Headshot of La Cieca

Cher Public

  • Porgy Amor: In Monastyrska’ s defense, while she’s not exactly a born stage animal, she can be... 1:57 AM
  • antikitschychick: Dawbrowski, this is a very cogent and thought-provoking post (and in my defense I did... 1:46 AM
  • Guestoria Unpopularenka: Oh, no, you didn’t, gurl! Antikitschgirl is coming for your wig. 1:42 AM
  • Krunoslav: “not that many Marzellines have moved up to Fidelio” Only Met example: Metropolitan... 1:23 AM
  • Dabrowski: This is an illuminating discussion. Thanks, all! Pavarotti died with a fortune of 250 million... 12:45 AM
  • La Cieca: I’ll try to explain myself once, and then I’ll leave it. I’ve used that word... 12:34 AM
  • antikitschychick: LOL hurrah for you Porgy! :-). Also, Queen DiDo is a kewl name. 12:28 AM
  • laddie: OPERA CAKE – I cannot find my recording of that Hoffman; if anyone has any clues where I can... 12:25 AM
  • antikitschychick: “Or you could, on the other hand, do the constructive thing of comparing her to a... 12:24 AM
  • laddie: yes, and I listened to that Onegin broadcast very closely and no matter what’s in the head,... 12:22 AM

And I am telling you I am not belting

Mezzo-soprano Stephanie Blythe

“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.” [NY Post]