Headshot of La Cieca

Cher Public

  • k0000: “grandiloque nt” isn’t the word you want here; it means “pretentious ,”... 11:46 AM
  • Milady DeWinter: So glad you finally caught up with “Night at the Opera”, AntiK- what a great... 11:14 AM
  • Milady DeWinter: Oh, I wish whoever has that Isotta would open the treasure chest. I think I even like to... 11:12 AM
  • La Cieca: Perhaps you will be so kind as to share documentation of how Verdi conceived Rigoletto should look... 10:44 AM
  • CerquettiFarrell: The whole thing is on Tube. It leaves me utterly cold, as no performance of this work... 10:40 AM
  • CerquettiFarrell: I had posted this very early on, a day or two after seeing the concert live on Mezzo.... 10:38 AM
  • CerquettiFarrell: LOL Dame Kiri tries her best hand at impersonating Joan Crawford, 20:00 And her... 10:34 AM
  • Jungfer Marianne Leitmetzerin: It was just announced that Paolo Rumetz, who jumped in for Keenlyside on... 9:43 AM
  • aulus agerius: From what little of it I looked at, it appeared to be just Keenlyside doing Keenlyside, i.e.,... 9:40 AM
  • PushedUpMezzo: That’s nice to know! Was hoping for those ones with a chaise longue and a red velvet... 7:48 AM

The case of the missing Amelia

“In the space of a few words, the leading role in a major new production had been reassigned. But why?” Zachary Woolfe explores “the byzantine world of opera casting.” [New York Times]