“One of the most highly-regarded pianists of our time, Grigory Sokolov, has refused to accept the Cremona Music Award 2015 because it has previously been awarded to the blogger Norman Lebrecht.” [Gramophone]
You know, the commenters at parterre.com (pictured) may get a bit testy from time to time, but at least nobody here says stuff like, oh, for example, “It is time that Mr. Levine and Mr. Gelb take leave and put the Met in the hand of managers who understand and treausre the traditional opera offerings and stop experimenting with off beat gay oriented trash productions better suited for small expermental venues.” [wqxr.org]
Pyrotechnics abound when Angela Meade stars in Opera Orchestra of New York’s production of Donizetti’s tragic love story, Parisina d’Este, conducted by OONY founder Eve Queler on May 4, 2016 at the Frederick P. Rose Hall at Jazz at Lincoln Center. OONY last performed this opera in 1974 starring Montserrat Caballé. The remaining cast features a group of young international artists including American tenor Aaron Blake in the role of Ugo, Chinese baritone Yunpeng Wang in the role of Duke Azzo, Serbian bass Sava Vemic in the role of Ernesto, and American Soprano Mia Pafumi in the role of Imelda. Don’t miss this thrilling, rare Donizetti gem.! Remaining tickets are on sale at the Jazz at Lincoln Center box office. Read more »
Friend and friend-in-law of parterre box Greg Sandow pours the oil of calm and rational analysis upon the troubled waters of the Met’s current labor negotiations (Oh heav’ns, can I make it out of this metaphor alive?) in the most recent installment of his always excellent (not to mention eponymous) blog.
“Toilets occupy me a great deal because, well, this is England after all and they matter.”
La bohème is such a popular romantic opera that hardly anyone ever notices that Mimì and Rodolfo undergo what in modern terms would be called speed dating.
“Is Parsifal, then, a religious artwork, or is it a work ‘about’ religion?”
“After attending the dress rehearsal in London I wrote the following to Mr Carsen to give him the opportunity to make changes.”