Headshot of La Cieca

Cher Public

  • ML: It’s actually Médée, en français, and it’s high on my list of never-seens too. 2:33 AM
  • Walther von Holzhaufen: Lady Abbado, in my opinion, steveac10 and Krunoslav are right on the money. I would... 2:00 AM
  • guy pacifica: Not sure where this will land, but I have a question for the Parterriani. Today I made final... 1:31 AM
  • Camille: Thank you so much, phoenix. It meant a treat deal to me to hear the sounds of home I hope the Met... 1:20 AM
  • schweigundtanze: I’ve heard much worse Violettas than the Jaho excerpts posted here (which is not to... 12:44 AM
  • DonCarloFanatic: Thanks. I enjoyed hearing it. 11:19 PM
  • ML: As you said weeks ago, in effect, they got greedy. Still, I’m surprised they didn’t put... 11:15 PM
  • ML: Anything Goes doesn’t go at an opera company. 11:10 PM
  • ML: Butterfly is a symphony: lousy conductor (i.e. nearly always) = lousy Butterfly. It is no coincidence... 11:00 PM
  • ianw2: Heavily discounted in Sydney, and that’s after the in-built walk-up benefit of the Opera House... 10:39 PM

And I am telling you I am not belting

Mezzo-soprano Stephanie Blythe

“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.” [NY Post]