Headshot of La Cieca

Cher Public

  • kashania: Lawrence Zazzo sang Gluck’s Orfeo in Toronto a few years ago (and Oberon before that) and my... 3:35 PM
  • skoc211: Renee is coming to Broadway: http://artsbeat.bl ogs.nytimes.com/20 14/12/22/renee-... 3:29 PM
  • Camille: Most honoured Jungfrau! Oh yes, I shall certainly give it a listen—I was inquiring of... 3:28 PM
  • messa di voce: Yeah, but if anyone replied, it got lost in one of these endless threads. Wonder if Levine... 3:25 PM
  • Howling in Tune: I remember wiry unsteadiness in Bejun Mehta’s voice going all the way back to the... 3:09 PM
  • Jungfer Marianne Leitmetzerin: Well, m’dear, we are all entitled to our opinions and tastes. I happen to find... 2:40 PM
  • manou: On Twitter there is no place for prolixity. I sometimes wish there was less place for it here. 1:57 PM
  • MontyNostry: Warwick Thompson is unusually succinct. 1:48 PM
  • manou: Back to the ROH Ballo (and not to heap Pelion upon Ossa) – here are more comments from their own... 1:31 PM
  • Camille: Speaking of Amsterdamer Manon Lescauts—this is the recording where I happened, alone and untutored... 1:25 PM

How cher the public

You know, the commenters at parterre.com (pictured) may get a bit testy from time to time, but at least nobody here says stuff like, oh, for example, It is time that Mr. Levine and Mr. Gelb take leave and put the Met in the hand of managers who understand and treausre the traditional opera offerings and stop experimenting with off beat gay oriented trash productions better suited for small expermental venues.”  [wqxr.org]

Blood and Sandow

Friend and friend-in-law of parterre box Greg Sandow pours the oil of calm and rational analysis upon the troubled waters of the Met’s current labor negotiations (Oh heav’ns, can I make it out of this metaphor alive?) in the most recent installment of his always excellent (not to mention eponymous) blog.

Loo! Here the Gentle Lark

“First night is three weeks away which suggests the theatre is ready. It isn’t. But it is no less ready than it ever is; I just don’t ever stop being anxious about it. Carpets are down (yes, carpets) and a biblical scale clean is about to ensue. These are the things that occupy me. Toilets, too. Toilets occupy me a great deal because, well, this is England after all and they matter.” [Opera diaries]

La Boheme

Spring will be a little late this year

La bohème  is such a popular romantic opera that hardly anyone ever notices that Mimì and Rodolfo undergo what in modern terms would be called speed dating.

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statler_waldorf

Blessings counted

On the rare occasions when La Cieca has an issue with a commenter or commenters on this site, she has only to remind herself that things could be a whole lot worse.

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negative_canard

The opposite of canard is truth

“Is Parsifal, then, a religious artwork, or is it a work ‘about’ religion?”

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dowager

Don’t be defeatist, dear

“After attending the dress rehearsal in London I wrote the following to Mr Carsen to give him the opportunity to make changes.”

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didonato

Equal temperament

On the occasion of “the greatest party for Classical Music on the planet,” the Last Night of the Proms, mezzo Joyce DiDonato quietly (but audibly) takes a stand for equality.

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grooving

Transparency

Opera Teen (pictured, second from left) is not kidding us: he had an interview with Peter Gelb.

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zerbinetta_thumb

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit…”

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