Headshot of La Cieca

Cher Public

  • m. croche: And, to avoid misunderstanding, I should perhaps have used a word like “canon” ;... 3:52 AM
  • m. croche: I’d say that the question of which composers were “writing for the ages” has... 3:41 AM
  • bronzino: It’s the ‘M’ word, isn’t it? ‘Marketing&# 8217;. Gasp. And yet. Can... 1:13 AM
  • La Cieca: Among opera composers, I don’t think anyone much consciously wrote “for the... 11:30 PM
  • La Cieca: Nonsense. Everyone knows Daniels is a daddy. 11:19 PM
  • irontongue: The only Meyerbeer staging of the last century except for L’Africaine in 1900, 1901, 1907,... 11:14 PM
  • Poison Ivy: Godfrey: Do you mind telling me just what a scavenger hunt is? Irene: Well, a scavenger hunt is... 10:24 PM
  • phillyof: Bronzino ( and all ): Naturally, I asked about the revisions to the work post-Santa Fe, but... 10:20 PM
  • Quanto Painy Fakor: You have no idea who my favorites are and you are definitely not among them. 10:15 PM
  • Indiana Loiterer III: As to your last question: topicality is big these days in all the arts and has been... 10:12 PM

And I am telling you I am not belting

Mezzo-soprano Stephanie Blythe

“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.” [NY Post]