Headshot of La Cieca

Cher Public

  • Flora del Rio Grande: Well done, Gualtier. Thank you. I had forgot about the Goerke-Soviero tuition, and yes... 5:08 PM
  • Maury D: Death in Venice or: the only opera that has ever given me a non-metaphorical headache. 5:01 PM
  • Flora del Rio Grande: Yes, aulus, it was Agrippina! I agree with you about that season and several others... 4:48 PM
  • marshiemarkII: what’s wrong with “flattenR 21; as in lay them supine with pleasure, carisssima... 4:45 PM
  • manou: It’s the “flattenR 21; that bothers me – surely that can’t be the aim? 4:36 PM
  • marshiemarkII: “If she is wearing silk and satin she can flatten any Latin…” Now that’s definitely my... 4:17 PM
  • marshiemarkII: My beloveds all, the gurl shall be back next week, that I promise! hugs to all :-P 4:09 PM
  • Clita del Toro: Today my partner, Mike forced me to buy tickets for four operas at LOC this season: 6... 4:02 PM
  • Gualtier M: I have several times wanted to throw my panties onstage during performances of “Hansel und... 3:53 PM
  • Henry Holland: Thanks so much for posting that JML, a terrific performance. I really liked the conducing and... 3:52 PM

Our retrospection will now be all to the future


La Cieca predicts you will be seeing more of the same old puritans at the Met next season, and she’s not just talking about the ones who slouch around during intermission hissing, “You call that a trill?” But uou will also see six new productions (including a Met premiere of a 21st century work) and the local debut of one of opera’s most controversial stage directors. Read more »

War is peace. Freedom is slavery. Regie is Eurotrash.

Venerable Opera magazine had better watch its ass, since the publication’s “We Hear That” column will probably be getting a “visit” from the Met’s thugs goons legal counsel any minute now.  For that’s what happens, isn’t is, to anyone who dares to speculate in print about future Met seasons? Well, whilst we anxiously await the news that the staff of Opera have been roughly awakened in the middle of the night and dragged off to  Room 101, let’s take a peek at their predictions. Read more »

Not too distant

Though Brad Wilber‘s lamented site is no more, opera gossip refuses to die. For example, La Cieca has just heard that for an upcoming opening night at the Metropolitan Opera a beloved and (that word again!) charismatic tenor will return to the house after a six season absence. So now you know more or less  when, all you have to figure out is where, oh where.

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Back to the “Futures”

The controversy over the demise of Brad Wilber‘s Met Futures site goes mainstream, thanks to (who else?)  Zachary Woolfe.

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Future events such as these will affect you in the future

All this talk about girls and ladies prompted La Cieca to turn (not for the first time!) to Brad Wilber’s Met Futures Page, freshly updated just a couple of days ago. So detailed and fascinating is Brad’s vision of the future that La Cieca is inspired to invite the cher public to play a little game.

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Una furtiva chiacchiera

Not to scoop Brad Wilber (if such a thing were possible!) but La Cieca has just heard that the much-discussed opening night of the Met’s 2012-13 season has been settled. Starring in a new Bartlett Sher production of L’elisir d’amore will be Anna Netrebko, Matthew Polenzani and Mariusz Kwiecien, with Dulcamara and conductor TBA.

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Futurino

The updates on Brad Wilber‘s new Met Futures page are arriving almost daily now, with perhaps the most startling recent news the “removal” of Juan Diego Flórez from a projected new production of I puritani in April 2014. But there’s more to it, after the jump.

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