Our retrospection will now be all to the future Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

on October 22, 2012 at 2:18 PM
War is peace. Freedom is slavery. Regie is Eurotrash. War is peace. Freedom is slavery. Regie is Eurotrash.

Venerable Opera magazine had better watch its ass, since the publication’s “We Hear That” column will probably be getting a “visit” from the Met’s thugs goons legal counsel any minute now.

on July 10, 2012 at 4:53 PM

Though Brad Wilber‘s lamented site is no more, opera gossip refuses to die. For example, La Cieca has just heard that for an upcoming opening night at the Metropolitan Opera a beloved and (that word again!) charismatic tenor will return to the house after a six season absence. So now you know more or less …

on August 19, 2011 at 1:00 PM

The controversy over the demise of Brad Wilber‘s Met Futures site goes mainstream, thanks to (who else?)  Zachary Woolfe.

on August 16, 2011 at 12:15 PM

All this talk about girls and ladies prompted La Cieca to turn (not for the first time!) to Brad Wilber’s Met Futures Page, freshly updated just a couple of days ago. So detailed and fascinating is Brad’s vision of the future that La Cieca is inspired to invite the cher public to play a little…

on February 02, 2011 at 3:26 PM

Not to scoop Brad Wilber (if such a thing were possible!) but La Cieca has just heard that the much-discussed opening night of the Met’s 2012-13 season has been settled. Starring in a new Bartlett Sher production of L’elisir d’amore will be Anna Netrebko, Matthew Polenzani and Mariusz Kwiecien, with Dulcamara and conductor TBA.

on January 18, 2011 at 3:47 PM

The updates on Brad Wilber‘s new Met Futures page are arriving almost daily now, with perhaps the most startling recent news the “removal” of Juan Diego Flórez from a projected new production of I puritani in April 2014. But there’s more to it, after the jump.

on December 17, 2010 at 10:35 AM