Headshot of La Cieca

Cher Public

  • La Cieca: The thing is, there is more to life than conducting at the Met, and for that matter more to musical life... 2:24 PM
  • la vociaccia: Clita I love you. That is all. 2:23 PM
  • perfidia: Yes, but Sinopoli was a surprise and he was only fifty five. A conductor especially can work as long as... 2:18 PM
  • Camille: I followed Gatti with my score three or four times. I still don’t know what he was up to. Not my... 2:17 PM
  • Camille: Indeed, but that old damper pedal can be dispensed with, up to a certain point anyway, during coachings... 2:16 PM
  • marshiemarkII: Clitisssssssssimis sssima ADORATA WELCOME BACK!!!! I hope you are here to stay! Loveya intensely! 2:13 PM
  • Clita del Toro: I wrote the diatribe: You have some nerve calling Zampieri “overrated.& #8221; You never... 2:10 PM
  • Camille: Certainly, there have been plenty of conductors who have died “in the saddle” so to... 2:10 PM

And I am telling you I am not belting

Mezzo-soprano Stephanie Blythe

“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.” [NY Post]