Headshot of La Cieca

Cher Public

  • redbear: See above. The religious freedom of forced marriages at 10 or 12 and genital mutiliation? That is... 11:09 AM
  • redbear: Dabrowski. Another question. We know that almost every Muslim woman goes without a veil in France,... 11:06 AM
  • messa di voce: Doesn’t administration, in conjunction with singers and conductors, plan what they want... 10:58 AM
  • Quanto Painy Fakor: Too bad there was no New York City Opera to produce this piece. They needed the... 10:47 AM
  • MontyNostry: I was thinking kebabs. Here in the UK people talk about ‘having a doner’ when the... 10:46 AM
  • LittleMasterMiles: I assume the reference is to the announcement in the program and on the website,... 10:29 AM
  • LittleMasterMiles: You’re right: a backstory makes a character human; it doesn’t justify his... 10:23 AM
  • CwbyLA: pasavant, what you said about veil not being required by Muslim law is incorrect. What is said in... 10:07 AM
  • Poison Ivy: I think mamoud’s monologue is the closest to a “backstory&# 8221; but his actions... 10:00 AM
  • Dabrowski: This sort of rationalization for France’s racist law is no different from the Russian claim... 9:53 AM

The case of the missing Amelia

“In the space of a few words, the leading role in a major new production had been reassigned. But why?” Zachary Woolfe explores “the byzantine world of opera casting.” [New York Times]