La Cieca predicts you will be seeing more of the same old puritans at the Met next season, and she’s not just talking about the ones who slouch around during intermission hissing, “You call that a trill?” But uou will also see six new productions (including a Met premiere of a 21st century work) and the local debut of one of opera’s most controversial stage directors. Read more »
Venerable Opera magazine had better watch its ass, since the publication’s “We Hear That” column will probably be getting a “visit” from the Met’s
thugs goons legal counsel any minute now. For that’s what happens, isn’t is, to anyone who dares to speculate in print about future Met seasons? Well, whilst we anxiously await the news that the staff of Opera have been roughly awakened in the middle of the night and dragged off to Room 101, let’s take a peek at their predictions. Read more »
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
Though Brad Wilber‘s lamented site is no more, opera gossip refuses to die. For example, La Cieca has just heard that for an upcoming opening night at the Metropolitan Opera a beloved and (that word again!) charismatic tenor will return to the house after a six season absence. So now you know more or less when, all you have to figure out is where, oh where.
The controversy over the demise of Brad Wilber‘s Met Futures site goes mainstream, thanks to (who else?) Zachary Woolfe.
All this talk about girls and ladies prompted La Cieca to turn (not for the first time!) to Brad Wilber’s Met Futures Page, freshly updated just a couple of days ago. So detailed and fascinating is Brad’s vision of the future that La Cieca is inspired to invite the cher public to play a little game.
Not to scoop Brad Wilber (if such a thing were possible!) but La Cieca has just heard that the much-discussed opening night of the Met’s 2012-13 season has been settled. Starring in a new Bartlett Sher production of L’elisir d’amore will be Anna Netrebko, Matthew Polenzani and Mariusz Kwiecien, with Dulcamara and conductor TBA.