Cher Public

  • DonCarloFanatic: Now I confess that early in my opera appreciation days I found the flower song in Carmen completely boring. I... 10:05 AM
  • aulus agerius: I’d go to that in a heartbeat. But you’d really have to stay awake and pay attention – no texting! 9:58 AM
  • zinka: httpv://www.youtub e.com/watch?v=wQRp 1Q-iy3A Here I go again….When I find them..I go nuts..Note the slight “glottal... 9:28 AM
  • armerjacquino: The Konwitschny production I saw at ENO cuts the ballet. It’s an option. 8:39 AM
  • La Valkyrietta: gay pacifica, I think so. Directors seem to consider those matadors in Traviata very much needed as a breather between... 8:27 AM
  • armerjacquino: Thing is, there would never be any consensus over what were the ‘boring bits’ (eg I love the ‘Fumee... 7:49 AM
  • Will: It’s a very respectable, well-sung traditional production with a good orchestra and very nicely conducted by Susan Davenny... 7:10 AM
  • ipomoea: I attended MARTHA after the BSO livestream MANON LESCAUT — a schizoid experience! MARTHA is well-staged, well-sung, and a... 7:00 AM

And I am telling you I am not belting

Mezzo-soprano Stephanie Blythe

“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.” [NY Post]