Bel canto fanciers, diva fanatics and freebie queens alike will be delighted to hear that the Met is offering 2,500 gratis tickets to the September 22 open dress rehearsal of Donizetti’s Anna Bolena, starring Anna Netrebko in the title role.
By La Cieca
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At long last, the most closely guarded secret of 2011 (besides, you know, everything about what’s going to happen to City Opera) is about to be revealed. Ladies and public, the Second Annual Parterre Cher Public Choice Awards!
By La Cieca
Now that it’s more or less official that Elina Garanca is dropping out of the Met’s production of Anna Bolena, it’s obviously up to you, the cher public, to decide who should inherit the role. In interest of gathering the broadest range of opinion on this crucial subject, a poll follows the jump.
By La Cieca
A quick clip from today’s telecast of Anna Bolena; unfortunately the sound is slightly out of synch and the stage director is more than slightly “Kulturbanause.” But, still: Anna!
By La Cieca
Three of the Met’s most cunning vocalists, Juan Diego Flórez, Joyce DiDonato and Diana Damrau, wrap their tongues around the trio from Le Comte Ory.
By La Cieca
Repertory for “Bel Canto at Caramoor” 2011: H.M.S. Pinafore and Guillaume Tell.
By La Cieca
As we all already know (those of us addicted to Brad Wilber‘s Met Futures, and who among us is not?) the Metropolitan Opera already has plans to produce two operas of Donizetti’s so-called “Tudor Trilogy.” Anna Bolena opens the 2011-2012 season featuring Anna Netrebko (left) and Maria Stuarda follows on the following season starring Joyce…
By La Cieca
Very few things intrigue me as much as analyzing belcanto operas, comparing their several versions and examining the composers’ second thoughts, modifications and revisions that, willingly or unwillingly, they made to their scores. I was already salivating when I heard that the Teatro Comunale di Bologna was going to perform Vincenzo Bellini’s I Puritani in…
Were the Swan of Catania as immortal as his melodies, he would be would be 209 years old today! Admirers of the “King of Cantilena” are invited to follow La Cieca’s example and post YouTube clips of favorite Bellini morceaux.
By La Cieca
“After a sketchy start to the season, the Met hit its stride on Friday with a revival of Donizetti’s Don Pasquale that’s as crisp as autumn in New York.” [New York Post] (Photo: Ken Howard/Metropolitan Opera)
By La Cieca
“The director of Anna Bolena is looking for two (2) well-defined muscular men of impressive size to be two stags with antlers wrestling onstage shirtless and barefoot.” [Art&Seek]
By La Cieca
In light of all the recent discussion of Norma, La Cieca thought it would be interesting to listen to a great (and controversial) Druidess of the recent past.
By La Cieca
“…by any standard, Meade’s is a very fine Norma — and, as a first attempt at this Mount Everest of a role, it’s simply a miracle.” [New York Post]
By La Cieca
La Cieca (pictured) can hardly muster a messa di voce after the overwhelming torrent of entries in the “You Can Ring My Bel Canto” competition, but after hours of careful consideration and hobnobbing with my fellow doyennes, I have finally come do a decision as to who should be considered a prima inter pares.
By La Cieca
Since last night marked the debut of history’s newest and perkiest interpreter of the role of Norma, and (more to the point) since Bellini’s druid priestess will grace the woods of Katonah, NY during the month of July, La Cieca thought it would be exciting to organize a YouTube competition on the theme of bel…
By La Cieca
1817 was a fertile and diverse time for 26 year old Gioachino Rossini. It opened with his last true opera buffa, La Cenerentola, continued with his most important semiseria, La gazza ladra, and ended with two operas, which, although both nominally belonging to the seria genre, could not be more different from each other.
Sometime in the late 1950s, the management at Glyndebourne had the good idea to make archival recordings of the performances there, and these recordings, duly remastered and transferred to digital form, are gradually coming before the public through Glyndebourne’s house label. Thus it is that we find ourselves with this early release, a recording of…
What is it about Natalie Dessay, La Cieca wonders, that provokes journalists to badmouth La sonnambula?
By La Cieca
Christof Loy’s dreamlike, pared-down production of Donizetti’s 1833 masterpiece Lucrezia Borgia, created for the Bayerischen Staatsoper, is brought to life on Medici DVD from performances in July 2009. The DVD of the performance is accompanied by another hour-long DVD, The Art of Bel Canto: Edita Gruberova, which includes some fascinating rehearsal and performance footage of…
By Henson Keys
The results of the Repertory Poll are in! Squirrel asked which three Old Operas you would most like to see staged at the New New Met, and the people have spoken! Results after the jump.
By squirrel
It’s no easy easy task to “re-review” one of the most discussed and scrutinized opera productions of the last few years. Mary Zimmerman’s mise-en-scène of Donizetti’s Lucia di Lammermoor has been extensively examined since it was chosen to inaugurate the 2007/08 season of the Metropolitan Opera, provoking very mixed reactions both from the professional critics…
Attached you will find the song lineup for last night’s Aprile Millo recital, though as the saying goes, there were some changes to the printed program. The first half went more or less as planned, though after the R. Strauss a man exiting the auditorium tripped and fell in the aisle, hit his head on…
By La Cieca
Erstwhile opera blogger Nick Scholl (aka Trrill) is currently live-tweeting the Poisson Rouge “Sacrificium” launch party!
By La Cieca
Joyce Di Donato‘s latest release is a CD entirely devoted to music Rossini composed for his first wife, Isabella Colbran, one of the most celebrated divas of the early 19th century.
