s opinion?
One of La Cieca’s favoritest bloggers in the whole wide world, Opera Cake, takes on the task of reviewing and explicating the “tough” Calixto Bieito production of Aïda, now running in Basel. And another scribe rapidly moving up in the ranks, Likely Impossibilities, takes a different but equally valid approach.
“Aida am Rhein,” an outdoor on-location live presentation of Verdi’s opera, with the cast of the current Calixto Bieito production in Basel. (So far as I can tell, Bieito didn’t direct the film or the outdoor spectacle, but presumably some of the dramatic ideas of his production were carried over into this performance.)
Cher Public