Headshot of La Cieca

Cher Public

  • Guestoria Unpopularenka: Only 1 night. Why? I have no clue. 3:34 AM
  • La Cieca: Selecting video clips for the “On this day” feature is difficult: how, for example, is... 3:17 AM
  • Cicciabella: Finally! Soneone who likes Haroutounian for herself and not because she comes to the aid of an... 2:41 AM
  • Angelo Saccosta: Me too, Quanto. It all started for me on March 31, 1956, Manon Lescaut with Licia and Jussi. 2:08 AM
  • basso profundo: He has a decent voice but, having met him, I’m not sure if “good-lookin g”... 1:14 AM
  • Guestoria Unpopularenka: LOL @ the bows after Celeste Aida. Who’s this tenor? 12:54 AM
  • katya toyanova: San Francisco Opera review: Soprano’s magnificent ‘Tosca’ debut http://www.sfga... 12:50 AM
  • katya toyanova: Review: Lianna Haroutounian Triumphs as Tosca – San Francisco Opera, October 23, 2014... 12:33 AM
  • katya toyanova: Cast Conductor: Yannick Nézet-Séguin Elisabeth de Valois: Lianna Haroutounian Eboli: Nadia... 12:31 AM
  • Krunoslav: Oops! Thanks, Scared Monster– I now realize I confused him with Adam Diegel. I did hear... 12:19 AM

The voice of the pundit

Our Own Dawn Fatale (artist’s conception, above) will take to the airwaves of Bloomberg Radio this evening at 9:00 pm to discuss the Met’s current woes. You can listen on Sirius XM Channel 119. online, or on your iPhone or Android phone.

UPDATE: this interview is now available as a podcast (after the jump.) Read more »

It’s over

“New York City Opera, created 70 years ago as the ‘people’s opera,’ expects to file for bankruptcy protection on Oct. 2 and either liquidate in court or be sold to another institution, its lawyer said.” [Bloomberg]

Even smiling makes my face ache

Call it brio, joie de vivre, zest, élan vital, perhaps Lebenslust. You might even call it “fun.” But no matter what you call it, that’s not the mood Renée Fleming was in when she dropped in for lunch with Muse at Bloomberg.

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It’s not where you start

The Metropolitan Opera expects to achieve a balanced budget in 2011, the first for the company since 2004. In other good news, contributions and grants were up about 21% between 2009 and 2010; program service revenue rose about 6% in the same period. Maestro James Levine took a 5% pay cut, sending his 2010 compensation tumbling to only $1.5 million. [Bloomberg]

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The trappings and the suits of NYCO

At a time when New York’s opera companies are supposed to be going into estivation (I mean, Peter Gelb is in Vietnam, for heaven’s sake!) there’s certainly no lack of breaking news about New York City Opera. Today’s heart-rending roundup, after the jump. 

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