Headshot of La Cieca

Cher Public

  • Cocky Kurwenal: She recorded it on some sort of C19th diva tribute album, making some strenuous point about... 11:16 AM
  • m. croche: Another day, another opera company whitesplaining to people of color that their racist opera is... 11:15 AM
  • Cocky Kurwenal: I think most of Nilsson’s famous studio recordings come off as slightly... 11:12 AM
  • kashania: It’s definitely not subtle but I love the “all-out assault” approach. It is just... 11:11 AM
  • Milady DeWinter: I totally agree with you, steveac10 – where the hell IS Gilmore and why not on the... 11:06 AM
  • MontyNostry: You know what, I never liked the legendary Solti/Nilsson recording. I just tend to think of it... 11:04 AM
  • CwbyLA: I thought #3 was Horne, too but then i though to myself that it was not possible. I had no idea she... 11:01 AM
  • Patrick Mack: And the production from Aix comes out on video at the end of August. http://www.amaz... 10:57 AM
  • La Cieca: The leading roles are sort of specialist material: there are only a couple of star sopranos in the... 10:55 AM
  • Cocky Kurwenal: Don’t forget there has been another recording of Elektra with Herlitzius in the title... 10:53 AM

And I am telling you I am not belting

Mezzo-soprano Stephanie Blythe

“Since the 1918 premiere of Puccini’s Il Trittico, only two divas at the Met dared to sing the leading roles in all three of its one-act operas: Renata Scotto, a supreme vocal stylist, and Teresa Stratas, a magnetic singing actress. On Friday, Patricia Racette, who is not quite either of these things, took the plunge.” [NY Post]